Showing items 1021 - 1040 of 1150

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Tunings of Zwipoṱoliyo

- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh

Tunings of Zwipoṱoliyo

- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh

Tuwamba kayobwa (We are praying for clouds)

- Group of Tonga women, Hugh Tracey

  • Authors: Group of Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138089 , vital:37592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-13
  • Description: The Valley Tonga have rain shrines in or near most of their larger villages where the people will come and humbly beg for rain through the medium of their rain officials specially appointed for this duty. The begging or imploring is done by the clappingof hands in respect and supplication to the Midzimu or whatever spirits are concerned with bringing rain in the early summer months of October to December. The women appear to be specially associated with the ceremonies and sing many such "rain songs." Rain song with clapping.
  • Full Text: false
  • Date Issued: 1957

Twaliwananga na Joni Meka (We met with Joni Meka)

- Group of 7 Luvale women and 12 men, Hugh Tracey

  • Authors: Group of 7 Luvale women and 12 men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luvale (African people) , Folk music , Folk music--Zimbabwe , Africa Zimbabwe Chavuma f-rh
  • Language: Luvale/Chokwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137265 , vital:37504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-12
  • Description: "Joni Meka promised to marry Mary-and married her." The bottle rhythm so common in south central Africa opens this song set off against a cross rhythm on the piece of metal. The organum singing of the chorus, in antiphony with the leader is unmistakeably Luvale in structure and tone. It is not a kind of music which tribes other than Luvale either appreciate or imitates. Gachacha dance song with struck bottle, 2 pieces of metal and 1 small bell. (bicycle).
  • Full Text: false
  • Date Issued: 1957

Tyingabenga (The Giant)

- Five Nyasa men, Hugh Tracey

  • Authors: Five Nyasa men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160799 , vital:40546 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-05
  • Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
  • Full Text: false
  • Date Issued: 1957

U Mamtolo

- Group of Baca Men (Performers), Composer not specified, Hugh Tracey

U tivha khulo

- Venda women, Performer not specified, composer not specified, Tracey, Hugh

U'tengisa nge misopu (You are selling the beadwork)

- Group of Mpondo men and girls, Hugh Tracey

  • Authors: Group of Mpondo men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136775 , vital:37419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-13
  • Description: One of the young girls added the deep guttural rhythmic sounds peculiar to Xhosa singing. The singers were each of them singing into a slightly vibrating cupped hand. They were all lying on their stomachs on the grass wrapped in their blankets and looking like basking seals. Dance song for young people.
  • Full Text: false
  • Date Issued: 1957

Ubenga lahlinkomo (He lost the cattle)

- Group of Mpondo men and 3 girls, Hugh Tracey

Ukandenda-ka-sagaiyo (I have done a lot of work)

- Chimwala Ganiziechi and Mwamadi Lokote, Hugh Tracey

Ukhosi wako biba ugodhliliwan ngubani (Who is going to take over the chieftainship)

- Group of 14 Ngoni men and chorus of Ngoni women led by Mischeck Ndhlamini, Hugh Tracey

Ukubula (To thrash out the affair)

- Group of Mpondo men and women led by Khotso, Hugh Tracey

  • Authors: Group of Mpondo men and women led by Khotso , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136524 , vital:37387 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-10
  • Description: This was an impromptu sketch of a supposed divination, by Khotso and 2 women. It was a sprited performance of an old time custom. "We didn't know we were going to be found out." says one of the women. One question was: "Whose baboon is this?" "You had better clap your hands, he says to the people. I see them all, I'm going to catch you all. You'd better agree." The group chorused: "Kill the witches. kill the witches." He went on: "Look out, you witches and behave yourselves." He ends up saying to the Chief: "All right, they've all agreed." The witches were accused of having snakes, baboons, "tikoloshes" (gnomes)- everything. "Kali shaya" - "Speak, speak." "Siya vuma" - "We agree-we agree." "Woman, is this your snake?" "Yes, it is", etc., etc. Divibation sketch with clapping and drums.
  • Full Text: false
  • Date Issued: 1957

Ukugwiya

- Group of old Hlubi men, Hugh Tracey

Ukulalubokile (The weeds in the lands have got them beat)

- Citaumvano, Hugh Tracey

  • Authors: Citaumvano , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136605 , vital:37396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-09
  • Description: "Sila" is literary :to grind", i.e. the woman who grinds the grain for the beer. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1957

Ukuteka imbwa mano (To keep a dog)

- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey

  • Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/140058 , vital:37828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-03
  • Description: This song is based on an old traditional song teaching good behaviour. "To keep a dog one must be wise-if you take a stick it will run away. In the same way we must be tactful with our wives. If we use force, we shall fail to control them. A bad wife is not neccessarily the one who talks too much, and a good wife is not neccessarily one who talks less. By all means, let us see what we see, but we should not give our ears to everything we hear." The singer adds: "I heard this song from the Lala." The whole song is performed in a kind of recitative with call and answer. Morality song with guitar and bottle.
  • Full Text: false
  • Date Issued: 1957

Ukutema nakubalile kubwaice (I began felling trees in my youth)

- Adamsoni Kabamba, Hugh Tracey

  • Authors: Adamsoni Kabamba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Mbira music , Africa Zambia Serenje f-za
  • Language: Lala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134700 , vital:37192 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-07
  • Description: The Lala often take the work of tree-felling for others, as they are specially good at it. "I began felling trees in my youth, and did not have a son-in-law to help me (i.e. he had no daughter to be married). So I took my axe and did the work alone. People belonging to the "Sand" clan (totem) are clever, because they choose a specially large tree and worship there, considering it to be a great work of God." "There are women who despise those men who stay at home in the country, so let me go to the town to marry a wiser man." The tribe being matrilineal inherits through the female side. A son-in-law has to assist his wife's family-hence the reference to "no son-in-law to help him." Self-delectative song with Kankowele mbira, fan-shaped, with external resonator
  • Full Text: false
  • Date Issued: 1957

Ukutyiwa zezilo (I am enchanted by magic)

- Group of Xhosa women and Notembile and Nopenrose, Hugh Tracey

  • Authors: Group of Xhosa women and Notembile and Nopenrose , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136064 , vital:37333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-03
  • Description: This item was recorded inside a hut. We were told that this music (performed only by women) is only played at night, inside the huts. Those in the hut who are listening, must listen in silence, perhaps lie down and close their eyes and then "they must think of places far away, where they have never been, or of places where their sons or husbands are working." 2 Self-delectative songs with Hadi musical bow, unbraced, open and resonated.
  • Full Text: false
  • Date Issued: 1957

Ulawika

- Four Tonga men, Hugh Tracey

  • Authors: Four Tonga men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138471 , vital:37640 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-12
  • Description: Towards the end the Mwani of Sinefwala leaned forward and said over the shoulders of the men: "These are the riddles of my country." It is clear from the recording that the rest of the villagers enjoyed it very much. Riddles.
  • Full Text: false
  • Date Issued: 1957

Ulo tixo omkhulu (God Almighty - The High God)

- Women of Tuku's Location, Hugh Tracey

  • Authors: Women of Tuku's Location , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Wedding music , Africa South Africa Peddie f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135790 , vital:37299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-06
  • Description: There is some doubt about the origin of this song. The singers claimed that it was a country song before Ntsikana used it as a hymn by the early part of the last century. Others affirm that Ntsikana himself composed it. In the 1700s Ntsikana prphesised that people would be coming from the North (the Fingos) and that the Whites would be coming with the Bible. The song was Ntsikana's own song and Rev. John Knox Bokwe set it in its present form, (information by his son J. T. Bokwe). During the song a man of about 35, danced a stamping dance. He was beautifully dressed in blanket edged with pale blue beads, wearing it like a train. He was also wearing several pounds worth of beads around his neck and torso. This song is sung at the weddings of the "Red Blanket" people. The dancer's beads were mostly in necklaces composed of strands of solid colour. He also wore double-stranded bracelets of pale blue and green beads. He carried a beautiful beaded animal skin, part of which had been sewn up to form a bag with a bead tasselled ornament. The blanket had rows and ornaments of pearl buttons sewn on it and was coloured with red ochre. Wedding song
  • Full Text: false
  • Date Issued: 1957

Ulumbundubundu

- Timoti Sadimbi, Hugh Tracey

  • Authors: Timoti Sadimbi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138947 , vital:37688 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-01
  • Description: Played with 4 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
  • Full Text: false
  • Date Issued: 1957
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