Germinating in the cracks: the identity of contemporary Zambian art
- Authors: Mulenga, Andrew
- Date: 2017
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146222 , vital:38506 , ISBN 9783863883065
- Description: Culture is the heritage of us all. Some may be more interested than others in the treasures of the past, but no one can fail to take pride in his country's participation in the story of mankind as represented in carvings, sculpture, music, painting, and the other arts (Simon Mwansa Kapwepwe 1964). After gaining independence in 1964, the next move for Zambia, like most newly-born African states at the time, was nation-building.
- Full Text:
- Date Issued: 2017
- Authors: Mulenga, Andrew
- Date: 2017
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146222 , vital:38506 , ISBN 9783863883065
- Description: Culture is the heritage of us all. Some may be more interested than others in the treasures of the past, but no one can fail to take pride in his country's participation in the story of mankind as represented in carvings, sculpture, music, painting, and the other arts (Simon Mwansa Kapwepwe 1964). After gaining independence in 1964, the next move for Zambia, like most newly-born African states at the time, was nation-building.
- Full Text:
- Date Issued: 2017
Germinating in the cracks: the identity of contemporary Zambian art
- Authors: Mulenga, Andrew
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146734 , vital:38552 , http://www.nationalgallery.co.zw/icac/
- Description: The theme of the 2017 conference is Mapping the Future. We hope to gather art and culture professionals, academics, writers, critics and others in order to map out the future of art, culture and heritage from Africa. It will provide various players with an opportunity to interrogate the future of art institutions in the face of the current socio-economic challenges. Today the situation has changed since the first ICAC and the challenges that were there in the sixties, seventies and eighties are not the same today. ICAC comes at a time when art institutions around the world need urgent attention from both the local authorities, corporations and their governments.
- Full Text:
- Date Issued: 2017
- Authors: Mulenga, Andrew
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146734 , vital:38552 , http://www.nationalgallery.co.zw/icac/
- Description: The theme of the 2017 conference is Mapping the Future. We hope to gather art and culture professionals, academics, writers, critics and others in order to map out the future of art, culture and heritage from Africa. It will provide various players with an opportunity to interrogate the future of art institutions in the face of the current socio-economic challenges. Today the situation has changed since the first ICAC and the challenges that were there in the sixties, seventies and eighties are not the same today. ICAC comes at a time when art institutions around the world need urgent attention from both the local authorities, corporations and their governments.
- Full Text:
- Date Issued: 2017
Tate Intensive: Art Matters
- Authors: Mulenga, Andrew
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146711 , vital:38550 , https://www.tate.org.uk/whats-on/tate-modern/course/tate-intensive-art-matters
- Description: Tate Intensive: Art Matters took place 9-14 July 2017. A diverse group of 28 museum professionals – from Armenia, Australia, China, Colombia, Egypt, Ethiopia, Germany, Ireland, Kenya, Lithuania, New Zealand, Norway, Poland, South Africa, Singapore, South Korea, Turkey, the US, Zambia, Zimbabwe, and the UK – came together for a series of activities and workshops led by contributors including Tate staff and other culture professionals.
- Full Text:
- Date Issued: 2017
- Authors: Mulenga, Andrew
- Date: 2017
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146711 , vital:38550 , https://www.tate.org.uk/whats-on/tate-modern/course/tate-intensive-art-matters
- Description: Tate Intensive: Art Matters took place 9-14 July 2017. A diverse group of 28 museum professionals – from Armenia, Australia, China, Colombia, Egypt, Ethiopia, Germany, Ireland, Kenya, Lithuania, New Zealand, Norway, Poland, South Africa, Singapore, South Korea, Turkey, the US, Zambia, Zimbabwe, and the UK – came together for a series of activities and workshops led by contributors including Tate staff and other culture professionals.
- Full Text:
- Date Issued: 2017
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