- Title
- I want to believe there is a girl here under the table
- Creator
- Asfour, Fouad-Martin
- ThesisAdvisor
- Wessels, Paul
- Subject
- Creative writing (Higher education) South Africa
- Subject
- South African fiction (English) 21st century
- Date
- 2017
- Type
- Thesis
- Type
- Masters
- Type
- MA
- Identifier
- http://hdl.handle.net/10962/7190
- Identifier
- vital:21227
- Description
- Written in non-linear fragments, my thesis is what Audre Lorde in her novel Zami calls a "biomythography" - the weaving together of myth, history and biography in epic narrative form, a style of composition that represents all the ways in which we perceive the world. Using repetition and shifting memories, I draw from my bicultural upbringing in Offenbach, a city in Germany populated mostly by migrants, as well as my experience of working in art and culture internationally, travelling and living in different countries. Interrogating objects, buildings, family photographs, books and movies, and listening to the silences of the unvoiced, I upset and play with experiences of othering, assumptions and expectations about identity and ask questions about home, belonging and migration, mother tongue and translation. I draw inspiration from Korean American artist Theresa Hak Kyung Cha's use of texts, documents and images to explore dislocation and memory, as well as authors who engage language, translation and belonging such as Mikhail Shishkin, Yoko Tawada, Gloria Anzaldua and Mohammed Khair-Eddine.
- Format
- 102 pages, pdf
- Publisher
- Rhodes University, Faculty of Humanities, Institute for the Study of English in Africa
- Language
- English
- Rights
- Asfour, Fouad-Martin
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Collections
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| Thumbnail | File | Description | Size | Format | |||
|---|---|---|---|---|---|---|---|
| View Details | SOURCE1 | MACW 2016_FOUAD ASFOUR_THESIS_0401_library | 820 KB | Adobe Acrobat PDF | View Details |