Impunguza matwi (Open your ears)
- 3 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136912 , vital:37440 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-13
- Description: "Cyo tya amatwi wumve abakuvuba, Balirimba akamaro ubafitiye, Si urulinu ruvuga ubasa, Ni umutima ushima ubikwiye, Turakakwanga Mubyeyi." Morality song.
- Full Text: false
- Date Issued: 1957
- Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136912 , vital:37440 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-13
- Description: "Cyo tya amatwi wumve abakuvuba, Balirimba akamaro ubafitiye, Si urulinu ruvuga ubasa, Ni umutima ushima ubikwiye, Turakakwanga Mubyeyi." Morality song.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umusambi (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136870 , vital:37437 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-10
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136870 , vital:37437 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-10
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Zigezikaragwe (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136816 , vital:37430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-03
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136816 , vital:37430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-03
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Urukina (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136855 , vital:37434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-07
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136855 , vital:37434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-07
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Agasiga (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136829 , vital:37431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-04
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136829 , vital:37431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-04
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umuganura (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136865 , vital:37436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-09
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136865 , vital:37436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-09
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: Drummers (Musicians) , Folk music--Africa , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136801 , vital:37425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-01
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: Drummers (Musicians) , Folk music--Africa , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136801 , vital:37425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-01
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Urukantege (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136860 , vital:37435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-08
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136860 , vital:37435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-08
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Imilindi (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136893 , vital:37438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-11
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136893 , vital:37438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-11
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Akanimba (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136847 , vital:37433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-06
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136847 , vital:37433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-06
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Agasiga k'i gaseke (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136834 , vital:37432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-05
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136834 , vital:37432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-05
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Imilishyo y'ingoma - Umosuko (Rhythms of drums)
- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136811 , vital:37429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-02
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136811 , vital:37429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-02
- Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
- Full Text: false
- Date Issued: 1957
Indilimbo y' Ingeruzabahizi (The song of the 'Ingeruzabahizi)
- 3 Hutu men and Bijyiobenda Simeon, Hugh Tracey
- Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136902 , vital:37439 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-12
- Description: The song refers to the recruiting of the men of Ruanda-Urundi for work on the cooper mines of the Katanga Province in the south of the Congo Belge. The Union Miniere asked the Mwami of Ruanda for strong men for this work and when they arrived at the airfield they asked their leader which way they would travel. "It was not by land nor by water, he replied, but by air they would go." So they were taken from Usumbura to Elisabethville by air. Topical song
- Full Text: false
- Date Issued: 1957
- Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
- Date: 1957
- Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136902 , vital:37439 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-12
- Description: The song refers to the recruiting of the men of Ruanda-Urundi for work on the cooper mines of the Katanga Province in the south of the Congo Belge. The Union Miniere asked the Mwami of Ruanda for strong men for this work and when they arrived at the airfield they asked their leader which way they would travel. "It was not by land nor by water, he replied, but by air they would go." So they were taken from Usumbura to Elisabethville by air. Topical song
- Full Text: false
- Date Issued: 1957
Tanzania’s mediation process in the conflict between the Hutu and Tutsi parties in Burundi 1993 -2005: a mediation perspective
- Authors: Kanuwa, Juma Mabasa
- Date: 2018
- Subjects: Mediation -- Tanzania , Mediation -- Burundi Conflict management -- Tanzania Conflict management -- Burundi Hutu (African people) -- Burundi
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/30671 , vital:31011
- Description: The goal of this research was to examine Tanzania’s mediation process in the conflict between the Hutu and Tutsi parties in Burundi from 1993 to 2005, from a mediation theoretical perspective. To achieve this, a critical paradigm was used as the way to view the mediation process in the Great Lakes Region. The study also aimed at attaining a grounded theoretical understanding of the topic under study, including an in depth understanding of Tanzania’s history in conflict resolution, the historical causes of Burundi’s deep-rooted social conflict, theories of conflict and conflict resolution, third party intervention and mediation theories and perspectives. This study is underpinned by Bercovitch’s Mediation Framework and its quest for problem-solving. It is a qualitative study that used documentary review, individual interviews and focus group interviews as data-gathering instruments. The selection of the study sample was carried out according to a purposive approach. The data was collected from minutes of meetings, verbatim reports, letters, journals, books, individual interviews and focus group interviews. The findings of the study culminated in three major findings which are: the finding of the first research question on Tanzania’s mediation process that Tanzania’s motivation for mediating stemmed from its traditional foreign policy, the effectiveness of the intervention stemmed from its sound understanding of the root causes of the conflict between the Hutu and Tutsi and because the parties retained ownership of the mediation process. Other success factors were due to the third-party collaboration with International Organizations, and the use of a transformative mediation approach. The finding in respect of the second research question comparing Tanzania’s mediation process with the mediation perspectives of Bercovitch and Burton was that there were similarities which were based on their assumptions in respect of social conflict, responses to conflict, the objectives of mediation, the role of mediator, the mediation action itself, the focus of mediator, timing of mediation and the success of mediation. With regards to the third question, the findings proposed improvements in respect of vii professionalism of the mediator, a change of mediation culture and attitude, the personality of mediators, diplomatic support for mediation and the institutionalisation and consolidation of conflict management. The study concluded by proposing a Professional Integration Mediation Practice (PIMP) framework. The PIMP framework was developed, based on the findings of the study, and anticipates the provision of guidance to mediators and facilitators on the use of a more Professional Integration Mediation Practice approach to facilitate a positive mediation process. The PIMP framework further provides a range of advantages in the process of conflict resolution with respect to deep–rooted social conflict. However, there is a need for agreement of international organizations on the use of professional mediators and facilitators in a mediation process. The PIMP framework can go a long way to effectively resolve deep–rooted social conflicts with the appropriate support of international organisations, and the international community as a whole.
- Full Text:
- Date Issued: 2018
- Authors: Kanuwa, Juma Mabasa
- Date: 2018
- Subjects: Mediation -- Tanzania , Mediation -- Burundi Conflict management -- Tanzania Conflict management -- Burundi Hutu (African people) -- Burundi
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/30671 , vital:31011
- Description: The goal of this research was to examine Tanzania’s mediation process in the conflict between the Hutu and Tutsi parties in Burundi from 1993 to 2005, from a mediation theoretical perspective. To achieve this, a critical paradigm was used as the way to view the mediation process in the Great Lakes Region. The study also aimed at attaining a grounded theoretical understanding of the topic under study, including an in depth understanding of Tanzania’s history in conflict resolution, the historical causes of Burundi’s deep-rooted social conflict, theories of conflict and conflict resolution, third party intervention and mediation theories and perspectives. This study is underpinned by Bercovitch’s Mediation Framework and its quest for problem-solving. It is a qualitative study that used documentary review, individual interviews and focus group interviews as data-gathering instruments. The selection of the study sample was carried out according to a purposive approach. The data was collected from minutes of meetings, verbatim reports, letters, journals, books, individual interviews and focus group interviews. The findings of the study culminated in three major findings which are: the finding of the first research question on Tanzania’s mediation process that Tanzania’s motivation for mediating stemmed from its traditional foreign policy, the effectiveness of the intervention stemmed from its sound understanding of the root causes of the conflict between the Hutu and Tutsi and because the parties retained ownership of the mediation process. Other success factors were due to the third-party collaboration with International Organizations, and the use of a transformative mediation approach. The finding in respect of the second research question comparing Tanzania’s mediation process with the mediation perspectives of Bercovitch and Burton was that there were similarities which were based on their assumptions in respect of social conflict, responses to conflict, the objectives of mediation, the role of mediator, the mediation action itself, the focus of mediator, timing of mediation and the success of mediation. With regards to the third question, the findings proposed improvements in respect of vii professionalism of the mediator, a change of mediation culture and attitude, the personality of mediators, diplomatic support for mediation and the institutionalisation and consolidation of conflict management. The study concluded by proposing a Professional Integration Mediation Practice (PIMP) framework. The PIMP framework was developed, based on the findings of the study, and anticipates the provision of guidance to mediators and facilitators on the use of a more Professional Integration Mediation Practice approach to facilitate a positive mediation process. The PIMP framework further provides a range of advantages in the process of conflict resolution with respect to deep–rooted social conflict. However, there is a need for agreement of international organizations on the use of professional mediators and facilitators in a mediation process. The PIMP framework can go a long way to effectively resolve deep–rooted social conflicts with the appropriate support of international organisations, and the international community as a whole.
- Full Text:
- Date Issued: 2018
Imilishyo y’ingoma
- Eight Hutu men (Performer), Composer not specified
- Authors: Eight Hutu men (Performer) , Composer not specified
- Subjects: Drum rhythms , Indigenous folk music , Conical drums , Cylindical drums (laced closed with wooden beaters) , Treble drum (cylindical laced with wooden beaters) , Cite Indigene , Kipushi , Katanga , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15209 , MOA14-08 , http://hdl.handle.net/10962/d1017462 , MOA14
- Description: Drum rhythms by 8 Hutu men, with 2 conical drums, 5 cylindical drums (laced, closed, with wooden beaters) and a treble drum (cylindical, laced, with wooden beaters) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Eight Hutu men (Performer) , Composer not specified
- Subjects: Drum rhythms , Indigenous folk music , Conical drums , Cylindical drums (laced closed with wooden beaters) , Treble drum (cylindical laced with wooden beaters) , Cite Indigene , Kipushi , Katanga , Belgian Congo (Democratic Republic of Congo)
- Type: Sound , Music
- Identifier: vital:15209 , MOA14-08 , http://hdl.handle.net/10962/d1017462 , MOA14
- Description: Drum rhythms by 8 Hutu men, with 2 conical drums, 5 cylindical drums (laced, closed, with wooden beaters) and a treble drum (cylindical, laced, with wooden beaters) , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Agasiga
- Bijyiyobyenda, Simon, 8 Hutu men, Composer not specified, Tracey, Hugh
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244664 , vital:51282 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT531-L153 , Research no. L3H1d
- Description: Indigenous folk drum rhythms, with 2 conical drums, 5 laced and closed cylindrical drums with wooden beaters, and 1 laced and cylindrical treble drum with wooden beaters.
- Full Text: false
- Date Issued: 1957-08-02
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244664 , vital:51282 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT531-L153 , Research no. L3H1d
- Description: Indigenous folk drum rhythms, with 2 conical drums, 5 laced and closed cylindrical drums with wooden beaters, and 1 laced and cylindrical treble drum with wooden beaters.
- Full Text: false
- Date Issued: 1957-08-02
Indilimbo y'ingereza bahizi
- Three Hutu men, Composer not specified, Tracey, Hugh
- Authors: Three Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/245214 , vital:51343 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT532-L154 , Research no. L3H3
- Description: Indigenous topical folk song with unaccompanied singing.
- Full Text: false
- Date Issued: 1957-08-02
- Authors: Three Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Katanga f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/245214 , vital:51343 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT532-L154 , Research no. L3H3
- Description: Indigenous topical folk song with unaccompanied singing.
- Full Text: false
- Date Issued: 1957-08-02
Igumira obuyatabara Ruanda
- Samuiri Rwakifunzi and Nkole men, Hugh Tracey
- Authors: Samuiri Rwakifunzi and Nkole men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bushenyi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170083 , vital:41855 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-13
- Description: Igumira was a local chief who used to go over into Rwanda and raid tribes there, the Tutsi and the Hutu. The song is now used for dancing the Ekitagururo dance in which mena nd women do a simple rhythmic shuffle with rattles attached to their calves. The rattles are flat containers made of stout grasses inside which wild canna seeds are thrown to and fro. They are held flat between the palms while the fingers may tap the lower side to enhance the main pulses or to syncopate the rhythm. Ekitagururo dance song, with conical drums, laced, single, played with sticks, and three earthenware pots and raft rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Samuiri Rwakifunzi and Nkole men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bushenyi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170083 , vital:41855 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-13
- Description: Igumira was a local chief who used to go over into Rwanda and raid tribes there, the Tutsi and the Hutu. The song is now used for dancing the Ekitagururo dance in which mena nd women do a simple rhythmic shuffle with rattles attached to their calves. The rattles are flat containers made of stout grasses inside which wild canna seeds are thrown to and fro. They are held flat between the palms while the fingers may tap the lower side to enhance the main pulses or to syncopate the rhythm. Ekitagururo dance song, with conical drums, laced, single, played with sticks, and three earthenware pots and raft rattles.
- Full Text: false
- Date Issued: 1950
Urukina
- Bijyiyobyenda, Simon, 8 Hutu men, Composer not specified, Tracey, Hugh
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244690 , vital:51285 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT531-L153 , Research no. L3H1g
- Description: Indigenous folk drum rhythms, with 2 conical drums, 5 laced and closed cylindrical drums with wooden beaters, and 1 laced and cylindrical treble drum with wooden beaters.
- Full Text: false
- Date Issued: 1957-08-02
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244690 , vital:51285 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT531-L153 , Research no. L3H1g
- Description: Indigenous folk drum rhythms, with 2 conical drums, 5 laced and closed cylindrical drums with wooden beaters, and 1 laced and cylindrical treble drum with wooden beaters.
- Full Text: false
- Date Issued: 1957-08-02
Umosuko
- Bijyiyobyenda, Simon, 8 Hutu men, Composer not specified, Tracey, Hugh
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244650 , vital:51280 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT531-L153 , Research no. L3H1b
- Description: Indigenous folk drum rhythms, with 2 conical drums, 5 laced and closed cylindrical drums with wooden beaters, and 1 laced and cylindrical treble drum with wooden beaters.
- Full Text: false
- Date Issued: 1957-08-02
- Authors: Bijyiyobyenda, Simon , 8 Hutu men , Composer not specified , Tracey, Hugh
- Date: 1957-08-02
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Kinyarwanda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/244650 , vital:51280 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT531-L153 , Research no. L3H1b
- Description: Indigenous folk drum rhythms, with 2 conical drums, 5 laced and closed cylindrical drums with wooden beaters, and 1 laced and cylindrical treble drum with wooden beaters.
- Full Text: false
- Date Issued: 1957-08-02