- Title
- ‘There is nothing to hold onto here’: complicity and vulnerability in Gavin Krastin’s On Seeing Red and Other Fantasies (2015)
- Creator
- Smit, Sonja
- Date
- 2018
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/156352
- Identifier
- vital:39981
- Identifier
- DOI: 10.1080/10137548.2018.1553626
- Description
- In this article, I analyse some of the ways in which Gavin Krastin’s On Seeing Red and Other Fantasies (2015) engages with outrage and protest in a self-reflexive way. The idea of art as means to question and institute change in society, is contentious and my discussion here focuses on how forms of resistance, are easily subsumed within a capitalist context.
- Format
- 16 pages, pdf
- Language
- English
- Relation
- South African Theatre Journal, Smit, S., 2018. ‘There is nothing to hold onto here’: complicity and vulnerability in Gavin Krastin’s On Seeing Red and Other Fantasies (2015). South African Theatre Journal, pp.1-15., South African Theatre Journal volume number 1 15 2018 2222-3436
- Rights
- Publisher
- Rights
- Use of this resource is governed by the terms and conditions of the South African Journal of Economic and Management Sciences Statement (https://sajems.org/index.php/sajems/pages/view/policies#part_4)
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Thumbnail | File | Description | Size | Format | |||
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View Details | SOURCE1 | There is nothing to hold onto here.pdf | 633 KB | Adobe Acrobat PDF | View Details |