- Title
- Xavier Livermon, Kwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South Africa
- Creator
- Fourie, William
- Subject
- To be catalogued
- Date
- 2022
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/484383
- Identifier
- vital:78901
- Identifier
- xlink:href="https://doi.org/10.4000/transposition.7203"
- Description
- Bodies in motion, bodies in space, performing bodies, bodies enunciating a new political order: these are the subjects thrown into sharp relief in Xavier Livermon’s Kwaito Bodies: Mastering Space and Subjectivity in Post-Apartheid South Africa. An important contribution in a time when the Black body has (re)gained significant attention across the world, the book provides a visceral investigation into Black youth culture in postapartheid South Africa. In particular, it focuses on kwaito, a genre of music which came to define the early post-apartheid cultural imaginary, as a mediator of the Black body and draws on fifteen years of immersive ethnographic research in the country.
- Format
- computer, online resource, application/pdf, 1 online resource (4 pages), pdf
- Publisher
- Open Edition Journals
- Language
- English
- Relation
- Musique et Sciences Sociales, Fourie, W., 2022. Xavier Livermon, Kwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South Africa. Durham and London, Duke University Press, 2020, 288 p. Transposition. Musique et Sciences Sociales, (10), Musique et Sciences Sociales volume 10 2022 2110-6134
- Rights
- Publisher
- Rights
- The purpose of the Website is to enable publishers to publish an online digital journal containing papiers in the humanities and social sciences and to publish articles in the same field (https://journals.openedition.org/?lang=en)
- Rights
- Open Access
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Thumbnail | File | Description | Size | Format | |||
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View Details | SOURCE1 | Kwaito Bodies.pdf | 69 KB | Adobe Acrobat PDF | View Details |