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(A)Kankukhu (The Chicken) (B) Kaposi Kapila (One, two) (C) Thu njeketu (I have walked with my sister)

- Young Chewa girls and boys, Hugh Tracey

  • Authors: Young Chewa girls and boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153311 , vital:39434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-01
  • Description: These are traditional children's verses whose meaning is obsecure as, it is believed, they are composite collections of odd lines. But the words sound well and so have survied. a) "The small chicken is angry. You have refused me everything. You have made me cross. It is enough to make me leave you" says the small chicken. b) A counting jingle. c) "I have walked with my sister. I have forgotten my bow and arrows. Go fetch them for me. Why have I given them to someone else (The sister replies) "Shall I brew you some beer? (Reply) "I don't drink beer." Children's verses.
  • Full Text: false
  • Date Issued: 1958

A Baiwelu (The story of the foolish young man 'Baiwelu')

- Four Chewa lads, Hugh Tracey

  • Authors: Four Chewa lads , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153864 , vital:39531 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-09
  • Description: There was once a man who wanted to get married and he found two sisters. He asked the elder on to marry him and she agreed. But when he came back the next day the elder sister was not at home and he asked the younger sister to marry him instead. She said, "What about my elder sister, and what would we do with her?" The elder sister heard about the proposal to the younger sister, she cooked food, put poison in it and gave it to the young man so he died. When they were taking his body to the grave they sang this song: "Baiwelu, you were killed by Berita (the name of the elder sister). But when they sang this song the dead Bauwelu heard it and became alive again." Story with song "Ntano" with clapping.
  • Full Text: false
  • Date Issued: 1958

A critical study of the curcumin method for the determination of boron in plant material

- Davidson, Raymond John

  • Authors: Davidson, Raymond John
  • Date: 1958
  • Subjects: Plants -- Nutrition , Boron , Turmeric
  • Language: English
  • Type: Thesis , Masters , MSc
  • Identifier: vital:4458 , http://hdl.handle.net/10962/d1011003
  • Description: Methods for the determination of boron are reviewed. A thorough investigation of the curcumin method was undertaken. Factors such as spectral absorption, boron volatilisation and the effects of pH, the stability of reagents and colour solutions, the drying of reaction products and the interference from certain elements, were investigated. A study of the efficiency of extracting boron from plant material using an ashing procedure is presented. The modified curcumin method for the determination of boron in plant material is described. The statistical accuracy and precision of the modified method is presented. The modified method was used to determine the boron content in citrus and pineapple leaf samples obtained from various parts of the Eastern Cape.
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  • Date Issued: 1958

A Lomwe tasiyane (Lomwe go away)

- Chewa women, Hugh Tracey

  • Authors: Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Lilongwe District, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153518 , vital:39461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-23
  • Description: "You Lomwe man, go away from me! Let another come and marry me especially a man who wears an elastic belt." The significance of the elsatic belt was not explained, except to say that only 'rich' men could afford elastic. The song is about a certain Lomwe man, her husband, who, she sings is very poor and dressed only in rags which fall to pieces if you try to sew them up on the sewing machine. "Let me go and marry another man who does not have so many patches on his trousers which break the sewing machine." During the item the sound of the winnowing of bran from the corn in a sieve can be heard. Pounding song with pestle and mortar.
  • Full Text: false
  • Date Issued: 1958

A m'bwalo (Unmarried boys)

- Small girls, Hugh Tracey

  • Authors: Small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160061 , vital:40377 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-10
  • Description: The boys go around at night in a group to tease the girls by standing outside their huts, pulling out their sleeping mats and generally making nuisances of themselves, so it was explained. "Unmarried boys "teka-teka" they break the mats. They mock and they do not get fat. Shaking the mats. We will report them to the elders, for breaking our mats." Girls song with clapping.
  • Full Text: false
  • Date Issued: 1958

A Mama dyelawe (Mother what greed)

- Chewa girls, Hugh Tracey

A Mdoka (Mdoka and the bee sting)

- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey

  • Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156225 , vital:39964 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-03
  • Description: Some young men came to see the chief who asked each in turn how their homes were. They said they were all alright except for Mdoka who had been stung by a bee on his lips. This gave rise to a song about his misfortune. The others also told the chief their stories including one about the fish they were catching and he sang a canoe song "Kanye Kanye madoda, Kanye kanye haiye." 'A' before a name is the local honorific equivalent of Mister. Story song with clapping.
  • Full Text: false
  • Date Issued: 1958

A Namageli

- Faresi Gama and Nadiesi Namulinde, Hugh Tracey

A Nkundazuwa

- Four elderly Chewa women, Hugh Tracey

  • Authors: Four elderly Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160556 , vital:40474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-03
  • Description: The Konsolo dance is said to have been performed in the 1930's. It is suggested that Nkundazuwa was very fond of playing with the baby and used to wake it up for this purpose. Nkundazuwa is a village headman, living about 10 miles from the village of Kachere. A pleasant little sidelight on family life. "A Nkundazuwa pinches his baby and wakes it up so that it does not go to sleep." Konsolo women's dance with clapping.
  • Full Text: false
  • Date Issued: 1958

A sante mwe

- 4 Tumbuka boys, Hugh Tracey

A statistical study of the errors involved in the sampling and chemical analysis of soils and plants, with particular reference to citrus and pineapples

- Steyn, Willem Johannes Abraham

  • Authors: Steyn, Willem Johannes Abraham
  • Date: 1958
  • Subjects: Soil chemistry , Plants -- Analysis , Soils -- Analysis
  • Language: English
  • Type: Thesis , Doctoral , PhD
  • Identifier: vital:4506 , http://hdl.handle.net/10962/d1013291
  • Description: 1. Accurate and reproducible methods for the determination of N and acid- extractable P in soils are described. The variations in N, P, and K found by intensive sampling of three different soil types are presented. 3. Suggestions for the adequate sampling of soils for various purposes arc given. 4. A study is presented of the preparative stages in leaf analysis (washing, drying, grinding and storage) as applied to citrus and pineapple leaf material. Likely errors are pointed out and procedures whereby these may be minimised are described. 5. A reliable wet-ashing procedure for obtaining leaf solutions is described. 6. Accurate and reproducible methods for the determination of total N, P,. K, Ca, Mg, Na, Fe, Mn, Zn and Cu in citrus and pineapple leaves are presented. 7. It is shown that diurnal variations in nutrient concentrations occur in citrus and pineapple leaves. 8. The variations in N, P, K, Ca, Mg, Na, Fe, Mn, Zn and Cu, occurring from tree to tree in 3 different Navel orange blocks are presented. It is shown that if all these elements are to be represented . to within 10% of the mean values on a 19 : 1 probability level, all the trees in the blocks would have to be sampled. Reasonable sampling procedures for various purposes are suggested. 9. The variations in N, P, K, Ca, Mg, Fe, Mn, Zn and Cu, occurring in 3 different Cayenne pineapple plantations are presented and described. Suitable sampling procedures are suggested.
  • Full Text:
  • Date Issued: 1958

A) Kazima (Wait for me) B) I-e-e Gumbwa Gumbwa (How alike things are) C) Mee Mbuzi Mee (My Shephard) D) Amanu (Temper, temper)

- Young boys and girls, Hugh Tracey

  • Authors: Young boys and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153320 , vital:39435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-02
  • Description: Sung by boys and girls in their separate sleeping huts before falling asleep. Verses such as these are the heritage of most African tribes. a) "Kazima, wait for me, please wait for me. There is some meat on the roof. (I have something to tell you). There is something on the path. There is meat on the roof. b) "I-i-i! How alike things are!. The people here are clever. They visit secretly, so... The meat has gone away. With whom shall I walk? The story is told, so... To whom shall I walk?" c) "My shephard is dead, he striped and fell. Oh dear, oh dear. The goat cries 'me-e-e!" d) "Where has the mother gone? Where is she? She has gone to Malambo. What has she gone for? She has gone to buy millet. What will she do with it? She will make beer. (etc.) Verses are made up as they go along. 4 Children's verses.
  • Full Text: false
  • Date Issued: 1958

A) Lululu, B) Leza wa mwana

- Lusiya Nabanda (a grandmother), Hugh Tracey

  • Authors: Lusiya Nabanda (a grandmother) , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Liliongwe, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153329 , vital:39436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-03
  • Description: Old traditional lullabies, by Chewa women of this district. In them the continually harassed mother mentions her many and endless duties which demand her attention as well as the child which needs her constant care. b) "Luluya, sleeping child, do not cry. See your motehr is at work. See the porridge pot is boiling. Don't go on crying, go to sleep. A child's god is a scrap of food. Its mother is the stirring stick. Should I nurse a child on account of the stirring stick? Its father is its first finger. I get only a share from the kitchen spoon." Two lullabies.
  • Full Text: false
  • Date Issued: 1958

A-a-ye nanga omwale (Aaye! what about Omwale)

- Women, Hugh Tracey

  • Authors: Women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158936 , vital:40242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-12
  • Description: Dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. The song consists mostly of references to the names of local persons. Such as OMwale, Ojere, OPhiri etc., each with the tonorific prefix 'O'. The equivalent of the English "Mister". Dance tune with bass drum.
  • Full Text: false
  • Date Issued: 1958

Abale ndutani (Brother, what shall I do with my life. Can I cut it?)

- Tweleve elderly women, Hugh Tracey

Abuye Zandiombale (Uncle, come and help me to pay credit)

- Tweleve elderly women, Hugh Tracey

Acacia Karoo enormous thorns

- Skead, C J (Cuthbert John)

Acikanja (A name)

- 3 Yao women, Hugh Tracey

Adamu, we (Adam, you have left me)

- Chewa women, Hugh Tracey

Adaweta ng'ombe, kapolo uja (That slave herded the cattle)

- Gezani Mwale, Hugh Tracey

  • Authors: Gezani Mwale , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Bimphi, Dowa, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153999 , vital:39552 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-05
  • Description: "He herded the cattle, that slave. He herded the cattle, father. The cattle, the cattle, the cattle, mother. He herded the cattle, that slave. They are in the kraal." Slavery was common place in this region until the end of the 19th century because the YAO, on behalf of the Arabs and themselves would capture the local CHEWA and make them slaves for sale or service. Self delectative song with Sansi (Mbira)
  • Full Text: false
  • Date Issued: 1958
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