- Title
- Seeing Fictions in Film
- Creator
- Jones, Ward E
- Subject
- To be catalogued
- Date
- 2013
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/275711
- Identifier
- vital:55072
- Identifier
- xlink:href="https://doi.org/10.1080/00048402.2013.818044"
- Description
- Although its subtitle refers to an ‘epistemology of movies’, the claim at the heart of George M. Wilson’s dense and penetrating book is a bit of sophisticated phenomenology concerning our experience of narrative fiction films [Chs 2–4]. This phenomenological claim he calls the ‘Imagined Seeing Thesis’. When we watch narrative fiction films, we imagine that we are seeing real motion picture shots of the fictional events being portrayed.
- Format
- computer, online resource, application/pdf, 1 online resource (2 pages), pdf
- Publisher
- Taylor and Francis Online
- Language
- English
- Relation
- Australasian Journal of Philosophy, Jones, W.E., 2013. Seeing Fictions in Film: The Epistemology of Movies, by George M. Wilson: Oxford: Oxford University Press, Australasian Journal of Philosophy, 91(3): 628 - 629, Australasian Journal of Philosophy volume 91 number 3 p. 628 2013 1471-6828
- Rights
- Publisher
- Rights
- Use of this resource is governed by the terms and conditions of the Taylor and Francis Online Terms and Conditions Statement (https://www.tandfonline.com/terms-and-conditions)
- Rights
- Open Access
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- Visitors: 270
- Downloads: 30
Collections
Jones, Ward (Prof)
RU Department of Philosophy
| Thumbnail | File | Description | Size | Format | |||
|---|---|---|---|---|---|---|---|
| View Details | SOURCE1 | Seeing Fictions in Film.pdf | 158 KB | Adobe Acrobat PDF | View Details |