- Title
- Pitied plumage and dying birds : the public mourning of national heroines and post-apartheid foundational mythology construction
- Creator
- Kerseboom, Simone
- ThesisAdvisor
- Baines, Gary F, 1955-
- Subject
- Women heroes -- South Africa
- Subject
- Nationalism -- South Africa
- Subject
- Nationalism and collective memory -- South Africa
- Subject
- Post-apartheid era -- South Africa
- Subject
- Women political activists -- South Africa
- Subject
- Dead -- Political aspects -- South Africa
- Subject
- Critical discourse analysis
- Date
- 2015
- Type
- Thesis
- Type
- Doctoral
- Type
- PhD
- Identifier
- vital:2625
- Identifier
- http://hdl.handle.net/10962/d1019884
- Description
- The original contribution of this thesis is the examination of the official construction of a post-apartheid foundation myth through the analysis of the dead body politics of five iconic South African women that spans the three presidencies that have defined South Africa’s democratic era. This thesis examines the death and funeral of Albertina Sisulu, the return and burial of Sara Baartman, and the commemoration of Charlotte Maxeke, Lilian Ngoyi, and Helen Joseph. Sisulu, Baartman, Maxeke, Ngoyi, and Joseph have been constructed as heroines and as foundational figures for the post-apartheid nation in official rhetoric. It will contend that the dead body politics of these women not only informs a new foundational mythology, but also features in the processes of regime legitimation when the ANC-dominated government faces strong societal criticism. Although such official expressions of nationalism may appear exhausted, this thesis will show that nationalism remains a powerful and dangerous force in South Africa that attempts to silence opposition and critical analysis of perceived failing government policies or inaction. This thesis will indicate that as women’s bodies and legacies are appropriated for nationalist projects they are subsumed in discourses of domestic femininity in official rhetoric that dangerously detract from women’s democratic rights and their ability to exercise responsible and productive citizenship in the post-apartheid state. It will argue that women’s historic political activism is contained within the meta-narrative of ‘The Struggle’ and that women are re-subsumed into the patriarchal discourses of the past that are inherited in the present. This thesis approaches this topic by considering a top-to-bottom construction of post-apartheid nationalism through applying feminist critical discourse analysis to official rhetoric articulated at the public mourning and commemorative rituals of these five women.
- Format
- 352 leaves, pdf
- Publisher
- Rhodes University, Faculty of Humanities, History
- Language
- English
- Rights
- Kerseboom, Simone
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| Thumbnail | File | Description | Size | Format | |||
|---|---|---|---|---|---|---|---|
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