A study of the tragedy of Coriolanus by William Shakespeare
- Authors: Knox, Catherine Mary
- Date: 1973
- Subjects: Shakespeare, William, 1564-1616 -- Coriolanus , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2304 , http://hdl.handle.net/10962/d1012642 , Shakespeare, William, 1564-1616 -- Coriolanus , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Description: It would be difficult to prove conclusively that Shakespeare was not invited or requested to write a play based on the popular story of Coriolanus. J.M. Robertson concretises this possibility with an intriguing thesis that the play was in fact rewritten from an original by Chapman. The story, he argues, would have had a far greater appeal to Chapman with his consuming interest in the heroic age of Classical antiquity, than to Shakespeare. Further, it is likely, he says, that Chapman was familiar with Alexandre Hardy 's Coriolan which, it is generally accepted, Shakespeare was not, hence the startling similarities in some of the two plays' deviations from their common source. This is hardly a more satisfactory explanation than the kind of airy alternative that disposes of the mystery by saying the source material is such that it would invite any dramatist to make similar changes. Chap. 1
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- Date Issued: 1973
- Authors: Knox, Catherine Mary
- Date: 1973
- Subjects: Shakespeare, William, 1564-1616 -- Coriolanus , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2304 , http://hdl.handle.net/10962/d1012642 , Shakespeare, William, 1564-1616 -- Coriolanus , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Description: It would be difficult to prove conclusively that Shakespeare was not invited or requested to write a play based on the popular story of Coriolanus. J.M. Robertson concretises this possibility with an intriguing thesis that the play was in fact rewritten from an original by Chapman. The story, he argues, would have had a far greater appeal to Chapman with his consuming interest in the heroic age of Classical antiquity, than to Shakespeare. Further, it is likely, he says, that Chapman was familiar with Alexandre Hardy 's Coriolan which, it is generally accepted, Shakespeare was not, hence the startling similarities in some of the two plays' deviations from their common source. This is hardly a more satisfactory explanation than the kind of airy alternative that disposes of the mystery by saying the source material is such that it would invite any dramatist to make similar changes. Chap. 1
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- Date Issued: 1973
Critical studies of John Milton, T.S. Eliot and other writers
- Authors: Peter, John Desmond
- Date: 1973
- Subjects: Milton, John, 1608-1674 -- Paradise lost , Crashaw, Richard, 1613?-1649 -- Criticism and interpretation , Joyce, James, 1882-1941 -- Criticism and interpretation , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , Marston, John, 1575?-1634 -- Criticism and interpretation , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , DLitt
- Identifier: vital:2329 , http://hdl.handle.net/10962/d1018265
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- Date Issued: 1973
- Authors: Peter, John Desmond
- Date: 1973
- Subjects: Milton, John, 1608-1674 -- Paradise lost , Crashaw, Richard, 1613?-1649 -- Criticism and interpretation , Joyce, James, 1882-1941 -- Criticism and interpretation , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , Marston, John, 1575?-1634 -- Criticism and interpretation , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , DLitt
- Identifier: vital:2329 , http://hdl.handle.net/10962/d1018265
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- Date Issued: 1973
A survey of South African English verse printed in Cape periodicals and newspapers from 1824-1851
- Authors: Hammond, Carol Anne
- Date: 1972
- Subjects: Mass media and literature -- 19th century , South African poetry (English) -- History and criticism -- 19th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2301 , http://hdl.handle.net/10962/d1012146 , Mass media and literature -- 19th century , South African poetry (English) -- History and criticism -- 19th century
- Description: An interest in colonial literature is relatively new in the study of English. English-speaking South Africans especially, cut off as they are, a minority group in a new republic, have begun to re-assess their identity through a study of their existing literature. When asked what South African verse there was beside his own, Kipling remarked, "As to South African verse, it's a case of there's Pringle, and there's Pringle, and after that one must hunt the local papers." This thesis is the result of such a hunt - the hunt being limited to the years 1824 to 1851 - and on occasion, the writer has been tempted to conclude rather unfairly, "And there is only Pringle." It cannot be claimed that every poem ever printed during the period under review has been collected and examined, for the reason that many volumes of old newspapers are no longer available. Nevertheless, it has been possible to make a representative selection, which could provide the raw material for several theses to come. A detailed study of critical criteria prevalent at the Cape during this period, or public taste and the influence especially of the lesser British poets are some of the topics which might repay study. Intro., p. 1.
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- Date Issued: 1972
- Authors: Hammond, Carol Anne
- Date: 1972
- Subjects: Mass media and literature -- 19th century , South African poetry (English) -- History and criticism -- 19th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2301 , http://hdl.handle.net/10962/d1012146 , Mass media and literature -- 19th century , South African poetry (English) -- History and criticism -- 19th century
- Description: An interest in colonial literature is relatively new in the study of English. English-speaking South Africans especially, cut off as they are, a minority group in a new republic, have begun to re-assess their identity through a study of their existing literature. When asked what South African verse there was beside his own, Kipling remarked, "As to South African verse, it's a case of there's Pringle, and there's Pringle, and after that one must hunt the local papers." This thesis is the result of such a hunt - the hunt being limited to the years 1824 to 1851 - and on occasion, the writer has been tempted to conclude rather unfairly, "And there is only Pringle." It cannot be claimed that every poem ever printed during the period under review has been collected and examined, for the reason that many volumes of old newspapers are no longer available. Nevertheless, it has been possible to make a representative selection, which could provide the raw material for several theses to come. A detailed study of critical criteria prevalent at the Cape during this period, or public taste and the influence especially of the lesser British poets are some of the topics which might repay study. Intro., p. 1.
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- Date Issued: 1972
Shakespeare's early comedies: studies in The comedy of errors, The taming of the shrew and The two gentlemen of Verona
- Authors: Bryant, Peter
- Date: 1970
- Subjects: Shakespeare, William, 1564-1616. Comedy of Errors Shakespeare, William, 1564-1616. Comedies Shakespeare, William, 1564-1616. Two gentlemen of Verona Shakespeare, William, 1564-1616. Taming of the shrew
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2291 , http://hdl.handle.net/10962/d1009964
- Description: This dissertation offers fairly full readings of three early Shakespearean comedies. Because these works are still partly misunderstood, it has seemed reasonable to lay the critical emphasis on explication, though a certain amount of judging has been inevitable. The aim has been to induce recognition of aspects of these plays to which much modern criticism has seemed opaque.
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- Date Issued: 1970
- Authors: Bryant, Peter
- Date: 1970
- Subjects: Shakespeare, William, 1564-1616. Comedy of Errors Shakespeare, William, 1564-1616. Comedies Shakespeare, William, 1564-1616. Two gentlemen of Verona Shakespeare, William, 1564-1616. Taming of the shrew
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2291 , http://hdl.handle.net/10962/d1009964
- Description: This dissertation offers fairly full readings of three early Shakespearean comedies. Because these works are still partly misunderstood, it has seemed reasonable to lay the critical emphasis on explication, though a certain amount of judging has been inevitable. The aim has been to induce recognition of aspects of these plays to which much modern criticism has seemed opaque.
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- Date Issued: 1970
The archetypal fable : an inquiry into the function of traditional symbolism in the poetry of Edwin Muir
- Authors: Gillmer, J E
- Date: 1970
- Subjects: Muir, Edwin, 1887-1959 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2297 , http://hdl.handle.net/10962/d1011975
- Description: Edwin Muir's poetic vision is bound up with that belief in a twofold structure of reality that in European culture has been called Platonist but which is so ancient and widespread that no one can determine its origins. Though no longer fashionable in a time when materialist philosophies flourish and even Christian clerics are busy "de-mythologizing" their faith, it has been the potent source of our greatest poetry and perhaps, as Kathleen Raine believes, of all true poetry. Those who hold this conviction regard the sensible world as the reflection of an "intelligible" or spiritual world which gives meaning and purpose to life, and they see the objects of nature as images that evoke the ideal forms of a divine reality. For poets, as for traditional men, this belief is less a metaphysic than an intuitive way of apprehending and ordering experience, a "learning of the imagination" inherited from ancient and mysterious sources. To Muir it came directly and spontaneously in the symbolic images of dreams, and the fact that he entitled the first version of his autobiography The Story and the Fable testifies to the importance, both for his life and his poetry, of his belief in two corresponding orders of experience. Intro., p. 1-2.
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- Date Issued: 1970
- Authors: Gillmer, J E
- Date: 1970
- Subjects: Muir, Edwin, 1887-1959 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2297 , http://hdl.handle.net/10962/d1011975
- Description: Edwin Muir's poetic vision is bound up with that belief in a twofold structure of reality that in European culture has been called Platonist but which is so ancient and widespread that no one can determine its origins. Though no longer fashionable in a time when materialist philosophies flourish and even Christian clerics are busy "de-mythologizing" their faith, it has been the potent source of our greatest poetry and perhaps, as Kathleen Raine believes, of all true poetry. Those who hold this conviction regard the sensible world as the reflection of an "intelligible" or spiritual world which gives meaning and purpose to life, and they see the objects of nature as images that evoke the ideal forms of a divine reality. For poets, as for traditional men, this belief is less a metaphysic than an intuitive way of apprehending and ordering experience, a "learning of the imagination" inherited from ancient and mysterious sources. To Muir it came directly and spontaneously in the symbolic images of dreams, and the fact that he entitled the first version of his autobiography The Story and the Fable testifies to the importance, both for his life and his poetry, of his belief in two corresponding orders of experience. Intro., p. 1-2.
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- Date Issued: 1970
From myth to allegory: a study of the poetry of W.H. Auden, with special reference to the poet's intention
- Authors: Bell, I M
- Date: 1968
- Subjects: Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2290 , http://hdl.handle.net/10962/d1009514 , Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
- Description: The more attentively Auden's poetry is studied, the more one critical problem emerges. How can the poet of the "twenties and ' thirties be reconciled with the poet of the last three decades? "We've all got to come to terms with the later Auden" writes Professor Richard Hoggart, but he does not explain how. The man who wrote the pungent early poetry with its constant reiteration of warnings to a sick society that what was needed was " … death, death of the grain, our death, Death of the old gang … " before it could achieve "new styles of architecture, a change of heart", seems an entirely different person from the man who is on the side of Authority to-day; that is to say in so far as Auden can ever be said to be definitely on one side or another. Intro. p. 1.
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- Date Issued: 1968
- Authors: Bell, I M
- Date: 1968
- Subjects: Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2290 , http://hdl.handle.net/10962/d1009514 , Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
- Description: The more attentively Auden's poetry is studied, the more one critical problem emerges. How can the poet of the "twenties and ' thirties be reconciled with the poet of the last three decades? "We've all got to come to terms with the later Auden" writes Professor Richard Hoggart, but he does not explain how. The man who wrote the pungent early poetry with its constant reiteration of warnings to a sick society that what was needed was " … death, death of the grain, our death, Death of the old gang … " before it could achieve "new styles of architecture, a change of heart", seems an entirely different person from the man who is on the side of Authority to-day; that is to say in so far as Auden can ever be said to be definitely on one side or another. Intro. p. 1.
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- Date Issued: 1968
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