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“It’s something you kind of get used to”: female academics at South African universities narrate their experiences of contrapower harassment
Number of Objects: 1
“Just trying to live our lives”: gay, lesbian and bisexual students’ experiences of being “at home” in university residence life
Number of Objects: 1
“Like walking barefoot on the gravel road”: the experience of caring for a child with physical disabilities
Number of Objects: 1
“Mother of the Nation”: representations of womanhood in South African media
Number of Objects: 1
“Munhu wese ihama yako (everyone is your relative)”: Ubuntu and the social inclusion of students with disabilities at South African universities
Number of Objects: 1
“Ndingumfana osemncinci, kodwa ndizibonile izinto”
Number of Objects: 1
“Needs must”: Critical reflections on the implications of the Covid19 “pivot online” for equity in higher education
Number of Objects: 1
“New ways of telling”: African textual forms and dissemination in the age of digital media
Number of Objects: 1
“Not the story you wanted to hear": reading chick-lit in JM Coetzee’s Summertime
Number of Objects: 1
“Ntombazana, ugayela bani?”: ubunzululwazi beentsimbi
Number of Objects: 1
“Oh, you have a ‘she’?”: exploring the lived experiences of black same-sex females living in Grahamstown, South Africa
Number of Objects: 1
“Peer pressure” and “Peer normalization” : discursive resources that justify gendered youth sexualities
Number of Objects: 1
“Perceptions on the role of practical and simulated learning in promoting successful entrepreneurship”
Number of Objects: 1
A “place in which to cry”: the place for race and a home for shame in Zoë Wicomb's Playing in the Light
Number of Objects: 1
“Please don’t show me on Agataliiko Nfuufu or my husband will beat me like engalabi (long drum)”: young women and tabloid television in Kampala, Uganda
Number of Objects: 1
The “Pleasure Streets” of exile: queer subjectivities and the body in Arthur Nortje’s London poems
Number of Objects: 1
“Political risk and banking sector performance in Nigeria”
Number of Objects: 1
“Pragmatic yet principled”: an assessment of Botswana’s Foreign Policy record as a small state
Number of Objects: 1
“Rwanda cannot be exorcised”: representations of the trauma of the Rwandan Genocide in selected films and novels
Number of Objects: 1
“Savage” hair and mothers’ hearts: a corpus-based critical discourse analysis of intersectional identities in two South African school setworks
Number of Objects: 1
“She is my sister although she’s got factory faults”: a psychosocial study of Xhosa women’s sister-sister relationships
Number of Objects: 1
“Something past provoked by something to come”: the dystopian complex in selected texts by Lauren Beukes
Number of Objects: 1
“Still haven't found what I am looking for”: rural black students' perceived work readiness and assessment of labor market access
Number of Objects: 1
“Technological perspectives of a balanced scorecard for business incubators: Evidence from South Africa”
Number of Objects: 1
“Telling freedom” or “telling the spades back home how to behave”? re-examining Peter Abrahams’s writing in London
Number of Objects: 1
“The Bag Is My Home”: recycling “China Bags” in contemporary African art
Number of Objects: 1
“The Hellenistic ruler cult and Ptolemy I’s quest for legitimacy”
Number of Objects: 1
“The scales were peeled from my eyes”: South African academics coming to consciousness to become agents of change
Number of Objects: 1
“The stranger at home” : representations of home and hospitality in three South African post-transitional novels
Number of Objects: 1
“The surprising involvement of the outsider”: an examination of pessimism and Schopenhauerian ethics in J. M. Coetzee’s Waiting for the Barbarians and Joseph Conrad’s Under Western Eyes
Number of Objects: 1
“The Two Cultures reunited: entomology for everyone”
Number of Objects: 1
“There are certain things that I just know that I have to do because we are brothers”: a discourse analysis of young black men’s engagement with popular representations of brotherhood
Number of Objects: 1
“This may not be your grandmother’s page, but we will definitely talk about her”: Lusaka women and the Zambian Feminists Facebook page
Number of Objects: 1
“Turn on” fluorescence enhancement of Zn octacarboxyphthaloyanine-graphene oxide conjugates by hydrogen peroxide
Number of Objects: 2
“Un-silencing queer Nigeria”: Representations of queerness in contemporary Nigerian fiction
Number of Objects: 1
“Unexpected vicissitudes”: a discursive biography of Noni Jabavu
Number of Objects: 1
“War of the worldly codes”: articulating the gap between legal academia and practice
Number of Objects: 1
“We’ve Tamed the World by Framing It”: Islam, ‘Justifiable Warfare,’ and situational responses to the war on terror in selected post-9/11 novels, films and television
Number of Objects: 1
“When the rainbow is enuf”: black postgraduate women’s experiences and perceptions of higher education and institutional culture – a case study of Rhodes University
Number of Objects: 1
“Why me, Lord?”: some social factors associated with the receipt of a donor heart in South Africa
Number of Objects: 1
“Willing victims”: a study of Zimbabwean migrant workers in the citrus industry of the Sundays River Valley, Eastern Cape
Number of Objects: 1
“Wishy-washy liberalism” and “the art of getting lost” in Ivan Vladislavić’s Double Negative:
Number of Objects: 1
“Womxn like me are made”: politics and poetics in Claudia Rankine’s Citizen
Number of Objects: 1
“Workers’ strikes and collective bargaining: a study of the SAMWU municipal worker strike of 2018, Port Elizabeth, South Africa”
Number of Objects: 1