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“I am 22 Million”: reading Winnie Madikizela as the intellectual face of anti-apartheid popular struggle

  • Authors: Valela, Ntombizikhona
  • Date: 2017
  • Language: English
  • Type: Thesis , Masters , MA
  • Identifier: http://hdl.handle.net/10962/40802 , vital:25029
  • Description: The purpose of this research is to read Winnie Madikizela Mandela as an intellectual. Through this research I want to examine whether Madikizela Mandela emerges from an intellectual tradition influenced by the political and intellectual discourse that existed at the time within the country such as the ideology of the African National Congress (not to say that this was without external influence but I would argue that the ideology of the ANC evolved to fit the domestic politics of the day), the Civil Rights Movement, the Black Panther Party and Black Consciousness. Through trying to understand Madikizela Mandela’s intellectual journey this thesis will explore the larger question of intellectual production. Lewis Gordon argues that it is often presumed that theory is north and experience is south.1 As a result black people are often excluded from being possible intellectuals and shapers of intellectual discourse but are rather relegated to the categories of ‘actors’ rather than thinkers. The point of departure of my research will be through Winnie Madikizela-Mandela’s image as it provides a clue into the type of intellectual influences and ideologies that she subscribed to. This flows from Charles R. Garoian and Yvonne M. Gaudelius’ “The Spectacle of Visual Culture” where they argue for images teaching us what to see and think.2 Winnie Madikizela Mandela was a frequently photographed person and it is through these images that we witness an evolution in the way she presented herself which, as this research argues, is influenced by certain intellectual traditions that guide the black liberation struggle. In What’s My Name: Black Vernacular Intellectuals, Grant Farred explores the role of clothing in the conveying of intellectualism influenced by a certain ideology. Therefore I argue that Winnie Madikizela’s iconicity is more than conventional standards of beauty, or her link to her husband Nelson Mandela. It is rather a tool that she uses to convey an ideology and this complements that which she says when she chooses to speak.
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  • Date Issued: 2017

“Unexpected vicissitudes”: a discursive biography of Noni Jabavu

Ways of seeing over time: the construction and imagination of ‘historic separation’ in Israeli and Palestinian cultures

  • Authors: Butler, Nina Melissa
  • Date: 2016
  • Language: English
  • Type: Thesis , Doctoral , PhD
  • Identifier: http://hdl.handle.net/10962/474 , vital:19962
  • Description: There exists an international consensus that Palestinian and Israeli societies are ceaselessly and essentially acrimonious. This thesis argues that the conceptualisation of ‘historic separation’ in Palestine/Israel is supported and nourished by national narratives that follow classic historicism and a linear trajectory of essentialised culture progressing over time. Given these patterns in historiography and cultural expressions, conceptualisations of the future are argued to be dominated by the ‘overdetermined’ and ‘sacralised’ pasts that arrest the ability to conceive of alternative horizons. These national narratives are analysed borrowing from the theorisation of Edward Said on hegemonic culture, and Ranjit Guha’s Subaltern critique of historicism. Zionism is argued to function as a cultural hegemony that operates in a mercurial, selfsustaining and vibrant manner that has the effect of what this thesis terms ‘centrifugal magnetism’ on discourse in the region. Palestinian national narratives are held to be in tangential relation to Zionism (a classic colonial master-narrative), thus entering into a ‘terrible embrace’ of destructive colonial/postcolonial repetition that tends towards violent conflict and the discrimination of minorities. This thesis then proposes a ‘way out’ of this historiographical pattern that is argued to tangibly inform the cultural fabric of the region. By drawing on the later works of Mahmoud Darwish, Mustaffa Hallaj and Said, it is proposed that there are traces of a notion of self and community that can be described as postnational. This demands a reconstruction of narratives of the past in the region in a pluralistic fashion that is based upon shared exilic identity in flux over what Darwish termed an ‘open historical space’. Crucially, this alternative postnational narrative opens up conceptualisations of the future and is founded upon a renewed disposition to temporality. This thesis thus concludes by proposing that an understanding of temporality as ‘ecstatic’ and essential to being (Martin Heidegger) should be included as a crucial consideration for the end to conflict and the attainment of just and equitable futures.
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  • Date Issued: 2016
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