Imhaka yavabereki
- The King Cole Brothers, performer not specified, Composer not specified, Tracey, Hugh
- Authors: The King Cole Brothers , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1951
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Harare f-rh
- Language: Zezuru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/386102 , vital:68106 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0702-E2K22
- Description: Indigenous music
- Full Text: false
- Date Issued: 1951
- Authors: The King Cole Brothers , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1951
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Harare f-rh
- Language: Zezuru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/386102 , vital:68106 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0702-E2K22
- Description: Indigenous music
- Full Text: false
- Date Issued: 1951
Umtagato-we!
- The Coal Brothers, Composer unknown, Tracey, Hugh
- Authors: The Coal Brothers , Composer unknown , Tracey, Hugh
- Date: 1958-03-31
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Eswatini Havelock f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/249848 , vital:51875 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT570-M22 , Research no. M2G13
- Description: Town dance music.
- Full Text: false
- Date Issued: 1958-03-31
- Authors: The Coal Brothers , Composer unknown , Tracey, Hugh
- Date: 1958-03-31
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Eswatini Havelock f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/249848 , vital:51875 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT570-M22 , Research no. M2G13
- Description: Town dance music.
- Full Text: false
- Date Issued: 1958-03-31
Ichinenjane lapa mkoponi
- The Coal Brothers, Composer unknown, Tracey, Hugh
- Authors: The Coal Brothers , Composer unknown , Tracey, Hugh
- Date: 1958-03-31
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Eswatini Havelock f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/249831 , vital:51873 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT570-M22 , Research no. M2G12
- Description: Town dance music.
- Full Text: false
- Date Issued: 1958-03-31
- Authors: The Coal Brothers , Composer unknown , Tracey, Hugh
- Date: 1958-03-31
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Eswatini Havelock f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/249831 , vital:51873 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT570-M22 , Research no. M2G12
- Description: Town dance music.
- Full Text: false
- Date Issued: 1958-03-31
Group portrait of Cecil John Rhodes, Robert Dundas Graham and one other unidentified man, possibly fellow students
- Authors: Grey Brothers Photographers
- Date: 1877
- Subjects: Rhodes, Cecil, 1853-1902 -- Photographs , Graham, Robert Dundas -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/20224 , vital:22836 , PIC/M 22 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Date Issued: 1877
- Authors: Grey Brothers Photographers
- Date: 1877
- Subjects: Rhodes, Cecil, 1853-1902 -- Photographs , Graham, Robert Dundas -- Photographs
- Type: Image
- Identifier: http://hdl.handle.net/10962/20224 , vital:22836 , PIC/M 22 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017.
- Full Text: false
- Date Issued: 1877
Hallelujah
- Sister Martina OSB with the E Brothers Church, Martina, Sister, OSB, Martina, Sister, Dargie, Dave
- Authors: Sister Martina OSB with the E Brothers Church , Martina, Sister, OSB , Martina, Sister , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Twasana, KwaZulu Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/425614 , vital:72268 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC013a-22
- Description: Church choral hymn with singing and clapping, accompanied by drumming. New Zulu church service hymn.
- Full Text: false
- Date Issued: 1979
- Authors: Sister Martina OSB with the E Brothers Church , Martina, Sister, OSB , Martina, Sister , Dargie, Dave
- Date: 1979
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Twasana, KwaZulu Natal sa
- Language: isiZulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/425614 , vital:72268 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC013a-22
- Description: Church choral hymn with singing and clapping, accompanied by drumming. New Zulu church service hymn.
- Full Text: false
- Date Issued: 1979
A critical analysis of the practical man principle in Commissioner for Inland Revenue v Lever Brothers and Unilever Ltd
- Authors: Grenville, David Paul
- Date: 2014
- Subjects: Unilever (Firm) , South African Revenue Service , Taxation -- Law and legislation -- South Africa , Income tax -- Law and legislation -- South Africa -- Cases , Income tax -- South Africa -- Cases , Business enterprises -- Taxation -- South Africa , Law -- South Africa -- Philosophy
- Language: English
- Type: Thesis , Masters , MCom
- Identifier: vital:909 , http://hdl.handle.net/10962/d1013238
- Description: This research studies the practical person principle as it was introduced in the case of Commissioner for Inland Revenue v Lever Brothers and Unilever Ltd 1946 AD 441. In its time the Lever Brothers case was a seminal judgment in South Africa’s tax jurisprudence and the practical person principle was a decisive criterion for the determination of source of income. The primary goal of this research was a critical analysis the practical man principle. This involved an analysis of the extent to which this principle requires judges to adopt a criterion that is too flexible for legitimate judicial decision-making. The extent to which the practical person principle creates a clash between a philosophical approach to law and an approach that is based on common sense or practicality was also debated. Finally, it was considered whether adopting a philosophical approach to determining the source of income could overcome the problems associated with the practical approach. A doctrinal methodology was applied to the documentary data consisting of the South African and Australian Income Tax Acts, South African and other case law, historical records and the writings of scholars. From the critical analysis of the practical person principle it was concluded that the anthropomorphised form of the principle gives rise to several problems that may be overcome by looking to the underlying operation of the principle. Further analysis of this operation, however, revealed deeper problems in that the principle undermines the doctrine of judicial precedent, legal certainty and the rule of law. Accordingly a practical approach to determining the source of income is undesirable and unconstitutional. Further research was conducted into the relative merits of a philosophical approach to determining source of income and it was argued that such an approach could provide a more desirable solution to determining source of income as well as approaching legal problems more generally.
- Full Text:
- Date Issued: 2014
- Authors: Grenville, David Paul
- Date: 2014
- Subjects: Unilever (Firm) , South African Revenue Service , Taxation -- Law and legislation -- South Africa , Income tax -- Law and legislation -- South Africa -- Cases , Income tax -- South Africa -- Cases , Business enterprises -- Taxation -- South Africa , Law -- South Africa -- Philosophy
- Language: English
- Type: Thesis , Masters , MCom
- Identifier: vital:909 , http://hdl.handle.net/10962/d1013238
- Description: This research studies the practical person principle as it was introduced in the case of Commissioner for Inland Revenue v Lever Brothers and Unilever Ltd 1946 AD 441. In its time the Lever Brothers case was a seminal judgment in South Africa’s tax jurisprudence and the practical person principle was a decisive criterion for the determination of source of income. The primary goal of this research was a critical analysis the practical man principle. This involved an analysis of the extent to which this principle requires judges to adopt a criterion that is too flexible for legitimate judicial decision-making. The extent to which the practical person principle creates a clash between a philosophical approach to law and an approach that is based on common sense or practicality was also debated. Finally, it was considered whether adopting a philosophical approach to determining the source of income could overcome the problems associated with the practical approach. A doctrinal methodology was applied to the documentary data consisting of the South African and Australian Income Tax Acts, South African and other case law, historical records and the writings of scholars. From the critical analysis of the practical person principle it was concluded that the anthropomorphised form of the principle gives rise to several problems that may be overcome by looking to the underlying operation of the principle. Further analysis of this operation, however, revealed deeper problems in that the principle undermines the doctrine of judicial precedent, legal certainty and the rule of law. Accordingly a practical approach to determining the source of income is undesirable and unconstitutional. Further research was conducted into the relative merits of a philosophical approach to determining source of income and it was argued that such an approach could provide a more desirable solution to determining source of income as well as approaching legal problems more generally.
- Full Text:
- Date Issued: 2014
Tinga sale kwa ngoswe
- Paseli brothers, Paseli, Bari, Tracey, Hugh
- Authors: Paseli brothers , Paseli, Bari , Tracey, Hugh
- Date: 1949-10-04
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/269970 , vital:54364 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP0762-XYZ4100.2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949-10-04
- Authors: Paseli brothers , Paseli, Bari , Tracey, Hugh
- Date: 1949-10-04
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/269970 , vital:54364 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP0762-XYZ4100.2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949-10-04
“There are certain things that I just know that I have to do because we are brothers”: a discourse analysis of young black men’s engagement with popular representations of brotherhood
- Authors: Mkhize, Sibongiseni
- Date: 2014
- Subjects: Brotherliness , Men, Black -- South Africa -- Social life and customs , Masculinity -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3238 , http://hdl.handle.net/10962/d1013212
- Description: The present study analyses the discourses that young black South African men employed when they engaged with popular representations of brotherhood in the media. In particular the study explores how these particular young men view masculinity within brothering and what the implications of ‘doing brothering’ are as a result of this view. Drawing on discursive psychology, the study is located in a social constructionist theoretical framework and uses a qualitative methodological approach. The data used in the discourse analysis was gathered through focus group discussion of scenes from the television show Generations. The discourse analysis produced two major discourses in which there were different constructions of masculinity each influencing the way in which brothering was done. The first discourse constructed a ‘dutiful man’ who performs his brotherly obligations separately from his emotions, this discourse is in line with discourses of hegemonic masculinity where men are expected to fulfil obligations and are not expected to be emotional. Resisting this discourse at times, some participants in this study did occasionally construct men as having rich emotional lives such that the quality of interaction with brothers is constructed as more important, in terms of building intimate fraternal relationships, than the amount of interaction with them. The second major discourse constructs the ‘ideal man’ in two different ways: as the ‘good man’ and the ‘unscrupulous man’. The ‘good man’, like the ‘dutiful man’ performs the obligations society has placed on him, but does not receive the social esteem that is given to the ‘unscrupulous man’, who is successful and financially powerful. Although both these types of men are spoken of as possessing masculinity, the ‘good man’ is constructed as holding onto a type of masculinity that does not have a place in contemporary society. The findings suggest that brothering informs the way in which men take up certain masculine positions. The study contributes to our understanding of the construction of gender identity within familial relationships, specifically the adult brother-brother relationship.
- Full Text:
- Date Issued: 2014
- Authors: Mkhize, Sibongiseni
- Date: 2014
- Subjects: Brotherliness , Men, Black -- South Africa -- Social life and customs , Masculinity -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3238 , http://hdl.handle.net/10962/d1013212
- Description: The present study analyses the discourses that young black South African men employed when they engaged with popular representations of brotherhood in the media. In particular the study explores how these particular young men view masculinity within brothering and what the implications of ‘doing brothering’ are as a result of this view. Drawing on discursive psychology, the study is located in a social constructionist theoretical framework and uses a qualitative methodological approach. The data used in the discourse analysis was gathered through focus group discussion of scenes from the television show Generations. The discourse analysis produced two major discourses in which there were different constructions of masculinity each influencing the way in which brothering was done. The first discourse constructed a ‘dutiful man’ who performs his brotherly obligations separately from his emotions, this discourse is in line with discourses of hegemonic masculinity where men are expected to fulfil obligations and are not expected to be emotional. Resisting this discourse at times, some participants in this study did occasionally construct men as having rich emotional lives such that the quality of interaction with brothers is constructed as more important, in terms of building intimate fraternal relationships, than the amount of interaction with them. The second major discourse constructs the ‘ideal man’ in two different ways: as the ‘good man’ and the ‘unscrupulous man’. The ‘good man’, like the ‘dutiful man’ performs the obligations society has placed on him, but does not receive the social esteem that is given to the ‘unscrupulous man’, who is successful and financially powerful. Although both these types of men are spoken of as possessing masculinity, the ‘good man’ is constructed as holding onto a type of masculinity that does not have a place in contemporary society. The findings suggest that brothering informs the way in which men take up certain masculine positions. The study contributes to our understanding of the construction of gender identity within familial relationships, specifically the adult brother-brother relationship.
- Full Text:
- Date Issued: 2014
‘Ubhuti wami’: a qualitative secondary analysis of brothering among isiXhosa men
- Authors: Mbewe, Mpho
- Date: 2014
- Subjects: Brotherliness , Xhosa (African people) -- Social life and customs , Men, Black -- South Africa -- Social life and customs
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3233 , http://hdl.handle.net/10962/d1013149
- Description: This project is interested in investigating the construction of the fraternal sibling relationshipwithin the South African context from a narrative perspective. In particular, this study is interested in the ways in which middle aged isiXhosa men narrate experiences of brothering and how social class, as one particular context, mediates these narratives. This project is particularly interested in brothering within the isiXhosa culture and is concerned with both middle class and working class men within this cultural context. The project takes as its particular focus the meaning of brothering, and specifically how masculinity, intimacy and money or class influence the brothering practices constructed by the men in the sample. The project employs a social constructionist perspective, using a thematic narrative analysis to analyse the data. This project uses secondary analysis of data, as the data was collected for the primary use by Jackson (2009), Peirce (2009), Saville Young (Saville Young & Jackson, 2011) and Stonier (2010). The analysis reflects emergent themes of the importance of fraternal sacrifice, care-taking and sibling responsibility, honouring the family, and challenge to traditional masculinity. These themes emerged within the prior themes of masculinity, intimacy and class within brothering. The men spoke of keeping the family prosperous and united as an important duty in their brothering role. Affection was expressed more practically and symbolically, and closeness constructed through shared experiences, proximity and similarities. My findings reflect that family expectations, culture and social context had key influences on brothering, based on the men's narratives. Findings are discussed in relation to literature on brothering, masculinity and intimacy, and the influence of money in close relationships.
- Full Text:
- Date Issued: 2014
- Authors: Mbewe, Mpho
- Date: 2014
- Subjects: Brotherliness , Xhosa (African people) -- Social life and customs , Men, Black -- South Africa -- Social life and customs
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3233 , http://hdl.handle.net/10962/d1013149
- Description: This project is interested in investigating the construction of the fraternal sibling relationshipwithin the South African context from a narrative perspective. In particular, this study is interested in the ways in which middle aged isiXhosa men narrate experiences of brothering and how social class, as one particular context, mediates these narratives. This project is particularly interested in brothering within the isiXhosa culture and is concerned with both middle class and working class men within this cultural context. The project takes as its particular focus the meaning of brothering, and specifically how masculinity, intimacy and money or class influence the brothering practices constructed by the men in the sample. The project employs a social constructionist perspective, using a thematic narrative analysis to analyse the data. This project uses secondary analysis of data, as the data was collected for the primary use by Jackson (2009), Peirce (2009), Saville Young (Saville Young & Jackson, 2011) and Stonier (2010). The analysis reflects emergent themes of the importance of fraternal sacrifice, care-taking and sibling responsibility, honouring the family, and challenge to traditional masculinity. These themes emerged within the prior themes of masculinity, intimacy and class within brothering. The men spoke of keeping the family prosperous and united as an important duty in their brothering role. Affection was expressed more practically and symbolically, and closeness constructed through shared experiences, proximity and similarities. My findings reflect that family expectations, culture and social context had key influences on brothering, based on the men's narratives. Findings are discussed in relation to literature on brothering, masculinity and intimacy, and the influence of money in close relationships.
- Full Text:
- Date Issued: 2014
The Gaeity Brothers
- Poswa, S, Mpehlo, J, Moyikwa, J, Ncanywa, T, Botha, T
- Authors: Poswa, S , Mpehlo, J , Moyikwa, J , Ncanywa, T , Botha, T
- Date: 195-?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126738 , vital:35918 , RHPC-069
- Description: Gaeity Brothers, S Poswa, J Mpehlo, J Moyikwa, T Ncanywa, T Botha. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 195-?
- Authors: Poswa, S , Mpehlo, J , Moyikwa, J , Ncanywa, T , Botha, T
- Date: 195-?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126738 , vital:35918 , RHPC-069
- Description: Gaeity Brothers, S Poswa, J Mpehlo, J Moyikwa, T Ncanywa, T Botha. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 195-?
Manhattan brothers
- Mdledle, Nathan, Mogotsi, Joe, Sehume, Ronnie, Khoza, Rufus
- Authors: Mdledle, Nathan , Mogotsi, Joe , Sehume, Ronnie , Khoza, Rufus
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126786 , vital:35923 , RHPC-091
- Description: Manhattan Brothers, upper left to right, Nathan Mdledle, Joe Mogotsi, Ronnie Sehume, bottom Rufus Khoza. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
- Authors: Mdledle, Nathan , Mogotsi, Joe , Sehume, Ronnie , Khoza, Rufus
- Date: 19--?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126786 , vital:35923 , RHPC-091
- Description: Manhattan Brothers, upper left to right, Nathan Mdledle, Joe Mogotsi, Ronnie Sehume, bottom Rufus Khoza. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 19--?
The Gaeity Brothers
- Poswa, S, Mpehlo, J, Moyikwa, J, Ncanywa, T, Botha, T
- Authors: Poswa, S , Mpehlo, J , Moyikwa, J , Ncanywa, T , Botha, T
- Date: 195-?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214566 , vital:47963 , RHPC-069
- Description: Gaeity Brothers, S Poswa, J Mpehlo, J Moyikwa, T Ncanywa, T Botha. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 195-?
- Authors: Poswa, S , Mpehlo, J , Moyikwa, J , Ncanywa, T , Botha, T
- Date: 195-?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214566 , vital:47963 , RHPC-069
- Description: Gaeity Brothers, S Poswa, J Mpehlo, J Moyikwa, T Ncanywa, T Botha. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 195-?
The Gaeity Brothers
- Poswa, S, Mpehlo, J, Moyikwa, J, Ncanywa, T, Botha, T
- Authors: Poswa, S , Mpehlo, J , Moyikwa, J , Ncanywa, T , Botha, T
- Date: 195-?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126695 , vital:35913 , RHPC-069
- Description: Gaeity Brothers, S Poswa, J Mpehlo, J Moyikwa, T Ncanywa, T Botha. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 195-?
- Authors: Poswa, S , Mpehlo, J , Moyikwa, J , Ncanywa, T , Botha, T
- Date: 195-?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/126695 , vital:35913 , RHPC-069
- Description: Gaeity Brothers, S Poswa, J Mpehlo, J Moyikwa, T Ncanywa, T Botha. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 195-?
The Gaeity Brothers
- Poswa, S, Mpehlo, J, Moyikwa, J, Ncanywa, T, Botha, T
- Authors: Poswa, S , Mpehlo, J , Moyikwa, J , Ncanywa, T , Botha, T
- Date: 195?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214588 , vital:47966 , RHPC-069
- Description: Gaeity Brothers, S Poswa, J Mpehlo, J Moyikwa, T Ncanywa, T Botha. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 195?
- Authors: Poswa, S , Mpehlo, J , Moyikwa, J , Ncanywa, T , Botha, T
- Date: 195?
- Subjects: uncatalogued
- Type: Image
- Identifier: http://hdl.handle.net/10962/214588 , vital:47966 , RHPC-069
- Description: Gaeity Brothers, S Poswa, J Mpehlo, J Moyikwa, T Ncanywa, T Botha. , Use of this resource is governed by the terms and conditions of the Creative Commons "Attribution-NonCommercial-ShareAlike" License (http://creativecommons.org/licenses/by-nc-sa/2.0/)
- Full Text: false
- Date Issued: 195?
Indian family businesses in Durban
- Authors: Jithoo, Sabita
- Date: 1983
- Subjects: East Indians -- South Africa East Indians -- South Africa -- Economic conditions East Indians -- South Africa -- Social life and customs Family-owned business enterprises -- South Africa.
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2108 , http://hdl.handle.net/10962/d1007227
- Description: From introduction: This is a study of Indian family businesses in the central business district of Durban, a sea port on the coast of Natal, in South Africa.
- Full Text:
- Date Issued: 1983
- Authors: Jithoo, Sabita
- Date: 1983
- Subjects: East Indians -- South Africa East Indians -- South Africa -- Economic conditions East Indians -- South Africa -- Social life and customs Family-owned business enterprises -- South Africa.
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2108 , http://hdl.handle.net/10962/d1007227
- Description: From introduction: This is a study of Indian family businesses in the central business district of Durban, a sea port on the coast of Natal, in South Africa.
- Full Text:
- Date Issued: 1983
An analysis of the characterisation and transformation of the evil queen as depicted through traditional folklore narrative in comparison to contemporary television storytelling
- Authors: Le Clue,Natalie
- Date: 2017
- Subjects: Storytelling in literature Folk literature-- History and criticism Digital Storytelling
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/44493 , vital:37851
- Description: In 1812 The Brothers Jacob and Wilhelm Grimm published a recorded folklore narrative of a young princess named Snow White and her evil stepmother, the queen.Through the decades and centuries that followed this first introduction the character of the Evil Queen has been portrayed and presented in a plethora of narrative structures and media. This paper has sought to analyse the characterization and transformation of Snow White’s Evil Queen as she has been depicted from traditional folklore narrative through to contemporary television storytelling. Following an in-depth literature review that sought to establish the origin of folklore, the first presentations of the Evil Queen character, a motif of the character, and the fan’s perception of the character in contemporary form, the findings of the paper were established through a detailed content analysis of character. It is evident that the modes of storytelling have evolved and changed significantly through time since Propp introduced character theory. However, the contemporary fairy tale character and narrative has not yet completely redefined his theory. Instead it has restructured and modernized the theory and made it more relevant to the 21st century method of television storytelling.
- Full Text:
- Date Issued: 2017
- Authors: Le Clue,Natalie
- Date: 2017
- Subjects: Storytelling in literature Folk literature-- History and criticism Digital Storytelling
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/44493 , vital:37851
- Description: In 1812 The Brothers Jacob and Wilhelm Grimm published a recorded folklore narrative of a young princess named Snow White and her evil stepmother, the queen.Through the decades and centuries that followed this first introduction the character of the Evil Queen has been portrayed and presented in a plethora of narrative structures and media. This paper has sought to analyse the characterization and transformation of Snow White’s Evil Queen as she has been depicted from traditional folklore narrative through to contemporary television storytelling. Following an in-depth literature review that sought to establish the origin of folklore, the first presentations of the Evil Queen character, a motif of the character, and the fan’s perception of the character in contemporary form, the findings of the paper were established through a detailed content analysis of character. It is evident that the modes of storytelling have evolved and changed significantly through time since Propp introduced character theory. However, the contemporary fairy tale character and narrative has not yet completely redefined his theory. Instead it has restructured and modernized the theory and made it more relevant to the 21st century method of television storytelling.
- Full Text:
- Date Issued: 2017
The contribution made by Mr Justice EF Watermeyer to South African tax jurisprudence
- Authors: Thackwell, Robert Colin
- Date: 2011
- Language: English
- Type: text , Thesis , Masters , MCom
- Identifier: vital:881 , http://hdl.handle.net/10962/d1001635
- Description: The objective of this thesis is to highlight the colossal contributions made by the late Justice Watermeyer to South African tax jurisprudence. His contributions are viewed from a practical application point of view as well as from a statutory interpretative perspective. The style and technique with which he delivered his judgments are also considered to be a contribution in their own right. The core of this thesis is the analysis of seven of Justice Watermeyer‟s most influential judgments. The development and application of the principle or principles developed in each of these seven judgments is then traced chronologically through case law up until recent judgments. It is most notable that each and every phrase contained in section 11(a) of the Income Tax Act has been interpreted by Justice Watermeyer. These interpretations are still viewed as correct statements of the applicable law and will continue to be referred to on a regular basis given the fact that section 11(a) is one of the most widely contested provisions in the Income Tax Act. Several references to his approach to statutory interpretation are made through the course of the case analyses. Whilst significant evidence of a purposive oriented approach to interpretation appears in some judgments, such evidence is lacking in others. An absolute or conclusive submission in terms of his approach to statutory interpretation is not sufficiently supported. His style of judgment is also referred to and commented on, with particular focus placed on his use of illustrative examples. The contribution to South African tax law by Justice Watermeyer is found to be nothing short of enormous. He was and continues to be influential with respect to section 11(a),the definition of gross income in section 1, common law principles of tax avoidance as well as the interpretation of statutory laws of tax avoidance. It is anticipated that some of his interpretations with respect to statutory rules of tax avoidance will be referred to when the relatively new anti-avoidance provisions become the subject of litigation.
- Full Text:
- Date Issued: 2011
- Authors: Thackwell, Robert Colin
- Date: 2011
- Language: English
- Type: text , Thesis , Masters , MCom
- Identifier: vital:881 , http://hdl.handle.net/10962/d1001635
- Description: The objective of this thesis is to highlight the colossal contributions made by the late Justice Watermeyer to South African tax jurisprudence. His contributions are viewed from a practical application point of view as well as from a statutory interpretative perspective. The style and technique with which he delivered his judgments are also considered to be a contribution in their own right. The core of this thesis is the analysis of seven of Justice Watermeyer‟s most influential judgments. The development and application of the principle or principles developed in each of these seven judgments is then traced chronologically through case law up until recent judgments. It is most notable that each and every phrase contained in section 11(a) of the Income Tax Act has been interpreted by Justice Watermeyer. These interpretations are still viewed as correct statements of the applicable law and will continue to be referred to on a regular basis given the fact that section 11(a) is one of the most widely contested provisions in the Income Tax Act. Several references to his approach to statutory interpretation are made through the course of the case analyses. Whilst significant evidence of a purposive oriented approach to interpretation appears in some judgments, such evidence is lacking in others. An absolute or conclusive submission in terms of his approach to statutory interpretation is not sufficiently supported. His style of judgment is also referred to and commented on, with particular focus placed on his use of illustrative examples. The contribution to South African tax law by Justice Watermeyer is found to be nothing short of enormous. He was and continues to be influential with respect to section 11(a),the definition of gross income in section 1, common law principles of tax avoidance as well as the interpretation of statutory laws of tax avoidance. It is anticipated that some of his interpretations with respect to statutory rules of tax avoidance will be referred to when the relatively new anti-avoidance provisions become the subject of litigation.
- Full Text:
- Date Issued: 2011
Trauma, imagery and the therapeutic relationship : Langu's story
- Karpelowsky, Belinda J, Edwards, David J A
- Authors: Karpelowsky, Belinda J , Edwards, David J A
- Date: 2005
- Language: English
- Type: Article
- Identifier: vital:6268 , http://hdl.handle.net/10962/d1008267
- Description: This paper, a phenomenological case study, describes the psychotherapy of Langu (pseudonym), a 21-year-old student, who presented with Acute Stress Disorder following a series of motor accidents that affected him and his family. Langu's most distressing experience was having to identify his brother's mutilated and severely burned body. Because of the intensity of the intrusive re-experiencing of traumatic imagery and the degree of dissociative numbing, Langu participated in four intensive guided imagery sessions, which involved reliving the incident, and imaginal dialogues with his dead brother. Session records and supervision notes from the therapy process that unfolded over 22 sessions served as the basis for a thematically selective case narrative. Additional material was obtained from several research interviews with Langu over the following months. The narrative highlights the impact of the imagery work as well as relational aspects of the therapy. The case narrative provides a source for examining many aspects of the psychological impact of trauma and the path to healing, as well as the dilemmas and challenges faced by therapists working with traumatised individuals.
- Full Text:
- Date Issued: 2005
- Authors: Karpelowsky, Belinda J , Edwards, David J A
- Date: 2005
- Language: English
- Type: Article
- Identifier: vital:6268 , http://hdl.handle.net/10962/d1008267
- Description: This paper, a phenomenological case study, describes the psychotherapy of Langu (pseudonym), a 21-year-old student, who presented with Acute Stress Disorder following a series of motor accidents that affected him and his family. Langu's most distressing experience was having to identify his brother's mutilated and severely burned body. Because of the intensity of the intrusive re-experiencing of traumatic imagery and the degree of dissociative numbing, Langu participated in four intensive guided imagery sessions, which involved reliving the incident, and imaginal dialogues with his dead brother. Session records and supervision notes from the therapy process that unfolded over 22 sessions served as the basis for a thematically selective case narrative. Additional material was obtained from several research interviews with Langu over the following months. The narrative highlights the impact of the imagery work as well as relational aspects of the therapy. The case narrative provides a source for examining many aspects of the psychological impact of trauma and the path to healing, as well as the dilemmas and challenges faced by therapists working with traumatised individuals.
- Full Text:
- Date Issued: 2005
Lever Brothers & Unilever – a practical problem of source?
- Stack, Elizabeth M, Grenville, D P, Poole, Richard, Horn, Edward B, Harnett, Hugh N
- Authors: Stack, Elizabeth M , Grenville, D P , Poole, Richard , Horn, Edward B , Harnett, Hugh N
- Date: 2014
- Subjects: To be catalogued
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/2143 , vital:20259
- Full Text:
- Date Issued: 2014
- Authors: Stack, Elizabeth M , Grenville, D P , Poole, Richard , Horn, Edward B , Harnett, Hugh N
- Date: 2014
- Subjects: To be catalogued
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/2143 , vital:20259
- Full Text:
- Date Issued: 2014
An analysis of gender transformations in the sleeping beauty fairy tale
- Authors: Banks, Monique
- Date: 2017
- Subjects: Fairy tales Gender identity in literature Children's stories--History and criticism
- Language: English
- Type: Thesis , Masters , English
- Identifier: http://hdl.handle.net/10353/16346 , vital:40712
- Description: The fairy tale genre has an extremely complex, yet interesting history and development. Originally created and used for the entertainment of adults, these tales traditionally included a wide range of themes, characters and gender dynamics than more recent, modern tales. This is because the original tales spoke to and included themes, characters and gender roles evident in the societal structure and time period in which each was written. Thus, traditionally patriarchal, gender-unequal societies generated tales which embodied this patriarchy and inequality. As society developed and gender relationship dynamics changed, writers of fairy tales began to alter the traditional tales, as they no longer suited the society’s outlook on life and gender. In addition to this, as the original tales were remade, the dynamic views of the society in which each was recreated, was then reflected. Therefore, this study’s primary focus is to investigate the development of the fairy tale genre, specifically the Sleeping Beauty tale, over the years and analyse the changes of the tale, with regards to patriarchal traditions, character traits and gender relationships. Within this work, the original tales of Charles Perrault and the Grimm Brothers, as well as the Sleeping Beauty remakes of Anne Thackeray Ritchie, Angela Carter, Robert Coover and Neil Gaiman will be analysed through the lens of feminism. Thus, each tale will be examined for their characters’ traits and gender relationships, and how these traits and relationships support and continue patriarchy and gender inequality, or question, challenge and provide alternatives for this patriarchy and inequality. In addition, the historical context of each author will be investigated in order to determine how each tale fits into the social context in which it was written and published. To conclude, through studying each Sleeping Beauty remake, this study has highlighted an interesting movement in fairy tale literature. As tales are published in more recent times, so their characters become altered from the typical and patriarchally expected gender roles and character traits. More and more, writers are creating characters that challenge the ‘norm’ of patriarchy. Therefore, this shows that in more modern times, societies’ structures are becoming more diverse and accepting of alternatives to traditional gender roles. Importantly, there is a wide sector of fairy tale literature which has not yet been examined in this way. The traditional fairy tales and their remakes include a number of interesting points that, as this study has proved in its analysis of Sleeping Beauty, can have a major impact on the study of the fairy tale genre as well as highlight developments in social structure and feminist thought.
- Full Text:
- Date Issued: 2017
- Authors: Banks, Monique
- Date: 2017
- Subjects: Fairy tales Gender identity in literature Children's stories--History and criticism
- Language: English
- Type: Thesis , Masters , English
- Identifier: http://hdl.handle.net/10353/16346 , vital:40712
- Description: The fairy tale genre has an extremely complex, yet interesting history and development. Originally created and used for the entertainment of adults, these tales traditionally included a wide range of themes, characters and gender dynamics than more recent, modern tales. This is because the original tales spoke to and included themes, characters and gender roles evident in the societal structure and time period in which each was written. Thus, traditionally patriarchal, gender-unequal societies generated tales which embodied this patriarchy and inequality. As society developed and gender relationship dynamics changed, writers of fairy tales began to alter the traditional tales, as they no longer suited the society’s outlook on life and gender. In addition to this, as the original tales were remade, the dynamic views of the society in which each was recreated, was then reflected. Therefore, this study’s primary focus is to investigate the development of the fairy tale genre, specifically the Sleeping Beauty tale, over the years and analyse the changes of the tale, with regards to patriarchal traditions, character traits and gender relationships. Within this work, the original tales of Charles Perrault and the Grimm Brothers, as well as the Sleeping Beauty remakes of Anne Thackeray Ritchie, Angela Carter, Robert Coover and Neil Gaiman will be analysed through the lens of feminism. Thus, each tale will be examined for their characters’ traits and gender relationships, and how these traits and relationships support and continue patriarchy and gender inequality, or question, challenge and provide alternatives for this patriarchy and inequality. In addition, the historical context of each author will be investigated in order to determine how each tale fits into the social context in which it was written and published. To conclude, through studying each Sleeping Beauty remake, this study has highlighted an interesting movement in fairy tale literature. As tales are published in more recent times, so their characters become altered from the typical and patriarchally expected gender roles and character traits. More and more, writers are creating characters that challenge the ‘norm’ of patriarchy. Therefore, this shows that in more modern times, societies’ structures are becoming more diverse and accepting of alternatives to traditional gender roles. Importantly, there is a wide sector of fairy tale literature which has not yet been examined in this way. The traditional fairy tales and their remakes include a number of interesting points that, as this study has proved in its analysis of Sleeping Beauty, can have a major impact on the study of the fairy tale genre as well as highlight developments in social structure and feminist thought.
- Full Text:
- Date Issued: 2017