Sepedi oral poetry with reference to kiba traditional dance of South Africa
- Authors: Maahlamela, Tebogo David
- Date: 2018
- Subjects: Northern Sotho poetry , Northern Sotho poetry -- History and criticism , Folk songs, Northern Sotho , Sound poetry -- South Africa , Archival materials -- Conservation and restoration , Spiritualism in literature , Cultural appropriation , Folk poetry, Northern Sotho , Kiba traditional dance , Kiba poetry
- Language: English
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/63209 , vital:28381
- Description: Previous studies show that contrary to other African languages of fewer speakers, written poetry in Sepedi/Sesotho sa Leboa’s transition from oral to written did not only lag behind, its development was also slow, with less intense treatment. However, this scarcity is not of the actual oral material, but rather its documented version. Vast untreated material at various repositories such as the South African Broadcasting Corporation (SABC) library and the International Library of African Music (ILAM) are facing a risk of being lost due to limited resources and resourcefulness to digitalise them. Investigation of written poetry from 1906 to 2006 attests to the fact that in its written form, Sepedi/Sesotho sa Leboa poetry is still underdeveloped, dominated by “microwaved” collections aiming at nothing beyond meeting school prescription criteria. Calls have been made from the dominant South African poetry narrative that there are no innovative studies in the field of African languages, especially Sepedi/Sesotho sa Leboa. Musicological studies show that contemporary jazz artists have adopted and adapted kiba poetry into jazz music, which resulted into classics of all times. Intensive studies were conducted on such poetic kiba-influenced jazz, but the primary source remains a grey area. The analysis of selected kiba poems shows that kiba poetry is the richest poetic form in the Sepedi/Sesotho sa Leboa with its creative and artistic merit exceeds all other genres. The study further reveals that kiba poetry is the heart of Bapedi/Basotho ba Leboa spirituality, a heart without which some faith institutions will remain incomplete. Furthermore, kiba poetry embodies, among others, poetic genres rarely explored in the South African poetry milieu such as “sound poetry” and poetry of special metrical schemes, of dramatic and devotional essence. Scholarly attention is, therefore, recommended on this repertoire to explore the field beyond this preliminary study, so as to save as many kiba poems as possible, which will enrich the dwindling written poetry milieu. Literary excellence of the treated poems attests to the fact that the artistic wealth of kiba poetry is worthy of attention, and it has potential to transform not only the face of poetry in Sepedi/Sesotho sa Leboa, but of the entire South African poetry landscape.
- Full Text:
- Date Issued: 2018
- Authors: Maahlamela, Tebogo David
- Date: 2018
- Subjects: Northern Sotho poetry , Northern Sotho poetry -- History and criticism , Folk songs, Northern Sotho , Sound poetry -- South Africa , Archival materials -- Conservation and restoration , Spiritualism in literature , Cultural appropriation , Folk poetry, Northern Sotho , Kiba traditional dance , Kiba poetry
- Language: English
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/63209 , vital:28381
- Description: Previous studies show that contrary to other African languages of fewer speakers, written poetry in Sepedi/Sesotho sa Leboa’s transition from oral to written did not only lag behind, its development was also slow, with less intense treatment. However, this scarcity is not of the actual oral material, but rather its documented version. Vast untreated material at various repositories such as the South African Broadcasting Corporation (SABC) library and the International Library of African Music (ILAM) are facing a risk of being lost due to limited resources and resourcefulness to digitalise them. Investigation of written poetry from 1906 to 2006 attests to the fact that in its written form, Sepedi/Sesotho sa Leboa poetry is still underdeveloped, dominated by “microwaved” collections aiming at nothing beyond meeting school prescription criteria. Calls have been made from the dominant South African poetry narrative that there are no innovative studies in the field of African languages, especially Sepedi/Sesotho sa Leboa. Musicological studies show that contemporary jazz artists have adopted and adapted kiba poetry into jazz music, which resulted into classics of all times. Intensive studies were conducted on such poetic kiba-influenced jazz, but the primary source remains a grey area. The analysis of selected kiba poems shows that kiba poetry is the richest poetic form in the Sepedi/Sesotho sa Leboa with its creative and artistic merit exceeds all other genres. The study further reveals that kiba poetry is the heart of Bapedi/Basotho ba Leboa spirituality, a heart without which some faith institutions will remain incomplete. Furthermore, kiba poetry embodies, among others, poetic genres rarely explored in the South African poetry milieu such as “sound poetry” and poetry of special metrical schemes, of dramatic and devotional essence. Scholarly attention is, therefore, recommended on this repertoire to explore the field beyond this preliminary study, so as to save as many kiba poems as possible, which will enrich the dwindling written poetry milieu. Literary excellence of the treated poems attests to the fact that the artistic wealth of kiba poetry is worthy of attention, and it has potential to transform not only the face of poetry in Sepedi/Sesotho sa Leboa, but of the entire South African poetry landscape.
- Full Text:
- Date Issued: 2018
The projection of gender based violence through characterisation and theme in Magqashela’s works, Isangxa siyawhuza, Umlindi and Amathaf’entandabuzo
- Authors: Somlata, B
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3971 , vital:20575
- Description: This study focuses on literature. The dissertation seeks to explore how Magqashela’s works Isangxa siyawhuza (2006), Amathaf’entandabuzo (2006) and Umlindi (2015) represent her characters to reveal gender based violence and stereotypes. As we, South Africans enfranchised and given the Act 108, a South African Constitution with Bill of rights, but it seems as if women and children do not enjoy these privileges because of high rate of violence against them. Through observation it is clear that theoretically every South African is free but practically some humans particularly women and young girls and discrimination. The researcher decided to choose female writer assuming that she is addressing women challenges as male writers are less interested to excavate women’s issues in their literary works. The reseacher also wanted to find out whether our female writer is disseminating women’s predicaments. By means of textual analysis the study investigates how gender based violence violates survivors and victims’ rights in chapter 3, and chapter 4 explores how unfaithful partners cause violence. It also explores the intervention of traditional justice and formal justice system in violent behavior caused by anger, jealousy and acquaintance of violent environment. Chapter 5 projects a stereotypical character in three selected literary texts. The whole thesis brings the prominent picture of how Gender Based Violence bodily harm the survivors and victims psychologically, physically and economically. It reveals rural women and young girls as the most vulnerable people and men as the worst perpetrators of Gender Based Violence in these literary texts. The thesis explains that the perpetrators are known by the survivors and victims hence there is a culture of silence. They are afraid of multiple abuses. The thesis relates character depiction of violence and stereotypes with current societal incidents quoting from newspapers, articles, journals and SABC online news as to disclose the accuracy of the author’s projection. Character analysis reveals that women are still discriminated and oppressed by their counterparts. The discussions succinctly elucidate that the underestimation of women and children are rooted by cultural traditional norms and values as well as Christian religion .These societal factors are promoting patriarchal perception which says men are dominant and women are submissive. It says men are obliged to take control over women. African feminist theory; Feminism, Womanism and Stiwanism and Motherism are employed as a theoretical framework. These theories are against gender inequality, they are against African women and children maltreatment .The changes of the current society including women’s independency propels insecurity, unemployed, illiterate and underprivileged men to use violence as the way of taking back control over their intimate partners and the whole family. Relevant quotations from selected texts are employed to project character portrayal of gender based violence and stereotypes.
- Full Text:
- Date Issued: 2016
- Authors: Somlata, B
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3971 , vital:20575
- Description: This study focuses on literature. The dissertation seeks to explore how Magqashela’s works Isangxa siyawhuza (2006), Amathaf’entandabuzo (2006) and Umlindi (2015) represent her characters to reveal gender based violence and stereotypes. As we, South Africans enfranchised and given the Act 108, a South African Constitution with Bill of rights, but it seems as if women and children do not enjoy these privileges because of high rate of violence against them. Through observation it is clear that theoretically every South African is free but practically some humans particularly women and young girls and discrimination. The researcher decided to choose female writer assuming that she is addressing women challenges as male writers are less interested to excavate women’s issues in their literary works. The reseacher also wanted to find out whether our female writer is disseminating women’s predicaments. By means of textual analysis the study investigates how gender based violence violates survivors and victims’ rights in chapter 3, and chapter 4 explores how unfaithful partners cause violence. It also explores the intervention of traditional justice and formal justice system in violent behavior caused by anger, jealousy and acquaintance of violent environment. Chapter 5 projects a stereotypical character in three selected literary texts. The whole thesis brings the prominent picture of how Gender Based Violence bodily harm the survivors and victims psychologically, physically and economically. It reveals rural women and young girls as the most vulnerable people and men as the worst perpetrators of Gender Based Violence in these literary texts. The thesis explains that the perpetrators are known by the survivors and victims hence there is a culture of silence. They are afraid of multiple abuses. The thesis relates character depiction of violence and stereotypes with current societal incidents quoting from newspapers, articles, journals and SABC online news as to disclose the accuracy of the author’s projection. Character analysis reveals that women are still discriminated and oppressed by their counterparts. The discussions succinctly elucidate that the underestimation of women and children are rooted by cultural traditional norms and values as well as Christian religion .These societal factors are promoting patriarchal perception which says men are dominant and women are submissive. It says men are obliged to take control over women. African feminist theory; Feminism, Womanism and Stiwanism and Motherism are employed as a theoretical framework. These theories are against gender inequality, they are against African women and children maltreatment .The changes of the current society including women’s independency propels insecurity, unemployed, illiterate and underprivileged men to use violence as the way of taking back control over their intimate partners and the whole family. Relevant quotations from selected texts are employed to project character portrayal of gender based violence and stereotypes.
- Full Text:
- Date Issued: 2016
- «
- ‹
- 1
- ›
- »