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The artistic forms of the image of war

- Graham, H J

Authors: Graham, H J
Date: 1968-03
Subjects: Uncatalogued
Language: English
Type: Master's theses , text
Identifier: http://hdl.handle.net/10962/191267 , vital:45077
Description: War is a condition of this world. From man to the smallest insect, all are at strife, yet man has a "quality which makes him overlord of all; for whereas the creatures of the forest and plain kill only to eat, or to lead the herd ... man will kill for no reason at all. This makes him terrible among the creatures, for he is the very God of Destruction. And from man's pride in his weapons that give him power has grown his art." Warfare in its primeval state is a direct result of a natural phenomenon, springing from the discovery that certain grass seeds could be cultivated and that certain grass feeding animals could be domesticated. From these roots sprouted two very differently organised communities, the agricultural and the pastoral, who clashed for the first time in the third millenium B.C. , Thesis (MFA) -- Faculty of Humanities, Fine Art, 1968
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Death situations in the short story : a study in structure

- Ruthrof, Horst

Authors: Ruthrof, Horst
Date: 1968
Subjects: Short story , Death in literature
Language: English
Type: Thesis , Doctoral , PhD
Identifier: vital:2313 , http://hdl.handle.net/10962/d1013108
Description: In an article on Ernst Cassirer, Konstantin Reichardt says, Since form is the only rational factor of every art, and the form of each art manifests a specific order, 'the order and form of the arts are to be investigated, if we want to examine the artist's imagination at work and the architecture of the world of art. It is the aim of this thesis to cast some light on a small, yet beautiful building within the complex architecture of this world of art, the genre of the short story. To isolate its structural and generic characteristics in general, however, would entail an analytical investigation into a huge number of short stcries, a task too great to be tackled in a thesis. Intro., p. 8.
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Die sielkundige aanpassing van drie groepe Bantoes volgens die Rorschach toets

- Du Preez, Pieter Hendrik

Authors: Du Preez, Pieter Hendrik
Date: 1968
Subjects: Rorschach test Black people -- South Africa -- Psychology Ethnopsychology
Language: Afrikaans
Type: Thesis , Doctoral , PhD
Identifier: vital:3203 , http://hdl.handle.net/10962/d1011495
Description: Die huidige belangrike rol wat die Bantoe van Afrika in internasionale sake speel, is welbekend. So ook die belangrikheid van die Suid-Afrikaanse Bantoe. Hierdie belangrikheid van die Bantoe het egter verbasend skielik en vinnig gekom, so vinnig dat wetenskaplike kennis van hom as mens, nie kon tred hou nie, met die gevolg dat die beskaafde wereld hom swak ken. Die doel van hierdie proefskrif is dan ook om meer Iig te probeer werp op die persoonlikheid van die Bantoe en die lnvloed wat die snel veranderende omstandighede op hom uitoefen. Ten einde die maksimum waarde uit die Rorschach toets wat aangewend is, te verkry, is dlt nodig om beide die determinants berekenings sowel as die inhoudsanalise in berekening te bring. Vir navorsingsdoeleindes waar die resultate van verskeie proefpersone saamgevoeg word in verskiIlende groepe, is dit egter 'n moelIike taak om die gegewens kwantitatief hanteerbaar te kry. Dit is die rede waarom in hierdie studie van ordeskale gebruik gemaak is wat vir die doel heel doeltreffend blyk te gewees het.
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Form and symbol in ancient Egypt

- Verwey, Erdmuthe Wilhemina

Authors: Verwey, Erdmuthe Wilhemina
Date: 1968
Subjects: Signs and symbols -- Egypt
Language: English
Type: Thesis , Masters , MFA
Identifier: vital:2443 , http://hdl.handle.net/10962/d1006133
Description: From thesis: The Egyptian civilization was regarded by the ancients as the ultimate example of' a morally regulated way of life; their judicious political economy was the admiration of the Elians and both Pythagoras and Plato accepted it as ideal, the former in a small select society and the latter on a larger scale .However a society like this,which is accepted, and acted upon as a completed one, in which everything has been considered, (especially the education of and the habituation to it, to make it second nature), does not take the nature of spirit into consideration, because it is precisely that infinite impulse which acts in contemporary life, and changes its very form. This impulse expressed itself in Egypt in a peculiar way. One would expect that a society, which appears to have been so complete, so fixed in every way, could have no characteristic of its own. Religion, one would expect would have been introduced in the same calm peaceful way, in accordance with the regular order of things. Unlike the Chinese civilisation, where every change is excluded, and the fixedness of character recurs perpetually, this calm order in Egypt was threaded with a spirit full of stirring and urgent impulses. We have here the Oriental Massiveness in combination with the African element. It is a spirit which begins to emerge from the merely natural, without freeing itself from nature. It cannot reach free consciousness of being, it only produces this as a problem: the enigma of its being. One half emerges, the other half is hidden. The buildings of the Egyptians are half below the ground while half rises into the air. The whole country is divided into a Kingdom of life and a Kingdom of death. This, however, is in reality no division, but a unity. The fundamental conception of that which the Egyptians regarded as the essence of being, rested on the fixed character of the natural world - in particular the fixed physical cycle of the Nile and the Sun. These two elements, strictly connected, formed the basis of a very simple and unchanging mode of life. Unchanging, because there is a definite physical cycle which the Nile, in connection with the sun, pursued. The sun rises, reaches its culmination, and then retrogrades. So does the Nile.
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From myth to allegory: a study of the poetry of W.H. Auden, with special reference to the poet's intention

- Bell, I M

Authors: Bell, I M
Date: 1968
Subjects: Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
Language: English
Type: Thesis , Doctoral , PhD
Identifier: vital:2290 , http://hdl.handle.net/10962/d1009514 , Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
Description: The more attentively Auden's poetry is studied, the more one critical problem emerges. How can the poet of the "twenties and ' thirties be reconciled with the poet of the last three decades? "We've all got to come to terms with the later Auden" writes Professor Richard Hoggart, but he does not explain how. The man who wrote the pungent early poetry with its constant reiteration of warnings to a sick society that what was needed was " … death, death of the grain, our death, Death of the old gang … " before it could achieve "new styles of architecture, a change of heart", seems an entirely different person from the man who is on the side of Authority to-day; that is to say in so far as Auden can ever be said to be definitely on one side or another. Intro. p. 1.
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The life and work of Benjamin Tyamzashe: a contemporary Xhosa composer

- Hansen, Deirdre Doris

Authors: Hansen, Deirdre Doris
Date: 1968
Subjects: Tyamzashe, Benjamin, 1890 -- Criticism and interpretation Xhosa (African people) -- Music Hymns, Xhosa Composers, Black -- South Africa
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2639 , http://hdl.handle.net/10962/d1002304
Description: In this study I have tried to show what Tyamzashe has achieved without the solid musical training any composer worthy of the name should undergo. I have also tried to show the forming of his own musical style under the impact of outside influences. This study is therefore not to teach one anything new, but simply to communicate the results of three years research. In it I have attempted to set the scene in which Tyamzashe's life unfolded itself under the influences of people and circumstances. In doing so I have tried to bear in mind the main theme - Tyamzashe himself. My problem was not so much what to include but what to leave out; thus I have not provided the scene with a detailed background. The section on missionary contact is necessary for an understanding of the great changes brought about by culture contact, as well as for putting Tyamzashe into his historical background. I have also stressed Lovedale because musical change as exemplified in the music of early Bantu converts was centralized there. Finally, the thesis of this study is: despite the changes introduced into Bantu music by culture contact, one perceives, in the works of Tyamzashe, the beginnings of a new pattern of integration. p. 2-3.
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The South African Commercial Advertiser and the Eastern Frontier, 1834-1847: an examination of the ways in which and the sources from which it reported frontier conflicts

- Frye, John

Authors: Frye, John
Date: 1968
Subjects: Fairbairn, John, 1794-1864 , South African Commercial Advertiser (Newspaper) , South Africa -- History -- Frontier Wars, 1811-1878
Language: English
Type: Thesis , Masters , MA
Identifier: vital:2622 , http://hdl.handle.net/10962/d1014918
Description: [From Introduction]. The name of John Fairbairn is remembered with honour in South Africa for the part he played in the achievement of a freer press in the Cape Colony, in the campaign to prevent Britain from establishing a convict station on Cape soil, and in the movement which resulted in the establishment of a form of representative government in the Cape in 1853. More controversial is his share, as the editor of the first modern newspaper in the Colony, in a campaign to secure just treatment for the natives both inside and outside of the Colony. It is with his treatment of the conflicts, both small and great, between the Colony and the AmaXhosa tribes on its Eastern Frontier that this study is concerned.
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A contribution to the biology of the sociable weaver Philetairus socius (Latham)

- Maclean, Gordon L

Authors: Maclean, Gordon L
Date: 1967
Subjects: Weaverbirds
Language: English
Type: Thesis , Doctoral , PhD
Identifier: vital:5863 , http://hdl.handle.net/10962/d1012791
Description: Anyone who has travelled the dusty road in the bed of the Kuruman River from Kuruman in the Northern Cape to the South West African border at Rietfontein cannot fail to have been impressed by the large communal nests of the sociable weaver Philetairus socius which adorn many of the camelthorn trees along the way. One of the earliest reports of the bird and its nest is that of Sir Andrew Smith (1849) who passed that way through what was then Latakoo (the present day Kuruman), collecting birds which he described for the first time. To him we are indebted for the first published illustrations of the sociable weaver, its nest and egg, and a brief account, not entirely accurate to be sure, of the building and occupation of the nest. This account has since been quoted at length by Shelley (1905) and by Friedmann (1930a) who accepted Smith's statements as they stood. Some years after Smith's travels, Anderson wrote (1872) that the flocks of sociable weavers " ... incubate their eggs under the same roof, which is composed by these birds of whole cartloads of grass piled on a branch of some kamel-thorn tree in one enormous mass of an irregular umbrella-shape, looking like a miniature haystack, and almost solid, but with the under surface, which is nearly flat, honeycombed all over with little cavities, which serve not only as places for incubation but also as a refuge against rain and wind". This account gives some idea of the spectacular nests built by these birds which are hardly larger than a sparrow. But, living in the dry and thinly-populated western regions of southern Africa, the sociable weaver remained a remote curiosity, the subject of casual reports and some strange ideas. Since Friedmann (1930a) studied the sociable weaver briefly in the western Transvaal, the only thorough field observations (mainly on nests and nest sites) up to the present have been those of Rudebeck (1953, 1956). Collias & Collias (1964) returned to the western Transvaal some 20 years after Friedmann's visit, but unfortunately had time for only a cursory study; their main interest was once again in the nest and its architecture. Thus, in 1964 when I joined Dr. T.J. Cade, then of Syracuse University and now of Cornell University, on his desert biology programme, he suggested that the sociable weaver be the subject of special study in the Kalahari. Here was a bird, resident in a harsh environment, living throughout the year in an extraordinary nest, and almost completely unknown biologically. Among the questions to be answered were: How is the nest started and how is it constructed? Which birds build, and how is the labour organized? What is the purpose of the elaborate nest: does it provide a micro-climate which enables the birds to survive better under arid conditions? How could such a communal nest have evolved? What is the social organization of the colony in and out of the breeding season? When do the birds breed and what factors induce breeding? What happens to the young birds after they become independent of their parents? Naturally many other questions arose as the work proceeded, but these were the main ones on which the project was initiated.
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A study of the novels of F. Scott Fitzgerald

- Rodda, Peter

Authors: Rodda, Peter
Date: 1967
Subjects: Fitzgerald, F. Scott (Francis Scott), 1896-1940 , American literature -- Criticism and interpretation , American fiction -- 20th century
Language: English
Type: Thesis , Masters , MA
Identifier: vital:2311 , http://hdl.handle.net/10962/d1013072
Description: Henry Dan Piper has exploded the legend that all of Fitzgerald' s books where out of print when he died. There may be similar romantic exaggeration which does not bear examination in the popular view that Fitzgerald's reputation as an artist was eclipsed in his later years and magically revived after his death by the editing and publication by Edmund Wilson in 1941 of the unfinished novel Last Tycoon, and of The Crack-Up. Investigation by Matthew J. Bruccoli has shown the essential oversimplification inherent in the widely-held belief that Fitzgerald's last complete novel to be published, Tender is the Night was dismissed or ignored by reviewers demanding novels of social conscience. Fitzgerald attracted legends and since his death has become something of a folk-hero the type of the golden boy who achieved early and instantaneous fame, lives riotously and is then engulfed by the backwash of his own youthful folly somehow leaving an unpublished masterpiece to confound his critics at his early death. Preface, p. 1.
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Mite-poësie : die mite-skepping in die poësie van William Butler Yeats en Adriaan Roland Holst

- Milne, Sarah Elizabeth

Authors: Milne, Sarah Elizabeth
Date: 1967
Subjects: Yeats, W. B. (William Butler), 1865-1939 -- Poetic works , Yeats, W. B. (William Butler), 1865-1939 -- Criticism and interpretation , Roland Holst, Adrianus, 1888-1976 -- Criticism and interpretation , English poetry -- 20th century -- History and criticism , Dutch poetry -- 20th century -- History and criticism , Mythology, Celtic , Mythology in literature
Language: Afrikaans
Type: Thesis , Masters , MA
Identifier: vital:3640 , http://hdl.handle.net/10962/d1013518
Description: In my kennismaking met die poësie van Yeats en Roland Holst het ek onvermydelik opgemerk dat hulle sekere simbole ooreenkomstig gebruik, dat hulle dieselfde hoë, aristokratiese waardes handhaaf en gevolglik 'n afkeer het van die moderne massa-demokrasieë. Later het ek ontdek dat albei digters sterk in die Keltiese mites en sages belang gestel het en dat Roland Holst Yeats as 'n belangrike invloed eien. Dit alles, en die feit dat hulle albei enkele gegewens uit die Griekse mitologie daarby voeg in wat hulle "mites" word, het my voorgekom as goeie rede vir 'n vergelykende studie. So 'n ideë-studie het egter gedreig om iets heel anders te word as die literêre beskouing wat ek beoog het. Geleidelik het dit egter geblyk dat die mite méér moet wees dan die ideë-sisteem; en juis dit waardeur die mite meer is dan ideë-sisteem het die belangrikste regverdiging geword vir 'n vergelykende studie, en terselfdertyd, vir 'n toespitsing van die aandag op die poësie.
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The exodus theme in the Old and New Testament

- Sheriffs, Deryck C T

Authors: Sheriffs, Deryck C T
Date: 1967
Subjects: Bible , Exodus, The -- History of doctrines
Language: English
Type: Thesis , Bachelor , BDiv
Identifier: vital:1274 , http://hdl.handle.net/10962/d1013180
Description: The best starting point for an examination of the theme and theology of the Exodus in the Old Testament is the Psalter, for here is recorded the living faith of Israel over a long period. The compilation of the Psalter from its earliest poems to its latest additions and final editing spans several centuries. It is a collection of collections, revised and edited more than once. Most scholars today agree that its material ranges in date from pre-exilic to late post-exilic, there being a swing away from an extravagant preference for a Maccabean dating of many Psalms. The Exodus theme to be found in the Psalter thus falls within a broad historical sweep. In the Psalter, individual and communal expressions of faith both have their place. Personal Psalms lay bare the human heart with the gamut of its emotions from despair to deep joy and praise. Psalms which were used corporately draw together the worshiping community in a way which reveals the unity of Israel, the nation, to be founded upon their relationship to Yahweh. Into the fabric of individual and national life, the thread of the Exodus faith was woven. Our task is to follow this thread, and discover the pattern which it weaves against its background. In the analysis which follows, each of the five Books of the Psalter will be examined in turn, the important passages being dealt with first, then the oblique references to the Exodus, and, lastly, those which may be described as conjectural. There are some nine Psalms which deal directly with the Exodus and the wilderness wanderings ... Chap. 1, p. 1.
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Genadendal and its satellites : a history of the Moravian Mission stations at the Cape, 1737-1869

- Krüger, Bernhard

Authors: Krüger, Bernhard
Date: 1966
Subjects: Moravians -- Missions -- South Africa -- Genadendal , Missions -- South Africa -- History , Genadendal (South Africa) -- History , Cape of Good Hope (South Africa) -- History -- To 1795 , Cape of Good Hope (South Africa) -- History -- 1795-1872
Language: English
Type: Thesis , Doctoral , PhD
Identifier: vital:1284 , http://hdl.handle.net/10962/d1013470
Description: J,F.w. Kühn, a member of the Moravian Mission Board, wrote in 1871 to the Superintendent at Genadendal that the closed settlements in South Africa were a precious and unique feature of mission work for which the brethren should be grateful. While he had been at the Gape, he had suffered under the difficulties of their management, but from the distance, and in comparison with mission work elsewhere, he had learnt to appreciate them as a great blessing. The questions arise: How dld they originate, develop and survive for so long? What were their characteristics, advantages and limitations? What factors contributed to their development? How did they fit into their milieu and influence it? The following thesis is an effort to give a detailed history of their development and an appraisal. I have endeavoured to give a vivid picture of personalities and events within the limits of historical correctness, because I consider it the noblest aim of historical research to confront us with the past in such a way that personal understanding becomes possible. In as much as we meet those who have made history. or have been part of it, in person, we can arrive at a deeper appreciation of their achievements, problems and failures.
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Shylock's origins and evolution : the image of the Jew in English literature from the middle ages to the mid-seventeenth century

- Durbach, Errol

Authors: Durbach, Errol
Date: 1966
Subjects: Shakespeare, William, 1564-1616 -- Characters -- Shylock , Judaism and literature , English literature -- Early modern, 1500-1700 , English literature -- Middle English, 1100-1500
Language: English
Type: Thesis , Masters , MA
Identifier: vital:2322 , http://hdl.handle.net/10962/d1014821
Description: [From Preface]. Any study centred in the exploratlon and analysis of the medieval and Elizabethen images of the Jew might, with some justification. seem redundant and impertinent to a modern reader; for the third quarter of this century has witnessed the almost total obviatlon of a great many such time-honoured images and symbols. The immemorial figure of the Wandering Jew, to cite a sIngle instance, has for the past two decades, attained his country and place of destination - history no longer condemning him to tarry until the Second Coming of the Messiah. Even the deicide Jew has been granted complete absolution, by an offlcial decree from the Vatican, for his complicity in the killing of Christ. It would seem, moreover, that the atrocities perpetrated against the Jews during the course of the Second World War have resulted in an alteration of the Jewish image radically transforming It from one of contempt into one of compassion a living symbol of "man's inhumanlty to man"; and the modern European dramatist has revived the Jewlsh figure on the stage as an instance of almost personal atonement or, alternatively, as a means of scourging the state of middle-class mind which abetted the persecution of the Nazi regime, attacking state policies of inactio and deploring the failure of influentlal powers to resist the blatant inhumanlty perpetrated within Its boundaries. Max Frisch's Andorre and Rolf Hochhuth's The Representative embody, each in its own way the 2Oth century's sense of shame and horror at those events with which the century has yet to come to terms. They are both extreme reactions agalnst the image of the Jew whlch the Nazi propogandized in the 1930s. And the image which the Nazis propogandized was curiously consistent wlth the medieval and Elizabethan images of the Jew.
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The geology of the Vaal Reefs Gold Mine, Western Transvaal

- Jacob, Roger E

Authors: Jacob, Roger E
Date: 1966
Subjects: Vaal reefs gold mine , Gold ores -- Geology -- South Africa -- Transvaal. , Geology -- South Africa -- Transvaal
Language: English
Type: Thesis , Masters , MSc
Identifier: vital:5078 , http://hdl.handle.net/10962/d1015171
Description: Rocks forming part of the Main-Bird Series and the Kimberley-Elsburg Series of the Upper Division of the Witwatersrand System are found in the mine. The sequence studied starts with the Middle or MB 6 Zone of the Livingstone Stage followed by the Upper or MB 5 Zone. The Vaal Roof, forming the base of the Vaal Stage, rests disconformably on the older rocks. The Stage is subdivided into the Vaal Reef Zone, the Lower Vaal Zone, the Argillaceous Zone and the Upper Vaal Zone. The lower and upper contacts of the Argillaceous Zone are gradational. The Kimberley Stage follows unconformably and comprises the basal Gold Estates Conglomerate Zone, the Denny's Zone and the Gold Estates Zone. The overlying Elsburg Stage may be subdivided into the Bastard Zone and the Upper Elsburg Zone on lithological grounds. Most of the rocks are indurated quartz wackes with only a few orthoquartzite horizons such as the Denny's Zone and the immediate hangingwall of the Vaal Reef. Microscopically the rocks consist of detrital quartz and chert grains in a fine-grained sericitic to partly siliceous matrix which may constitute more than 50 per cent of the rock. Heavy minerals, such as zircon, chromite, rutile, leucoxone, pyrite, tourmaline, epidete, apetite and magnetite, occur in most of the zones. The Vaal Reef, the economic horizon, is of small-pebble, oligomictic conglomerate, often containing thucholite seams and granules, and varying in thickness from a mere parting to more than five feet. There appears to be a correlation between greater pebble size and higher ore grade but no correlation of sorting coefficients and gold value. The mineralogy of the Vaal Reef was studied by means of polished sections and heavy mineral concentrates. The minerals identified include gold, pyrite of several ages, pyrrhotite, chalcopyrite, uraninite, galena, brannerite, gersdorffite or cobaltite, skutterudite, linnacite, danaite, niccolite, pentlandite, magnotite, zircon, chromite, rutile, leucoxine, monazite, sphalerite, tourmaline, and fluorite. From a study of the silver content of gold in the Vaal Roof it is concluded that the variations in apparent fineness are a reflection of the composition of the gold in the original source rocks. There is a definite uranium-gold relationship in the Vaal Roof. With increase in grade the amount of U₃O₈ increases but the U₃O₈:AU ratio decreases. Use of these reations may indciate the payability in cases of incomplete core recovery.The intrusive rocks were studies in detail. Six types of intrusive rocks were found. From oldest to youngest those are quartz diabase (of three varieties), amygdaloidal diabase, ilmenite mela-microdiorite, mottled microdiorite, olivine lamprophyre and ankeritic beforsite, ranging in age from Lower Ventersdorp to post-Karroo. Most of the intrusives are highly altered due to the effects of regional metamorphism and deuteric alteration. Later formations, such as the Langgeleven and Allanridge Formations of the Ventersdorp System and the Black Roof and Dolomite Series of the Transvaal System, occur on the property. The various formations have been subjected to faulting and folding.
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The morality play as prelude to Elizabethan drama

- Oosthuizen, Ann

Authors: Oosthuizen, Ann
Date: 1966
Subjects: Moralities, English , English drama -- Early modern and Elizabethan, 1500-1600 -- Classical influences
Language: English
Type: Thesis , Masters , MA
Identifier: vital:2309 , http://hdl.handle.net/10962/d1012990
Description: Although it is generally accepted that the Morality Plays greatly influenced Elizabethan drama, this statement is often followed by the rider that they are dull and lifeless and that their chief legacy is a sense of moral earnestness which also characterises the best Elizabethan drama. The aim of this thesis has been to read the Morality Plays closely and in an appreciative spirit in order to find out what significant contribution they do make to the techniques of Elizabethan drama and to a proper understanding of it. Chapter I discusses the earliest complete Morality, The Castle of Perseverance, which is the longest and most comprehensive of all the Moralities. The chapter tries to show what a Morality is about and how it differs from the great mediaeval cyclus, the Mystery Plays. It is also an attempt to relate the early Morality Play to other mediaeval literature and to show that it is closely linked to the homeletic literature of the period. Chapter II is a study of three Moralities of the period 1500- 1520. There are fewer Moralities in this period and the plays chosen show a marked similarity to The Castle of Perserverance in their structure, although they differ from the earlier Moralities in their attitude to their subject matter and in their portrayal of the different allegorical characters. The plays under discussion are Nature, Mundus et Infans and Magnyfycence Chapter III; the period after 1535 was a period of great political and religious upheaval and this chapter discusses the plays written for propaganda purposes in the strife between Catholic and Protestant. John Bale's Three Laws, an anti-Catholic play, was chosen because Bale is a startlingly original dramatist who makes use of techniques derived from the liturgy and from emblematic devices, and because he tries to mould the Mystery Plays and the History Plays into a Morality framework. The other plays The Conflict of Conscience was chosen because of its affinity to Dr Faustus and also because it tries to show the psychomachia in psychological, personal terms rather than in a general allegorical manner. Chapter IV discusses three later Moralities, Cambyses, Horestes and Appius Virginia, which portray historical or fictional characters in situations of conflict. They were chosen because they seem to show that the Morality Plays laid the bases for the Elizabethan tragic situation and the Elizabethan tragic hero. With such diverse material, it is difficult to trace a clear line of development from one play to the next, but each group of plays has its own contribution to make to our understanding of Elizabethan drama.
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