Showing items 541 - 560 of 1360

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KanaRwanda

- Ludovico Mugerwa, Ganda Women, Composer not specified, Tracey, Hugh

Kanenga

- Mulowa, Louis, Tracey, Hugh

  • Authors: Mulowa, Louis , Tracey, Hugh
  • Date: 1952
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
  • Language: Lunda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/319876 , vital:60234 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2852-XYZ7030a
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1952

Kanenga

- Louis Mulowa, Hugh Tracey

  • Authors: Louis Mulowa , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
  • Language: Lunda , Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/182985 , vital:43900 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-14
  • Description: A player was sorry when his friend finished his food so he sat down to sing to his Chisanzhi Mbira. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
  • Full Text: false
  • Date Issued: 1952

Kariaara

- Shinda Kamwana, Performer not specified, Composer not specified, Tracey, Hugh

Kariala

- Johnnie Murithe Wambu, Kibunga Waita, Composer not specified, Tracey, Hugh

Kasadi ngandu

- Kankolongo Alidor, Performer not specified, Composer not specified, Tracey, Hugh

Kasadi ugandu

- Kankolongo Alidor, Hugh Tracey

  • Authors: Kankolongo Alidor , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/182604 , vital:43846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR178-14
  • Description: The Likembe was rested on a guitar which acted as a resonator and the rhythm was tapped out on the body of the guitar. As it stands the instrument appears to be pentatonic but reference to other examples shows that the scale played is in fact hexatonic one note being absent from this assembly. Topical song with Chisanzhi Likembe
  • Full Text: false
  • Date Issued: 1952

Kasadi ugandu

- Kankolongo Alidor, performer not specified, Composer not specified, Tracey, Hugh

Kaseku Mafiani

- Performer not specified, Composer not specified, Tracey, Hugh

Kasongo Mulefu

- Chibanda Baudouin and friends, performer not specified, Composer not specified, Tracey, Hugh

Kasongo Mulefu

- Chibanda, Baudouin, Performer not specified, Composer not specified, Tracey, Hugh

Katchakatcha

- Luvale men, Performer not specified, Composer not specified, Tracey, Hugh

Katchatcha

- Group of Luvale men, Hugh Tracey

  • Authors: Group of Luvale men , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Folk songs, Chokwe , Chokwe (African people) , Luvale (African people) , Field recordings , Africa, Sub-Saharan , Africa Angola Kalwena f-ao
  • Language: Chokwe , Luvale
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183453 , vital:43992 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR180-12
  • Description: Chikele Kele is the alternative name for the Katchatcha mbira. The seven reeds are tuned with paste or wax beneath their tips. The rhythm set by the struck metal is the common southern Congo rhythm. // 1, 2, 3, 1/2, 1, 2, 1/2 // The Katchatcha keeps up a strange chatter of little or no meaning in the background. Katchatcha dance, with Katchatcha mbira with bamboo reeds resonated on top of metal petrol drum and struck metal
  • Full Text: false
  • Date Issued: 1952

Katchatcha

- Luvale men, performer not specified, Composer not specified, Tracey, Hugh

Katela I

- Kasai men and women, Hugh Tracey

  • Authors: Kasai men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181950 , vital:43783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-04
  • Description: This song and the accompanying dance is performed when there is a death in the village. Katela is the generic name of this type of dance song. A number of clapping rhythms occur in these songs including:- //1, ; 3, 4, ; 6, 7, ,//. Katela funeral dance with 2 drums, conical, pegged, single, open
  • Full Text: false
  • Date Issued: 1952

Katela I

- Kasai men and women, performer not specified, composer not specified, Tracey, Hugh

Katela I

- Kasai men and women, Bemba Men, Composer not specified, Tracey, Hugh

Katela II

- Kasai men and women, Hugh Tracey

  • Authors: Kasai men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181959 , vital:43784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-05
  • Description: This song and the accompanying dance is performed when there is a death in the village. Katela is the generic name of this type of dance song. A number of clapping rhythms occur in these songs including:- //1, ; ; 4, ; 6, ; 7, ,//. Katela funeral dance with 2 drums, conical, pegged, single, open
  • Full Text: false
  • Date Issued: 1952

Katela III

- Kasai men and women, Bemba Men, Composer not specified, Tracey, Hugh

Katela III

- Kasai men and women, Hugh Tracey

  • Authors: Kasai men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-rh
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181964 , vital:43785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-06
  • Description: This song and the accompanying dance is performed when there is a death in the village. Katela is the generic name of this type of dance song. A number of clapping rhythms occur in these songs including:- //1, 2, 3, ; 5, ; 7, ,//. Katela funeral dance with 2 drums, conical, pegged, single, open
  • Full Text: false
  • Date Issued: 1952
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