"Muscled Presence": Douglas Livingstone's poem "Thirteen Ways of Looking at a Black Snake"
- Authors: Everitt, Mariss , Wylie, Dan
- Date: 2007
- Language: English
- Type: Article
- Identifier: vital:2262 , http://hdl.handle.net/10962/d1004642
- Description: Douglas Livingstone's poem "Thirteen Ways of Looking at a Black Snake" is an artwork which addresses precisely these questions, seeking a manner of portraying the snake which is neither grossly appropriative nor wholly detached, neither ethically empty nor preachy. In its multi-angled structure, Livingstone attempts aesthetically "to establish and embellish ... a contact zone with the nonhuman animals who share our world with us, but accepting also that there exist considerable venues on either side of this contact zone that are, on the one hand, only human, and on the other hand, only nonhuman". Even in his more formally scientific work, Livingstone argues for the inevitability of such limits to knowledge, and for the value of the imagination in addressing them.
- Full Text:
- Authors: Everitt, Mariss , Wylie, Dan
- Date: 2007
- Language: English
- Type: Article
- Identifier: vital:2262 , http://hdl.handle.net/10962/d1004642
- Description: Douglas Livingstone's poem "Thirteen Ways of Looking at a Black Snake" is an artwork which addresses precisely these questions, seeking a manner of portraying the snake which is neither grossly appropriative nor wholly detached, neither ethically empty nor preachy. In its multi-angled structure, Livingstone attempts aesthetically "to establish and embellish ... a contact zone with the nonhuman animals who share our world with us, but accepting also that there exist considerable venues on either side of this contact zone that are, on the one hand, only human, and on the other hand, only nonhuman". Even in his more formally scientific work, Livingstone argues for the inevitability of such limits to knowledge, and for the value of the imagination in addressing them.
- Full Text:
Unconscious nobility: the animal poetry of Harold Farmer
- Authors: Wylie, Dan
- Date: 2007
- Language: English
- Type: Article
- Identifier: vital:6122 , http://hdl.handle.net/10962/d1004705
- Description: I want to suggest that Harold Farmer's poetry works repeatedly in this area of ambiguity, a zone of tension triangulated, as it were, between three impulses. First : a notion (or even the fact) that a sense of community depends on 'knowing' what the 'other' is thinking or feeling, and on being able to articulate that knowledge. Second : suspecting, or even knowing, that certain reaches of the mind of the 'other' are fundamentally, and fascinatingly, unknowable - of the realm of the unconscious. And third : knowing (or just fearing or hoping) that any secure distinction between ourselves-as-humans and ourselves-as-sharing-animal-traits is artificial, or at least permeable. Hence, while Farmer's wild animals are perpetually on the brink of disappearing from sight and understanding, it is precisely that mysteriousness which attracts us, can sometimes envelop us, and even speak to us. In having spoken and been spoken to, we are somehow ennobled.
- Full Text:
- Authors: Wylie, Dan
- Date: 2007
- Language: English
- Type: Article
- Identifier: vital:6122 , http://hdl.handle.net/10962/d1004705
- Description: I want to suggest that Harold Farmer's poetry works repeatedly in this area of ambiguity, a zone of tension triangulated, as it were, between three impulses. First : a notion (or even the fact) that a sense of community depends on 'knowing' what the 'other' is thinking or feeling, and on being able to articulate that knowledge. Second : suspecting, or even knowing, that certain reaches of the mind of the 'other' are fundamentally, and fascinatingly, unknowable - of the realm of the unconscious. And third : knowing (or just fearing or hoping) that any secure distinction between ourselves-as-humans and ourselves-as-sharing-animal-traits is artificial, or at least permeable. Hence, while Farmer's wild animals are perpetually on the brink of disappearing from sight and understanding, it is precisely that mysteriousness which attracts us, can sometimes envelop us, and even speak to us. In having spoken and been spoken to, we are somehow ennobled.
- Full Text:
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