Tshikila-Kila
- Njiba Helene et le Sana-Club, Composer not Specified, Tracey, Hugh
- Authors: Njiba Helene et le Sana-Club , Composer not Specified , Tracey, Hugh
- Date: 1965-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-sa
- Language: Tshiluba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210940 , vital:47558 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0962 , Research no. P85108H
- Description: Chant folklore song by Tshiluba women
- Full Text: false
- Date Issued: 1965-00-00
- Authors: Njiba Helene et le Sana-Club , Composer not Specified , Tracey, Hugh
- Date: 1965-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-sa
- Language: Tshiluba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210940 , vital:47558 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0962 , Research no. P85108H
- Description: Chant folklore song by Tshiluba women
- Full Text: false
- Date Issued: 1965-00-00
Mbomb O-Maria
- Njiba Helene et le Sana-Club, Composer not Specified, Tracey, Hugh
- Authors: Njiba Helene et le Sana-Club , Composer not Specified , Tracey, Hugh
- Date: 1965-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-sa
- Language: Tshiluba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210949 , vital:47560 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0962 , Research no. P85108H
- Description: Chant folklore song by Tshiluba women
- Full Text: false
- Date Issued: 1965-00-00
- Authors: Njiba Helene et le Sana-Club , Composer not Specified , Tracey, Hugh
- Date: 1965-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-sa
- Language: Tshiluba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210949 , vital:47560 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0962 , Research no. P85108H
- Description: Chant folklore song by Tshiluba women
- Full Text: false
- Date Issued: 1965-00-00
Mwenyi Wa Kamba
- Njiba Helene et le Sana-Club, Composer not Specified, Tracey, Hugh
- Authors: Njiba Helene et le Sana-Club , Composer not Specified , Tracey, Hugh
- Date: 1965-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-sa
- Language: Tshiluba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210969 , vital:47561 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0963 , Research no. P85111H
- Description: Chant folklore song by women
- Full Text: false
- Date Issued: 1965-00-00
- Authors: Njiba Helene et le Sana-Club , Composer not Specified , Tracey, Hugh
- Date: 1965-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-sa
- Language: Tshiluba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210969 , vital:47561 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0963 , Research no. P85111H
- Description: Chant folklore song by women
- Full Text: false
- Date Issued: 1965-00-00
Tshilembi
- Njiba Helene et le Sana-Club, Composer not Specified, Tracey, Hugh
- Authors: Njiba Helene et le Sana-Club , Composer not Specified , Tracey, Hugh
- Date: 1965-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-sa
- Language: Tshiluba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210975 , vital:47563 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0963 , Research no. P85111H
- Description: Chant folklore song by women
- Full Text: false
- Date Issued: 1965-00-00
- Authors: Njiba Helene et le Sana-Club , Composer not Specified , Tracey, Hugh
- Date: 1965-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-sa
- Language: Tshiluba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/210975 , vital:47563 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0963 , Research no. P85111H
- Description: Chant folklore song by women
- Full Text: false
- Date Issued: 1965-00-00
Music in Liberty: Chris McGregor
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: French
- Type: Article
- Identifier: vital:13735 , http://hdl.handle.net/10962/d1012749
- Description: Photocopied article from the French magazine Les Réalités de l'Ecologie. This is a review of Chris McGregor's musical career and announces few upcoming concerts of Chris McGregor's Brotherhood of Breath. A picture of Chris McGregor playing Piano with 2 other musicians is on the first page and on the second page, the left picture shows Chris McGregor smoking and the right one Chris McGregor playing pthe piano with Johnny Dyani playing Double Bass.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: French
- Type: Article
- Identifier: vital:13735 , http://hdl.handle.net/10962/d1012749
- Description: Photocopied article from the French magazine Les Réalités de l'Ecologie. This is a review of Chris McGregor's musical career and announces few upcoming concerts of Chris McGregor's Brotherhood of Breath. A picture of Chris McGregor playing Piano with 2 other musicians is on the first page and on the second page, the left picture shows Chris McGregor smoking and the right one Chris McGregor playing pthe piano with Johnny Dyani playing Double Bass.
- Full Text:
L’entre-deux identitaire dans quelques oeuvres d’écrivains francophones “immigrantsˮ, “cas de Dany Laferrière, d’Alain Mabanckou, de Calixthe Beyala et de Lottin Wekapeˮ
- Kayumba, Viviane Ngoie Banza
- Authors: Kayumba, Viviane Ngoie Banza
- Date: 2019
- Subjects: African literature (French) -- History and criticism , Immigrants in literature , Mabanckou, Alain, 1966-. Black bazaar , Laferrière, Dany. Je suis un écrivain japonais , Beyala, Calixthe. Le Petit prince de Belleville , Wekape, Lottin, 1968-. J’appartiens au monde
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/150929 , vital:39018
- Description: This dissertation examines the theme of hybrid identities in Mabanckou, Laferrière, Beyala and Wekape’s novels : Black Bazar, Le Petit prince de Belleville, Je suis un écrivain japonais and J’appartiens au monde. Hybrid identity raises the issue of identity diversity and contemporary francophone literature is characterised by the emergence of fictional narratives increasingly numerous. This research undertaken is driven by the desire to extend the field of investigation in francophone literature by taking into account a varied corpus of Haitian, Congolese, and Cameroonian literatures. I have opted for writers who settled in a foreign country and have adopted a foreign language that they considered to be part of a foreign literary world; writers who are between two or more cultures which they depict in French. The few existing studies on hybrid identities on these four novels focused more on formal and linguistic analysis and omitted meaningful sociocritic analysis. It is clear that a full study on sociocritic approach on hybrid identity on these four authors remains to be done. The research is demonstrating how different characters created by these four postmodern immigrant French-speaking writers occasionally function similarly in their texts. This gives a clear understanding of the specific behaviour of immigrants characters, vis-à-vis their various situations in the novels, and how these immigrants seek to address the problems they encounter. As this research offers reflections related to the identities and nationalities of immigrants, Laferrière, Mabanckou, Beyala and Wekape’s texts are based on the search for social belonging and a literary membership in this modern world. Therefore, they are analysing their position in a literary field as well as in a social field. In their texts they highlight the Space real or imaginary. In which way and how this Space contribute to the evolution of francophone literature? To what extent does francophone literature takes into account this representation of the Space? These questions lead to a reflection on the position occupied by these authors in the francophone field and the source of their literary inspirations. My interest in these authors is motivated by the fact that, by living and writing in a country which is not their place of birth, they each reveal different aspects of hybrid identity. Each of them, has his or her personal and original way of tackling the problem of mixed identity. They present their characters in different situations and different contexts, showing that each has been in contact with several cultures which they have assimilated and each lived in his or her own way a particular story. My study’s focus is to understand the problems of contact of cultures and their consequences, and to explore how through the characters of the novel, immigrant French speaking writers understood their acculturation as themselves have experienced an identity crisis, resulting from the confrontation of the culture of their new homeland and the culture of their country of origin. For this reason, Bourdieu’s approach “la sociocritique” will help me to found out the origin of the author’s obsession with the question of hybrid identity. I have chosen these four immigrant speaking writers to explore the strategies implemented by the novels’ narrators to construct their identities and to find out how the narrators express the intentions of the authors. In their texts, Mabanckou, Beyala, Laferrière and Wekape have used various strategies to express the quest for identity which gives clear indications of the authors’ creativity such as humour, parody, or solemnity and gravity - and the narrative voices reveal distinctive attitudes in relation to hybrid identity. At this level, other approaches will also be called for, such as the work of Westphal, Doubrovsky, Genette, Colona, etc. Through my investigation, these works present similarities and dissimilarities. Each author tackled the questions of hybrid identities according to his own experience. From there, a different commitment emerges, depending on the degree of inquiry into questions about immigration. These authors all evoke the social precariousness of their characters or the immigrant and privilege an urban framework. The examination of these works allowed me to identify their place in Francophonie literature and to discover the importance of their texts. The four novels relate to the search for identity, an aesthetic way and a search for freedom. They possess aesthetic qualities, they have a high degree of coherence. Their romantic choice shows their creativity and their strategies engender a hybrid writing that stems from their position between several languages and place these novels within the world literature.
- Full Text:
- Date Issued: 2019
- Authors: Kayumba, Viviane Ngoie Banza
- Date: 2019
- Subjects: African literature (French) -- History and criticism , Immigrants in literature , Mabanckou, Alain, 1966-. Black bazaar , Laferrière, Dany. Je suis un écrivain japonais , Beyala, Calixthe. Le Petit prince de Belleville , Wekape, Lottin, 1968-. J’appartiens au monde
- Language: French
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/150929 , vital:39018
- Description: This dissertation examines the theme of hybrid identities in Mabanckou, Laferrière, Beyala and Wekape’s novels : Black Bazar, Le Petit prince de Belleville, Je suis un écrivain japonais and J’appartiens au monde. Hybrid identity raises the issue of identity diversity and contemporary francophone literature is characterised by the emergence of fictional narratives increasingly numerous. This research undertaken is driven by the desire to extend the field of investigation in francophone literature by taking into account a varied corpus of Haitian, Congolese, and Cameroonian literatures. I have opted for writers who settled in a foreign country and have adopted a foreign language that they considered to be part of a foreign literary world; writers who are between two or more cultures which they depict in French. The few existing studies on hybrid identities on these four novels focused more on formal and linguistic analysis and omitted meaningful sociocritic analysis. It is clear that a full study on sociocritic approach on hybrid identity on these four authors remains to be done. The research is demonstrating how different characters created by these four postmodern immigrant French-speaking writers occasionally function similarly in their texts. This gives a clear understanding of the specific behaviour of immigrants characters, vis-à-vis their various situations in the novels, and how these immigrants seek to address the problems they encounter. As this research offers reflections related to the identities and nationalities of immigrants, Laferrière, Mabanckou, Beyala and Wekape’s texts are based on the search for social belonging and a literary membership in this modern world. Therefore, they are analysing their position in a literary field as well as in a social field. In their texts they highlight the Space real or imaginary. In which way and how this Space contribute to the evolution of francophone literature? To what extent does francophone literature takes into account this representation of the Space? These questions lead to a reflection on the position occupied by these authors in the francophone field and the source of their literary inspirations. My interest in these authors is motivated by the fact that, by living and writing in a country which is not their place of birth, they each reveal different aspects of hybrid identity. Each of them, has his or her personal and original way of tackling the problem of mixed identity. They present their characters in different situations and different contexts, showing that each has been in contact with several cultures which they have assimilated and each lived in his or her own way a particular story. My study’s focus is to understand the problems of contact of cultures and their consequences, and to explore how through the characters of the novel, immigrant French speaking writers understood their acculturation as themselves have experienced an identity crisis, resulting from the confrontation of the culture of their new homeland and the culture of their country of origin. For this reason, Bourdieu’s approach “la sociocritique” will help me to found out the origin of the author’s obsession with the question of hybrid identity. I have chosen these four immigrant speaking writers to explore the strategies implemented by the novels’ narrators to construct their identities and to find out how the narrators express the intentions of the authors. In their texts, Mabanckou, Beyala, Laferrière and Wekape have used various strategies to express the quest for identity which gives clear indications of the authors’ creativity such as humour, parody, or solemnity and gravity - and the narrative voices reveal distinctive attitudes in relation to hybrid identity. At this level, other approaches will also be called for, such as the work of Westphal, Doubrovsky, Genette, Colona, etc. Through my investigation, these works present similarities and dissimilarities. Each author tackled the questions of hybrid identities according to his own experience. From there, a different commitment emerges, depending on the degree of inquiry into questions about immigration. These authors all evoke the social precariousness of their characters or the immigrant and privilege an urban framework. The examination of these works allowed me to identify their place in Francophonie literature and to discover the importance of their texts. The four novels relate to the search for identity, an aesthetic way and a search for freedom. They possess aesthetic qualities, they have a high degree of coherence. Their romantic choice shows their creativity and their strategies engender a hybrid writing that stems from their position between several languages and place these novels within the world literature.
- Full Text:
- Date Issued: 2019
Les aspects metephysiques du theatre de Ionesco
- Authors: Thomas, David Croft
- Date: 1986
- Subjects: Ionesco, Eugène -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3610 , http://hdl.handle.net/10962/d1004534 , Ionesco, Eugène -- Criticism and interpretation
- Description: From Introduction: Au cours d'une interview accordée à deux critiques littéraires, le 9 novembre 1976 , Ionesco déclare : Un retour à la métaphysique me semble, à notré epoque, indispensable. Ce point de vue nous semble être d'une importance fondamentale, tant par la référence à un probleme spécifiquement moderne, que par la formulation d'une profonde préoccupation de l'auteur. Ionesco résume par là un débat qui informe continuellement son oeuvre théàtrale. Ce débat, et cette quête, sont les thèmes essentiels que nous voudrions mettre à jour dans cette oeuvre . Nous proposons donc d'étudier le désir et l'effort que manifeste et que tente l ' homme moderne, imbu d'une culture matérialiste, laïque et profane, pour retrouver la vie spirituelle de ses ancêtres son aspiration à la connaissance du sacré . Ce sujet, aussi vaste qu'il est élémentaire, exige l'examen de l'oeuvre complàte afin d'en dégager les constantes.
- Full Text:
- Date Issued: 1986
- Authors: Thomas, David Croft
- Date: 1986
- Subjects: Ionesco, Eugène -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3610 , http://hdl.handle.net/10962/d1004534 , Ionesco, Eugène -- Criticism and interpretation
- Description: From Introduction: Au cours d'une interview accordée à deux critiques littéraires, le 9 novembre 1976 , Ionesco déclare : Un retour à la métaphysique me semble, à notré epoque, indispensable. Ce point de vue nous semble être d'une importance fondamentale, tant par la référence à un probleme spécifiquement moderne, que par la formulation d'une profonde préoccupation de l'auteur. Ionesco résume par là un débat qui informe continuellement son oeuvre théàtrale. Ce débat, et cette quête, sont les thèmes essentiels que nous voudrions mettre à jour dans cette oeuvre . Nous proposons donc d'étudier le désir et l'effort que manifeste et que tente l ' homme moderne, imbu d'une culture matérialiste, laïque et profane, pour retrouver la vie spirituelle de ses ancêtres son aspiration à la connaissance du sacré . Ce sujet, aussi vaste qu'il est élémentaire, exige l'examen de l'oeuvre complàte afin d'en dégager les constantes.
- Full Text:
- Date Issued: 1986
La femme dans l'oeuvre litteraire de Jean-Paul Sartre
- Authors: Seiler, Miriam Zimet
- Date: 1977
- Subjects: Sartre, Jean-Paul, 1905-1980 -- Criticism and interpretation
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3641 , http://hdl.handle.net/10962/d1014302
- Description: [From introduction]. Pourquoi examiner Ie rôle de la femme dans l' oeuvre de Sartre? Jean-Paul Sartre est l'un des philosophes les plus importants de ce siècle, un philosophe qui s'est consacré ấ un examen de l'homme et de ses rapports avec l'existence par la liberté conscienter; un penseur qui a montré son individualisme dans le domaine de la politique, n'acceptant que ce qu'il trouve défendable; un romancier et un dramaturge dont l'oeuvre a connu un succès mondial.
- Full Text:
- Date Issued: 1977
- Authors: Seiler, Miriam Zimet
- Date: 1977
- Subjects: Sartre, Jean-Paul, 1905-1980 -- Criticism and interpretation
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3641 , http://hdl.handle.net/10962/d1014302
- Description: [From introduction]. Pourquoi examiner Ie rôle de la femme dans l' oeuvre de Sartre? Jean-Paul Sartre est l'un des philosophes les plus importants de ce siècle, un philosophe qui s'est consacré ấ un examen de l'homme et de ses rapports avec l'existence par la liberté conscienter; un penseur qui a montré son individualisme dans le domaine de la politique, n'acceptant que ce qu'il trouve défendable; un romancier et un dramaturge dont l'oeuvre a connu un succès mondial.
- Full Text:
- Date Issued: 1977
The Brotherhood of Breath
- Authors: Plougastel, Yann
- Language: French
- Type: Article
- Identifier: vital:13635 , http://hdl.handle.net/10962/d1012522
- Description: Photocopied article from the French newspaper L'Evénement du Jeudi about Chris McGregor and the Brotherhood of Breath and the release of their last recording "Country Cooking". There is also a picture of Chris McGregor playing flute with this article.
- Full Text:
- Authors: Plougastel, Yann
- Language: French
- Type: Article
- Identifier: vital:13635 , http://hdl.handle.net/10962/d1012522
- Description: Photocopied article from the French newspaper L'Evénement du Jeudi about Chris McGregor and the Brotherhood of Breath and the release of their last recording "Country Cooking". There is also a picture of Chris McGregor playing flute with this article.
- Full Text:
Lʹétude des thèmes du deuil et de la marginalité dans Le Royaume Aveugle et Reine Pokou, concerto pour un sacrifice de Véronique Tadjo
- Sachikonye, Tsitsi Shamiso Anne
- Authors: Sachikonye, Tsitsi Shamiso Anne
- Date: 2013
- Subjects: Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Language: French
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3603 , http://hdl.handle.net/10962/d1002956 , Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Description: The field of our study is Francophone African Literature and this thesis explores the themes of marginality and grief both experienced by Princess Akissi in The Blind Kingdom and Princess Pokou in Queen Pokou (2004) during their rise to power in their respective kingdoms. The two novels written by Véronique Tadjo from Ivory Coast, are subjected to thematic analysis because they are both based on similar storylines - that of conflict and rivalry within kingdoms resulting in the exile of the two princesses. One of the novels is set in a pre-colonial period while the other is set in a postcolonial era. Queen Pokou, winner of the 2005 Grand Prix Littéraire d’Afrique Noire (which is the most distinguished prize in Francophone African literature), is a retelling of the founding myths of the Baoulé people of Ivory Coast. In her literary texts, Tadjo transgresses the original legend and her reconstruction of this legend is significant because it challenges the ritual sacrifice made by Princess Pokou in order to free her people and to become queen. In The Blind Kingdom (1990), Tadjo highlights the corruption and injustice of the ruling elite. Space is used to reinforce the King’s domination thus a revolution is necessary to overthrow the exploitative power structures in place. The revolution that takes place relies heavily on the participation of Karim and especially on Princess Akissi who chooses to rebel against her father, King Ato IV in order to stop injustice. This thematic analysis, supported by semiotic theory, aims to establish and demonstrate the relationship between marginality of the two princesses, in particular, and their subsequent grief. It sheds light on the reasons for their exclusion from power as well as the nature of the conflicts that occur as they rise to power. The study postulates that certain myths and images are evoked by the novelist to symbolise the exclusion of the two princesses from power.
- Full Text:
- Date Issued: 2013
- Authors: Sachikonye, Tsitsi Shamiso Anne
- Date: 2013
- Subjects: Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Language: French
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3603 , http://hdl.handle.net/10962/d1002956 , Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Description: The field of our study is Francophone African Literature and this thesis explores the themes of marginality and grief both experienced by Princess Akissi in The Blind Kingdom and Princess Pokou in Queen Pokou (2004) during their rise to power in their respective kingdoms. The two novels written by Véronique Tadjo from Ivory Coast, are subjected to thematic analysis because they are both based on similar storylines - that of conflict and rivalry within kingdoms resulting in the exile of the two princesses. One of the novels is set in a pre-colonial period while the other is set in a postcolonial era. Queen Pokou, winner of the 2005 Grand Prix Littéraire d’Afrique Noire (which is the most distinguished prize in Francophone African literature), is a retelling of the founding myths of the Baoulé people of Ivory Coast. In her literary texts, Tadjo transgresses the original legend and her reconstruction of this legend is significant because it challenges the ritual sacrifice made by Princess Pokou in order to free her people and to become queen. In The Blind Kingdom (1990), Tadjo highlights the corruption and injustice of the ruling elite. Space is used to reinforce the King’s domination thus a revolution is necessary to overthrow the exploitative power structures in place. The revolution that takes place relies heavily on the participation of Karim and especially on Princess Akissi who chooses to rebel against her father, King Ato IV in order to stop injustice. This thematic analysis, supported by semiotic theory, aims to establish and demonstrate the relationship between marginality of the two princesses, in particular, and their subsequent grief. It sheds light on the reasons for their exclusion from power as well as the nature of the conflicts that occur as they rise to power. The study postulates that certain myths and images are evoked by the novelist to symbolise the exclusion of the two princesses from power.
- Full Text:
- Date Issued: 2013
First Angoulême Festival
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Jazz
- Language: French
- Type: Text
- Identifier: vital:13770 , http://hdl.handle.net/10962/d1012787
- Description: Original program for the first music festival of Angoulême, France.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Jazz
- Language: French
- Type: Text
- Identifier: vital:13770 , http://hdl.handle.net/10962/d1012787
- Description: Original program for the first music festival of Angoulême, France.
- Full Text:
The promises of "Halle that jazz" at La Villette, Paris, France
- Authors: Marmande, Francis
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Ibrahim, Abdullah , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Text
- Identifier: vital:13599 , http://hdl.handle.net/10962/d1012255 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Ibrahim, Abdullah , Blue Notes (Musical group : South Africa)
- Description: Photocopied article from the French newspaper Le Monde, entitled "The South African's pioneers", about Chris McGregor and Dollar Brand (Abdullah Ibrahim), both pianists who came to and stayed in Europe to play their music the way they wanted. An announcement of 4 days of concerts is located in a square on the right side of the article. Two pictures are accompanying this article. The top one represents Chris McGregor wearing a music notes printed shirt and on the bottom picture, Dollar Brand (Abdullah Ibrahim) is playing Piano.
- Full Text:
- Authors: Marmande, Francis
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Ibrahim, Abdullah , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Text
- Identifier: vital:13599 , http://hdl.handle.net/10962/d1012255 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Ibrahim, Abdullah , Blue Notes (Musical group : South Africa)
- Description: Photocopied article from the French newspaper Le Monde, entitled "The South African's pioneers", about Chris McGregor and Dollar Brand (Abdullah Ibrahim), both pianists who came to and stayed in Europe to play their music the way they wanted. An announcement of 4 days of concerts is located in a square on the right side of the article. Two pictures are accompanying this article. The top one represents Chris McGregor wearing a music notes printed shirt and on the bottom picture, Dollar Brand (Abdullah Ibrahim) is playing Piano.
- Full Text:
Potential running related injury contributors in South African long-distance runners
- Authors: Jäger, Chloë Rose Laubscher
- Date: 2022-04-06
- Subjects: Running injuries South Africa , Long-distance running South Africa , Running Physiological aspects , Running shoes , Biomechanics , Chi-square test , Fisher exact test
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/290943 , vital:56801
- Description: Running related injuries (RRIs) are a common problem among long-distance runners, with injury rates ranging from 19.4% to 79.3%. Many studies have been done, investigating possible contributors to RRIs however, very few studies have investigated RRIs in South African long-distance runners, a population which may differ from previously studied populations. The current study aimed to build a descriptive profile of South African long-distance runners, as well as to determine associated factors that may contribute to RRIs. In order to do this, a cross-sectional, retrospective study design was employed using a questionnaire which was mostly electronically distributed. The sample consisted of 378 long-distance runners from each province in South Africa (SA). Using the Chi-square analysis and Fisher exact tests, significant associations were established (p<0.05). The current study found that certain RRI variables were associated with specific aspects of the participants’ personal characteristics and demographics, training characteristics, running experience, footwear, and cross training activities. Footwear and training characteristics produced the largest number of significant RRI associations. The findings of the current study could assist future research on RRIs in South African long-distance runners, by informing researchers of potential areas where more in-depth research is needed. In the long term, researchers may be able to narrow down the main contributors to RRI, possibly decreasing RRI rates in the unique population of South African long-distance runners. , Thesis (MSc) -- Faculty of Science, Human Kinetics and Ergonomics, 2022
- Full Text:
- Date Issued: 2022-04-06
- Authors: Jäger, Chloë Rose Laubscher
- Date: 2022-04-06
- Subjects: Running injuries South Africa , Long-distance running South Africa , Running Physiological aspects , Running shoes , Biomechanics , Chi-square test , Fisher exact test
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/290943 , vital:56801
- Description: Running related injuries (RRIs) are a common problem among long-distance runners, with injury rates ranging from 19.4% to 79.3%. Many studies have been done, investigating possible contributors to RRIs however, very few studies have investigated RRIs in South African long-distance runners, a population which may differ from previously studied populations. The current study aimed to build a descriptive profile of South African long-distance runners, as well as to determine associated factors that may contribute to RRIs. In order to do this, a cross-sectional, retrospective study design was employed using a questionnaire which was mostly electronically distributed. The sample consisted of 378 long-distance runners from each province in South Africa (SA). Using the Chi-square analysis and Fisher exact tests, significant associations were established (p<0.05). The current study found that certain RRI variables were associated with specific aspects of the participants’ personal characteristics and demographics, training characteristics, running experience, footwear, and cross training activities. Footwear and training characteristics produced the largest number of significant RRI associations. The findings of the current study could assist future research on RRIs in South African long-distance runners, by informing researchers of potential areas where more in-depth research is needed. In the long term, researchers may be able to narrow down the main contributors to RRI, possibly decreasing RRI rates in the unique population of South African long-distance runners. , Thesis (MSc) -- Faculty of Science, Human Kinetics and Ergonomics, 2022
- Full Text:
- Date Issued: 2022-04-06
Rhodos, Vol. 8, No. 1
- Date: 1996-02-09
- Subjects: Rhodes University -- Rhodos , Grahamstown -- Newspapers
- Language: English
- Type: Text
- Identifier: vital:14895 , http://hdl.handle.net/10962/d1019134
- Description: The Rhodos newsletter carries news and information about events, awards, projects and developments both on and off campus. Ten editions of Rhodos are printed throughout the academic year for distribution among staff members of the University
- Full Text:
- Date Issued: 1996-02-09
- Date: 1996-02-09
- Subjects: Rhodes University -- Rhodos , Grahamstown -- Newspapers
- Language: English
- Type: Text
- Identifier: vital:14895 , http://hdl.handle.net/10962/d1019134
- Description: The Rhodos newsletter carries news and information about events, awards, projects and developments both on and off campus. Ten editions of Rhodos are printed throughout the academic year for distribution among staff members of the University
- Full Text:
- Date Issued: 1996-02-09
Membership attraction and retention strategies for the Port Elizabeth Club
- Authors: Geel, Rudolf Christiaan
- Date: 2011
- Subjects: Organizational change -- South Africa -- Port Elizabeth -- Management , Organizational change -- Social aspects -- South Africa -- Port Elizabeth , Strategic planning -- South Africa -- Port Elizabeth , Clubs -- South Africa -- Port Elizabeth , Success in business -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MBA
- Identifier: vital:8587 , http://hdl.handle.net/10948/1643 , Organizational change -- South Africa -- Port Elizabeth -- Management , Organizational change -- Social aspects -- South Africa -- Port Elizabeth , Strategic planning -- South Africa -- Port Elizabeth , Clubs -- South Africa -- Port Elizabeth , Success in business -- South Africa -- Port Elizabeth
- Description: Human beings have been gathering with other human beings for any and all reasons. These gatherings have occurred since biblical times. The Roman baths were the first gatherings that can be classified as clubs. In contemporary terms, humans gather in small numbers for a coffee with friends at a coffee restaurant, they gather in the thousands to show their dejection of wage offerings and they gather in the millions to support a sports jersey. The common factor in all of these gatherings is that they do it because of one shared goal, one shared vision. The places where people with the same interests gather, called clubs and organisations, have been around for many years. They fulfil some of the very basic human needs as well as some of the most intricate human wants. Ensuring that clubs or organisations remain in our social fibre for many years to come is in the best interest of all of their stakeholders. These clubs or organisations need to adjust to the times of present and adjust the offering they make to the members as the needs of the members change over time. It is this premise that led the researcher to The Port Elizabeth Club. This social club is struggling with dwindling membership numbers and the development of a membership strategy that will increase its membership numbers and the benefits that are offered to them. The secondary literature study conducted revealed many benefits and strategies that clubs currently use or that they could use to improve their membership brand. It further showed the different approaches, of the different clubs, to attracting and retaining the members they wanted. These benefits and strategies formed the basis iv of the primary study that was conducted by the researcher and were the main constructs in the study. The primary study was in the form of questionnaires and these were given to the target market of The Port Elizabeth Club as well as The Port Elizabeth Club members themselves. The primary study revealed that many of the benefits and strategies found in the literature can be used by The Port Elizabeth Club to improve their membership offering. The literature also stated this type of study, a questionnaire or survey, should be done on a regular basis by The Port Elizabeth Club to ensure that it is on track with its members’ needs and wants. The literature revealed that many club members feel that the value that is offered by clubs are diminishing and this results in the loss of members and disinterest from prospective members. It is for this reason that the research study conducted is important to The Port Elizabeth Club and shows that they should focus on the value they offer to their members and continue to improve this value offering. The research study concludes with a detailed description of benefits that The Port Elizabeth Club could implement for its members as well as strategies that will assist it in attracting new members and retaining its current members.
- Full Text:
- Date Issued: 2011
- Authors: Geel, Rudolf Christiaan
- Date: 2011
- Subjects: Organizational change -- South Africa -- Port Elizabeth -- Management , Organizational change -- Social aspects -- South Africa -- Port Elizabeth , Strategic planning -- South Africa -- Port Elizabeth , Clubs -- South Africa -- Port Elizabeth , Success in business -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MBA
- Identifier: vital:8587 , http://hdl.handle.net/10948/1643 , Organizational change -- South Africa -- Port Elizabeth -- Management , Organizational change -- Social aspects -- South Africa -- Port Elizabeth , Strategic planning -- South Africa -- Port Elizabeth , Clubs -- South Africa -- Port Elizabeth , Success in business -- South Africa -- Port Elizabeth
- Description: Human beings have been gathering with other human beings for any and all reasons. These gatherings have occurred since biblical times. The Roman baths were the first gatherings that can be classified as clubs. In contemporary terms, humans gather in small numbers for a coffee with friends at a coffee restaurant, they gather in the thousands to show their dejection of wage offerings and they gather in the millions to support a sports jersey. The common factor in all of these gatherings is that they do it because of one shared goal, one shared vision. The places where people with the same interests gather, called clubs and organisations, have been around for many years. They fulfil some of the very basic human needs as well as some of the most intricate human wants. Ensuring that clubs or organisations remain in our social fibre for many years to come is in the best interest of all of their stakeholders. These clubs or organisations need to adjust to the times of present and adjust the offering they make to the members as the needs of the members change over time. It is this premise that led the researcher to The Port Elizabeth Club. This social club is struggling with dwindling membership numbers and the development of a membership strategy that will increase its membership numbers and the benefits that are offered to them. The secondary literature study conducted revealed many benefits and strategies that clubs currently use or that they could use to improve their membership brand. It further showed the different approaches, of the different clubs, to attracting and retaining the members they wanted. These benefits and strategies formed the basis iv of the primary study that was conducted by the researcher and were the main constructs in the study. The primary study was in the form of questionnaires and these were given to the target market of The Port Elizabeth Club as well as The Port Elizabeth Club members themselves. The primary study revealed that many of the benefits and strategies found in the literature can be used by The Port Elizabeth Club to improve their membership offering. The literature also stated this type of study, a questionnaire or survey, should be done on a regular basis by The Port Elizabeth Club to ensure that it is on track with its members’ needs and wants. The literature revealed that many club members feel that the value that is offered by clubs are diminishing and this results in the loss of members and disinterest from prospective members. It is for this reason that the research study conducted is important to The Port Elizabeth Club and shows that they should focus on the value they offer to their members and continue to improve this value offering. The research study concludes with a detailed description of benefits that The Port Elizabeth Club could implement for its members as well as strategies that will assist it in attracting new members and retaining its current members.
- Full Text:
- Date Issued: 2011
Journalist Claude Wauthier and musician Chris McGregor invited by Amnesty International
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Wauthier, Claude , Amnesty International , Jazz
- Language: French
- Type: Article
- Identifier: vital:13723 , http://hdl.handle.net/10962/d1012736
- Description: Photocopied article from the newspaper le Républicain Lorrain about the week of conferences organised by Amnesty International with Claude Wauthier. Chris McGregor with his trio will be performing at the end of the week. There are 2 pictures with this article. The top picture is a portrait of Chris McGregor and the bottom picture is a drawing by Patrick Rauzier for Amnesty International.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Wauthier, Claude , Amnesty International , Jazz
- Language: French
- Type: Article
- Identifier: vital:13723 , http://hdl.handle.net/10962/d1012736
- Description: Photocopied article from the newspaper le Républicain Lorrain about the week of conferences organised by Amnesty International with Claude Wauthier. Chris McGregor with his trio will be performing at the end of the week. There are 2 pictures with this article. The top picture is a portrait of Chris McGregor and the bottom picture is a drawing by Patrick Rauzier for Amnesty International.
- Full Text:
Moholo - Jazzmag
- Authors: Rouy, Gérard
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: French
- Type: Article
- Identifier: vital:13644 , http://hdl.handle.net/10962/d1012548 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Description: Photocopied article in French from the magazine Jazzmag about Louis Moholo's exiled life in Europe and his music, bands, doubts and success.
- Full Text:
- Authors: Rouy, Gérard
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: French
- Type: Article
- Identifier: vital:13644 , http://hdl.handle.net/10962/d1012548 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Description: Photocopied article in French from the magazine Jazzmag about Louis Moholo's exiled life in Europe and his music, bands, doubts and success.
- Full Text:
Aspects Allocentristes de l’Humanisme dans l’Univers Romanesque de Williams Sassine
- Authors: Dami, Emmanuel Naancin
- Date: 2018
- Subjects: Sassine, Williams, 1944-1997 -- Criticism and interpretation , Guinean fiction (French) -- 20th century -- History and criticism , Humanism in literature , Human beings in literature , Postcolonialism in literature , Existentialism in literature
- Language: French , English
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/61957 , vital:28089
- Description: The human being, his behaviour and more importantly, his very essence have, for time immemorial, proven to be enigmatic to many a man and to researchers in particular. Consequently, the need for a thorough and more profound understanding of man has made him the epicentre of epistemic investigations across many academic disciplines. This, unfortunately, does not seem to have shaded bright lights on the grey areas bordering on his nature to his behavior. This, in turn, opens up other windows requiring further probes. For instance, proponents of the Neo-classical economic school contend that the human being is homo oeconomicus. This implies that man is intrinsically egocentric and a rational being whose decisions are based on informed choices driven by his urge for maximal utility geared towards his personal satisfaction (O’Boyle 2009; Caruso 2012). This stance invalidates man’s ability to do ‘disinterested good’ in any form. African francophone literature is replete with different and diverse images of man, his behaviour and existential conditions: sufferings and struggles. It, therefore, constitutes, inter alia, a laboratory in which researchers undertake investigative endeavours. This thesis beams its floodlights on the allocentric aspects of humanism in the novels of Williams Sassine. Thus, using the phenomenological and ‘clavieniste’ lenses as overarching operational theories, the thesis investigates Sassine’s novels with the view to shading a ray of light on the ‘humanistic man’ especially the allocentric dimensions of his nature and comportment. Emphasis is laid on the motives and motivations underlying the individual and the in-group struggle of the sassinien heroes in the emancipation of their society from the shackles of colonial and postcolonial domination, exploitation and subjugation resulting in self-determination and the subsequent disenchantment. Furthermore, the thesis examines the nature and character of human charity, generosity and sacrifices among the characters in the novels. In conclusion, the thesis establishes, through an x-ray of the nature of actions and decisions of certain characters in the novels, the examination of the conscious and subconscious intentions underlying these same actions and decisions which, on a face value, are apparently altruistic, that the sassinien heroes’ efforts and sacrifices are geared towards the common and greater good. This invariably means that man is, indeed, capable of posing disinterested acts of charity and bringing succour, devoid of any ulterior motives for personal gain, to his fellow humans. The position of the Neo-classical economists is consequently over-assuming, sweeping and tad generalizing. The sassinien characters have demonstrated beyond reasonable doubt that they are humanists. Their nature, the remote and immediate causes of their fights, the goals and objectives of their struggles and their spirit of abnegation have indeed proven that “human beings have the right and the responsibility to give meaning and shape to their own lives. [They have stood] for the building of a more humane society through an ethics based on the human and other natural values in a spirit of reason and free inquiry through human capabilities” (AHA 2017 : 3).
- Full Text:
- Date Issued: 2018
- Authors: Dami, Emmanuel Naancin
- Date: 2018
- Subjects: Sassine, Williams, 1944-1997 -- Criticism and interpretation , Guinean fiction (French) -- 20th century -- History and criticism , Humanism in literature , Human beings in literature , Postcolonialism in literature , Existentialism in literature
- Language: French , English
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/61957 , vital:28089
- Description: The human being, his behaviour and more importantly, his very essence have, for time immemorial, proven to be enigmatic to many a man and to researchers in particular. Consequently, the need for a thorough and more profound understanding of man has made him the epicentre of epistemic investigations across many academic disciplines. This, unfortunately, does not seem to have shaded bright lights on the grey areas bordering on his nature to his behavior. This, in turn, opens up other windows requiring further probes. For instance, proponents of the Neo-classical economic school contend that the human being is homo oeconomicus. This implies that man is intrinsically egocentric and a rational being whose decisions are based on informed choices driven by his urge for maximal utility geared towards his personal satisfaction (O’Boyle 2009; Caruso 2012). This stance invalidates man’s ability to do ‘disinterested good’ in any form. African francophone literature is replete with different and diverse images of man, his behaviour and existential conditions: sufferings and struggles. It, therefore, constitutes, inter alia, a laboratory in which researchers undertake investigative endeavours. This thesis beams its floodlights on the allocentric aspects of humanism in the novels of Williams Sassine. Thus, using the phenomenological and ‘clavieniste’ lenses as overarching operational theories, the thesis investigates Sassine’s novels with the view to shading a ray of light on the ‘humanistic man’ especially the allocentric dimensions of his nature and comportment. Emphasis is laid on the motives and motivations underlying the individual and the in-group struggle of the sassinien heroes in the emancipation of their society from the shackles of colonial and postcolonial domination, exploitation and subjugation resulting in self-determination and the subsequent disenchantment. Furthermore, the thesis examines the nature and character of human charity, generosity and sacrifices among the characters in the novels. In conclusion, the thesis establishes, through an x-ray of the nature of actions and decisions of certain characters in the novels, the examination of the conscious and subconscious intentions underlying these same actions and decisions which, on a face value, are apparently altruistic, that the sassinien heroes’ efforts and sacrifices are geared towards the common and greater good. This invariably means that man is, indeed, capable of posing disinterested acts of charity and bringing succour, devoid of any ulterior motives for personal gain, to his fellow humans. The position of the Neo-classical economists is consequently over-assuming, sweeping and tad generalizing. The sassinien characters have demonstrated beyond reasonable doubt that they are humanists. Their nature, the remote and immediate causes of their fights, the goals and objectives of their struggles and their spirit of abnegation have indeed proven that “human beings have the right and the responsibility to give meaning and shape to their own lives. [They have stood] for the building of a more humane society through an ethics based on the human and other natural values in a spirit of reason and free inquiry through human capabilities” (AHA 2017 : 3).
- Full Text:
- Date Issued: 2018
Une analyse critique de deux adaptations filmiques de Les Liaisons dangereuses de Pierre Choderlos de Laclos
- Authors: Naumann, Tyler
- Date: 2021-10-29
- Subjects: Film adaptations History and criticism , Laclos, Choderlos de, 1741-1803. Liaisons dangereuses Criticism and interpretation , Liaisons dangereuses (Motion picture) History and criticism , French fiction 18th century History and criticism , Semiotics and motion pictures , Translating and interpreting in motion pictures , Continuum of proximity
- Language: French
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/190284 , vital:44980
- Description: Film adaptation has been practised since the emergence of cinema in France in the early twentieth century. Theorists have identified, however, that a detailed system of analysis of film adaptations remains lacking and that there is a dearth of detailed case studies. This study adopts the lens of intersemiotic translation and seeks to apply a system of analysis, comprised of a synthesis of three existing systems (Cattrysse, Metz, McFarlane). The semiotic transferal of five key sequences from the source text are analysed in their film adaptations. The source text, Les Liaisons dangereuses by Pierre Choderlos de Laclos, an eighteenth-century epistolary novel focusing on the erotic exploits of two nobles in French high society, was chosen for its challenging nature as a film adaptation. Two film adaptations, that at first glance seem to be at the opposing extremes of film adaptation classification: ‘free’ and ‘close’; have been chosen to firstly, better understand the mechanics of the semiotic transferal process, and secondly, to identify at which points these adaptations are constituted as ‘free’ or ‘close’. Since the domain’s theorisation in the early 1930’s, the fidelity debate has remained omnipresent in the analysis of film adaptation. Even though theorists have tried to move away from the fidelity debate, it remains indispensable when comparing an adaptation with the original text and is a key point of departure when analysing the semiotic transferal between source text and screen. Through the lens of translation, theorists have come to question the binary classifications of film adaptations: ‘free’ and ‘close’. Contemporary theorists suggest that proximity to the source text operates on a continuum rather than as a fixed category. As a result of the multi-layered system of analysis used in this study, it has been concluded that the two film adaptations chosen are both ‘free’ and ‘close’ at varying points. Intersemiotic translation used in comparative film adaptations studies is therefore a useful methodological tool that allows for a more detailed and nuanced analysis and strengthens the case for using a continuum of proximity rather than fixed classifications. , Depuis l’émergence du cinéma en France au début du XXe siècle, il existe des adaptations filmiques. Les théoriciens de ce domaine constatent pourtant le manque d’un système d’analyse détaillé de ces adaptations. En plus, il y a une pénurie de cas d’études détaillés. La présente étude vise à prendre l’optique de la traduction intersémiotique et à appliquer un système d’analyse, qui se compose d’une synthèse de trois systèmes existants (Cattrysse, Metz, McFarlane). Le transfert sémiotique sera analysé de cinq séquences clefs du texte source. Le texte source, Les Liaisons dangereuses de Pierre Choderlos de Laclos, roman épistolaire du XVIIIe siècle qui se focalise sur les conquêtes amoureuses de deux aristocrates, a été choisi pour sa nature stimulante en tant que projet d’adaptation filmique. Nous avons choisi deux adaptations, qui à première vue, semblent être aux extrêmes opposés de classements des adaptations filmiques : ‘approchant’ et ‘libre’, pour découvrir les mécanismes du processus du transfert sémiotique, et en deuxième lieu, pour identifier à quels points ces adaptations seraient ‘approchantes’ ou ‘libres’. Dès la théorisation du domaine au début des années 1930, le débat de la fidélité est resté omniprésent dans les analyses des adaptations filmiques. Comparer une adaptation filmique au texte source est fait, et reste un point de départ essentiel lorsque l’analyse du transfert sémiotique entre le texte source et l’écran s’effectue. À travers l’optique de la traduction intersémiotique, les théoriciens ont remis en question les classifications binaires des adaptations filmiques : ‘approchante’, ‘hybride’, et ‘libre’. Les théoriciens contemporains suggèrent que la proximité du texte source s’opère sur un continuum au lieu d’être précisée dans des classements fixes. Grâce au système à multiples composantes utilisé dans cette étude, il a été conclu que les deux adaptations filmiques choisies sont toutes les deux ‘approchantes’ et ‘libres’ aux points variés. La traduction intersémiotique utilisée dans les études comparatives des adaptations filmiques constitue donc un outil méthodologue indispensable qui permet une analyse détaillée et nuancée, et qui renforce les arguments en faveur de l’emploi d’un continuum de proximité qui contourne le problème d’étiquettes rigides et binaires. , Thesis (MA) -- Faculty of Humanities, French Studies, 2021
- Full Text:
- Date Issued: 2021-10-29
- Authors: Naumann, Tyler
- Date: 2021-10-29
- Subjects: Film adaptations History and criticism , Laclos, Choderlos de, 1741-1803. Liaisons dangereuses Criticism and interpretation , Liaisons dangereuses (Motion picture) History and criticism , French fiction 18th century History and criticism , Semiotics and motion pictures , Translating and interpreting in motion pictures , Continuum of proximity
- Language: French
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/190284 , vital:44980
- Description: Film adaptation has been practised since the emergence of cinema in France in the early twentieth century. Theorists have identified, however, that a detailed system of analysis of film adaptations remains lacking and that there is a dearth of detailed case studies. This study adopts the lens of intersemiotic translation and seeks to apply a system of analysis, comprised of a synthesis of three existing systems (Cattrysse, Metz, McFarlane). The semiotic transferal of five key sequences from the source text are analysed in their film adaptations. The source text, Les Liaisons dangereuses by Pierre Choderlos de Laclos, an eighteenth-century epistolary novel focusing on the erotic exploits of two nobles in French high society, was chosen for its challenging nature as a film adaptation. Two film adaptations, that at first glance seem to be at the opposing extremes of film adaptation classification: ‘free’ and ‘close’; have been chosen to firstly, better understand the mechanics of the semiotic transferal process, and secondly, to identify at which points these adaptations are constituted as ‘free’ or ‘close’. Since the domain’s theorisation in the early 1930’s, the fidelity debate has remained omnipresent in the analysis of film adaptation. Even though theorists have tried to move away from the fidelity debate, it remains indispensable when comparing an adaptation with the original text and is a key point of departure when analysing the semiotic transferal between source text and screen. Through the lens of translation, theorists have come to question the binary classifications of film adaptations: ‘free’ and ‘close’. Contemporary theorists suggest that proximity to the source text operates on a continuum rather than as a fixed category. As a result of the multi-layered system of analysis used in this study, it has been concluded that the two film adaptations chosen are both ‘free’ and ‘close’ at varying points. Intersemiotic translation used in comparative film adaptations studies is therefore a useful methodological tool that allows for a more detailed and nuanced analysis and strengthens the case for using a continuum of proximity rather than fixed classifications. , Depuis l’émergence du cinéma en France au début du XXe siècle, il existe des adaptations filmiques. Les théoriciens de ce domaine constatent pourtant le manque d’un système d’analyse détaillé de ces adaptations. En plus, il y a une pénurie de cas d’études détaillés. La présente étude vise à prendre l’optique de la traduction intersémiotique et à appliquer un système d’analyse, qui se compose d’une synthèse de trois systèmes existants (Cattrysse, Metz, McFarlane). Le transfert sémiotique sera analysé de cinq séquences clefs du texte source. Le texte source, Les Liaisons dangereuses de Pierre Choderlos de Laclos, roman épistolaire du XVIIIe siècle qui se focalise sur les conquêtes amoureuses de deux aristocrates, a été choisi pour sa nature stimulante en tant que projet d’adaptation filmique. Nous avons choisi deux adaptations, qui à première vue, semblent être aux extrêmes opposés de classements des adaptations filmiques : ‘approchant’ et ‘libre’, pour découvrir les mécanismes du processus du transfert sémiotique, et en deuxième lieu, pour identifier à quels points ces adaptations seraient ‘approchantes’ ou ‘libres’. Dès la théorisation du domaine au début des années 1930, le débat de la fidélité est resté omniprésent dans les analyses des adaptations filmiques. Comparer une adaptation filmique au texte source est fait, et reste un point de départ essentiel lorsque l’analyse du transfert sémiotique entre le texte source et l’écran s’effectue. À travers l’optique de la traduction intersémiotique, les théoriciens ont remis en question les classifications binaires des adaptations filmiques : ‘approchante’, ‘hybride’, et ‘libre’. Les théoriciens contemporains suggèrent que la proximité du texte source s’opère sur un continuum au lieu d’être précisée dans des classements fixes. Grâce au système à multiples composantes utilisé dans cette étude, il a été conclu que les deux adaptations filmiques choisies sont toutes les deux ‘approchantes’ et ‘libres’ aux points variés. La traduction intersémiotique utilisée dans les études comparatives des adaptations filmiques constitue donc un outil méthodologue indispensable qui permet une analyse détaillée et nuancée, et qui renforce les arguments en faveur de l’emploi d’un continuum de proximité qui contourne le problème d’étiquettes rigides et binaires. , Thesis (MA) -- Faculty of Humanities, French Studies, 2021
- Full Text:
- Date Issued: 2021-10-29
L’etude comparative des elements merveilleux dans trois epopees africaines: Soundjata ou I’epopee mandingue, Emperor Shaka The Great: a Zulu Epic et Nsongo’a Lianja: I’epopee nationale des Nkundo
- Authors: Nkaongami, Josue Bosange
- Date: 2017
- Language: French , English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/5590 , vital:20944
- Description: This thesis is a comparative study in Francophone literature which analyses the supernatural factors in three African epics, namely the Sundiata or Mandingo Epic from West Africa by Djibril Tasmir Niane (1960), Emperor Shaka The Great : A Zulu Epic from Southern Africa by Mazisi Kunene (1979), and Nsongo’a Lianja : the National Epic of Nkundo People from Central Africa by Edmond Boelaert (1949). The study analyses similarities and differences between the supernatural figures in these epics and their respective societies using contextual and socio-critical theories. In this thesis it is demonstrated that the presence of supernatural forces is a sine qua non condition for the existence of the epic in the sense that : “the essential mark of the heroic personality in many African folk epics is its reliance on supernatural resources” (Okpewho 1979 : 119). This study shows that in Africa, supernatural forces play vital roles in the society and therefore dominate the African oral epic traditions. Furthermore, the study is significant in the sense that it tries to describe the worldview, especially the religious and cultural beliefs of the particular society or group that produces the epic. The thesis is made up of six chapters. In the first chapter, I outline the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, I examine the impact of supernatural devices on the lives of the epic heroes Sundiata, Shaka, and Lianja, the predictions and divinations about their births, childhoods, exiles or epic journeys, their ascension to the throne as well as their genealogies and deaths. Such analysis allows one to identify the supernatural factors surrounding each stage of the life of the heroes, and to understand further the importance of supernatural forces in the communities and institutions where the heroes exercise their powers. In the third chapter, I discuss the typology of the supernatural forces in the heroic epics Sundiata, Shaka and Lianja, using Greimas’s theory of actants. I divide the characters into protagonists, accessories and opponents. In the fourth chapter, I examine the sources of the supernatural forces prevailing on Sundiata, Shaka, and Lianja. The chapter shows how supernatural agents act on the epic heroes and how these supernatural beings make or mar them in the course of the narratives. In the fifth chapter, I investigate the supernatural factors acting on the heroes’ opponents, and in chapter six, I examine the supernatural forces and heroism of the women in the three epics. In the conclusion, I demonstrate that this analysis of supernatural factors enables us not only to appreciate their place and function in the three African epics under study, but also opens a window onto the culture of the Mandingo, Zulu, and Mongo People’s : their activities, beliefs, taboos and the rules which organise their respective societies. , This thesis is presented in two parts: French and English.
- Full Text:
- Date Issued: 2017
- Authors: Nkaongami, Josue Bosange
- Date: 2017
- Language: French , English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/5590 , vital:20944
- Description: This thesis is a comparative study in Francophone literature which analyses the supernatural factors in three African epics, namely the Sundiata or Mandingo Epic from West Africa by Djibril Tasmir Niane (1960), Emperor Shaka The Great : A Zulu Epic from Southern Africa by Mazisi Kunene (1979), and Nsongo’a Lianja : the National Epic of Nkundo People from Central Africa by Edmond Boelaert (1949). The study analyses similarities and differences between the supernatural figures in these epics and their respective societies using contextual and socio-critical theories. In this thesis it is demonstrated that the presence of supernatural forces is a sine qua non condition for the existence of the epic in the sense that : “the essential mark of the heroic personality in many African folk epics is its reliance on supernatural resources” (Okpewho 1979 : 119). This study shows that in Africa, supernatural forces play vital roles in the society and therefore dominate the African oral epic traditions. Furthermore, the study is significant in the sense that it tries to describe the worldview, especially the religious and cultural beliefs of the particular society or group that produces the epic. The thesis is made up of six chapters. In the first chapter, I outline the study’s subject matter, its aims and objectives, its significance, its assumptions and methodology. In the second chapter, I examine the impact of supernatural devices on the lives of the epic heroes Sundiata, Shaka, and Lianja, the predictions and divinations about their births, childhoods, exiles or epic journeys, their ascension to the throne as well as their genealogies and deaths. Such analysis allows one to identify the supernatural factors surrounding each stage of the life of the heroes, and to understand further the importance of supernatural forces in the communities and institutions where the heroes exercise their powers. In the third chapter, I discuss the typology of the supernatural forces in the heroic epics Sundiata, Shaka and Lianja, using Greimas’s theory of actants. I divide the characters into protagonists, accessories and opponents. In the fourth chapter, I examine the sources of the supernatural forces prevailing on Sundiata, Shaka, and Lianja. The chapter shows how supernatural agents act on the epic heroes and how these supernatural beings make or mar them in the course of the narratives. In the fifth chapter, I investigate the supernatural factors acting on the heroes’ opponents, and in chapter six, I examine the supernatural forces and heroism of the women in the three epics. In the conclusion, I demonstrate that this analysis of supernatural factors enables us not only to appreciate their place and function in the three African epics under study, but also opens a window onto the culture of the Mandingo, Zulu, and Mongo People’s : their activities, beliefs, taboos and the rules which organise their respective societies. , This thesis is presented in two parts: French and English.
- Full Text:
- Date Issued: 2017