Of sacred crossroads: cultural studies and the Sacred A special issue edited by Sonjah Stanley Niaah
- Authors: Stanley Niaah, Sonjah
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146066 , vital:38492 , https://0-doi.org.wam.seals.ac.za/10.1515/culture-2019-0047
- Description: The Seventh International Association for Cultural Studies Crossroads Conference, held in 2008 at the University of the West Indies, in Mona, Jamaica, was staged for the first time with an overarching theme. Based on the cultural, spiritual and geographical diversity of the Caribbean region, the local conference organizing team insisted that the conference needed to reflect key aspects of the space. Consequently, the theme selected was “Of Sacred Crossroads”. The conference call for papers asked for a consideration of issues surrounding the dialogue between humanity and spirituality. In the face of increasing materialism and consumerism, as well as the prevailing emphasis on science and technology in contemporary society, participants celebrated the intangible heritage of humankind--that found in religion, art, dance, song, oratory, healing, re-creation, performance, ritual, belief systems, ethics, globalization and communication, among others.
- Full Text:
- Date Issued: 2019
Of sacred crossroads: cultural studies and the Sacred A special issue edited by Sonjah Stanley Niaah
- Authors: Stanley Niaah, Sonjah
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146066 , vital:38492 , https://0-doi.org.wam.seals.ac.za/10.1515/culture-2019-0047
- Description: The Seventh International Association for Cultural Studies Crossroads Conference, held in 2008 at the University of the West Indies, in Mona, Jamaica, was staged for the first time with an overarching theme. Based on the cultural, spiritual and geographical diversity of the Caribbean region, the local conference organizing team insisted that the conference needed to reflect key aspects of the space. Consequently, the theme selected was “Of Sacred Crossroads”. The conference call for papers asked for a consideration of issues surrounding the dialogue between humanity and spirituality. In the face of increasing materialism and consumerism, as well as the prevailing emphasis on science and technology in contemporary society, participants celebrated the intangible heritage of humankind--that found in religion, art, dance, song, oratory, healing, re-creation, performance, ritual, belief systems, ethics, globalization and communication, among others.
- Full Text:
- Date Issued: 2019
Prime time geographies: dancehall performance, visual communication and the philosophy of ‘Boundarylessness'
- Authors: Stanley Niaah, Sonjah
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145930 , vital:38479 , https://0-doi.org.wam.seals.ac.za/10.1080/00086495.2019.1565218
- Description: What is Dancehall, and how does it employ visual technologies? Dancehall is not just a musical genre. It is Jamaica’s premier popular street theatre, a celebration of the entire spectrum of life from birth to death, expressed at events that combine dance and music, where consenting adults leave their troubles behind just for a moment to revel in the deep and old rhythmic structures that transport them into scape beyond the urban, beyond the inner city, into spaces of fulfilment.
- Full Text:
- Date Issued: 2019
- Authors: Stanley Niaah, Sonjah
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145930 , vital:38479 , https://0-doi.org.wam.seals.ac.za/10.1080/00086495.2019.1565218
- Description: What is Dancehall, and how does it employ visual technologies? Dancehall is not just a musical genre. It is Jamaica’s premier popular street theatre, a celebration of the entire spectrum of life from birth to death, expressed at events that combine dance and music, where consenting adults leave their troubles behind just for a moment to revel in the deep and old rhythmic structures that transport them into scape beyond the urban, beyond the inner city, into spaces of fulfilment.
- Full Text:
- Date Issued: 2019
A study on the creative industry as a pillar of sustained growth and diversification: the film and music sectors in Jamaica: lessons from case studies of successful firms and ventures
- Hendrickson, Michael, Stanley Niaah, Sonjah
- Authors: Hendrickson, Michael , Stanley Niaah, Sonjah
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146992 , vital:38583 , https://repositorio.cepal.org/handle/11362/43410
- Description: In 2007 the Caribbean Community (CARICOM) published ‘The Cultural Industries in CARICOM: Trade and Development Challenges’ report, which stated that the film and music industries refer to “aesthetic, identity, and copyrightable goods, services and intellectual property. They represent a wide array of activities that make and circulate sounds, words, and images or a combination of these. It applies to artistic, creative, and copyright works that are for sale, license, commercialisation, or display in some marketplace or public arena.” Using the definition in the CARICOM report, this study will identify the critical success factors that have resulted in the global competitiveness and sustainability of individuals, firms and ventures within the music and film subsectors in Jamaica. To anchor the study of the individual firms and ventures, the study first evaluates the historical evolution and recent trends in the development of the music and film subsectors, including their economic contribution and the main challenges and opportunities for their further development and lessons learned.
- Full Text:
- Date Issued: 2018
- Authors: Hendrickson, Michael , Stanley Niaah, Sonjah
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146992 , vital:38583 , https://repositorio.cepal.org/handle/11362/43410
- Description: In 2007 the Caribbean Community (CARICOM) published ‘The Cultural Industries in CARICOM: Trade and Development Challenges’ report, which stated that the film and music industries refer to “aesthetic, identity, and copyrightable goods, services and intellectual property. They represent a wide array of activities that make and circulate sounds, words, and images or a combination of these. It applies to artistic, creative, and copyright works that are for sale, license, commercialisation, or display in some marketplace or public arena.” Using the definition in the CARICOM report, this study will identify the critical success factors that have resulted in the global competitiveness and sustainability of individuals, firms and ventures within the music and film subsectors in Jamaica. To anchor the study of the individual firms and ventures, the study first evaluates the historical evolution and recent trends in the development of the music and film subsectors, including their economic contribution and the main challenges and opportunities for their further development and lessons learned.
- Full Text:
- Date Issued: 2018
Can Jamaica put music first?: a comment
- Authors: Stanley Niaah, Sonjah
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145941 , vital:38480 , https://0-doi.org.wam.seals.ac.za/10.1080/00086495.2018.1480319
- Description: Many development programmes fail because they don’t account for cultural contexts. In a context where cultural and creative industries represent 10% of the GNP in economies such as Brazil, China, India, and Indonesia, there is no doubt that culture is vital for their sustainable development.
- Full Text:
- Date Issued: 2018
- Authors: Stanley Niaah, Sonjah
- Date: 2018
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145941 , vital:38480 , https://0-doi.org.wam.seals.ac.za/10.1080/00086495.2018.1480319
- Description: Many development programmes fail because they don’t account for cultural contexts. In a context where cultural and creative industries represent 10% of the GNP in economies such as Brazil, China, India, and Indonesia, there is no doubt that culture is vital for their sustainable development.
- Full Text:
- Date Issued: 2018
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