The escalation of gender war within post-colonial South African society: an interrogation of beauty’s gift by Sindiwe Magona, happiness is a four-letter word by Cynthia Jele and black widow society by Angela Makholwa
- Authors: Goremusandu, Tania
- Date: 2021-09
- Subjects: Women and literature -- Africa , Women in literature
- Language: English
- Type: Doctoral theses , text
- Identifier: http://hdl.handle.net/10353/21927 , vital:51843
- Description: The critical analysis of gender war in the African context is not a new venture but it is rather a significant discussion to the development of gender and feminist theories. The primary focus of this study is to investigate the limitations to empowerment that African women face at the hands of a post-colonial patriarchal society like South Africa, exacerbated by the oppression and subjugation employed by patriarchal and cultural norms. Thus, the research provides a comparative analysis of three contemporary novels by award winning South African women writers in African literature: Sindiwe Magona, Cynthia Jele and Angela Makholwa. These three dedicated women writers examine the different ways in which African patriarchy and culture oppress professional, educated women. Their work portray gender and / or female oppression and the stereotypes experienced by African women in the context of post-colonial, heavily patriarchal South African society. Therefore, this study interrogates the experience of South African women, as explored in the texts, revealing the literary expressions of gender oppression as well as the possibilities of empowerment. In addition, the texts are analysed through the lens of the Feminist literary criticism theory, Gender studies and African feminism. Through the examination offered by these theories, the study focuses on the experiences of South African women, as expressed by the female characters in the selected texts, through a critical analysis of female oppression and resistance and on the idea that gender is constructed socially and culturally in the African context. As this project reveals, the problem arising within post-colonial South African society is that women are still oppressed and are seen as passive and submissive. As a result, patriarchal perspectives combined with women’s economic dependence on men, make reaching self-actualization a challenging and even terrifying experience, and is often impossible for most women to achieve. Thus, there is a need to understand the experiences of these women so that effective and culturally sensitive interventions can be implemented. The emergence of these renowned female South African writers together with the emancipation of African countries from colonial supremacy has opened a space for women to compensate for and correct the stereotyped female images in African literature and in post-colonial societies. Most contemporary African writers such as Chimamanda Ngozi Adichie, Tsitsi Dangarembga, Neshani Andreas, Sindiwe Magona, Cynthia Jele and Angela Makholwa have shown that women are seeking empowerment and liberation. Therefore, this study seeks to highlight such experiences through its critical interrogation of the writings of selected South African women writers and the exploration of their gender-based themes in order to inform and or inspire women empowerment. It is intended to broaden and encourage further academic discussion in the fields of Feminism literary criticism, Gender studies and African feminism as well as women’s literature within the African context. , Thesis (PhD) -- Faculty of Social Sciences and Humanities, 2021
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- Date Issued: 2021-09
Gender possibilities in the African context as explored by Mariama Ba's So long a letter, Neshani Andrea's The purple violet of Oshaantu and Sindiwe Magona's Beauty gift
- Authors: Goremusandu, Tania
- Date: 2016
- Subjects: Women and literature Feminist fiction -- History and criticism Women authors, African
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10353/6469 , vital:29739
- Description: Gender oppression has been a significant discussion to the development of gender, cultural and feminist theories. The primary focus of this study is to investigate how patriarchal traditions, colonialism, and religious oppression force women to struggle under constrictions oppositional to empowerment. Thus, the project provides a comparative analysis of three texts from different African postcolonial societies by three African female writers: Mariama Bâ, Neshani Andreas and Sindiwe Magona. The author‟s biographies and historical context of their novels will be analyzed, as well as a summary of their stories will be included in order to provide the context for gender criticism. These writer‟s work; So Long a Letter, The Purple Violet of Oshaantu and Beauty‟s Gift depict patriarchal, cultural and religious laws which exist in Senegal, Namibia and South Africa, respectively, that limit the position of women. Therefore, this study will interrogate the experience of African women as inscribed in these selected texts, uncovering the literary expressions of gender oppression as well as the possibilities of empowerment. The selected texts will be analyzed through the lens of Gender studies, African feminism and Cultural studies. From these theories, the focus of the study is on the struggles of the female characters living in patriarchal societies as well as on the idea that gender is constructed socially and culturally in the African context. In conclusion, the emergence of these renowned female African writers together with the emancipation of African countries from colonial supremacy has opened a space for women to compensate and correct the stereotyped female images in African literature and post- colonial societies. Most contemporary African writers like Buchi Emecheta, Tsitsi Dangarembga, Sindiwe Magona, Mariama Bâ and Neshani Andreas have shown that women are seeking to attain empowerment. As a result, this study can be viewed as an opportunity to highlight such experiences by continuing to interrogate the writings of African women writers and to explore their gender-based themes so as to inform and or inspire the implementation of women empowerment. It will broaden and encourage further academic discussion in the field of Cultural studies and gender criticism of women‟s literature within the African context.
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- Date Issued: 2016