A critical study of the chansons of the Chatelain de Couci (end of the XIIth to beginning of the XIIIth Century)
- Authors: Salter, Christina
- Date: 1973
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:21144 , http://hdl.handle.net/10962/6563
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A study of the tragedy of Coriolanus by William Shakespeare
- Authors: Knox, Catherine Mary
- Date: 1973
- Subjects: Shakespeare, William, 1564-1616 -- Coriolanus , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2304 , http://hdl.handle.net/10962/d1012642 , Shakespeare, William, 1564-1616 -- Coriolanus , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Description: It would be difficult to prove conclusively that Shakespeare was not invited or requested to write a play based on the popular story of Coriolanus. J.M. Robertson concretises this possibility with an intriguing thesis that the play was in fact rewritten from an original by Chapman. The story, he argues, would have had a far greater appeal to Chapman with his consuming interest in the heroic age of Classical antiquity, than to Shakespeare. Further, it is likely, he says, that Chapman was familiar with Alexandre Hardy 's Coriolan which, it is generally accepted, Shakespeare was not, hence the startling similarities in some of the two plays' deviations from their common source. This is hardly a more satisfactory explanation than the kind of airy alternative that disposes of the mystery by saying the source material is such that it would invite any dramatist to make similar changes. Chap. 1
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An investigation of the determinants of the spatial characteristics of figure placements
- Authors: Edwards, David J A
- Date: 1973
- Subjects: Characters and characteristics , Psychology, Applied , Cross-cultural studies
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3205 , http://hdl.handle.net/10962/d1011739 , Characters and characteristics , Psychology, Applied , Cross-cultural studies
- Description: The doll placement technique is a projective instrument which yields objective measures from which inferences may be drawn. Subjects place pairs of dolls to represent social encounters described to them by the experimenter. When the dolls have been placed, the distance between them and the angles at which they stand can serve as a source of information either about the personality of the placer or about the way in which he perceives the relationship between the interactors represented. Most experimental work employing figure placements has used flat felt figures which subjects have mounted on a flannel graph. This method limits an investigator to one dependent variable, the inter-figure distance. However if three dimensional dolls are placed three dependent measures can be derived from a placement, one of distance and two of orientation. It has been demonstrated that a reliable correlation exists between the spatial relations between figures placed by a person and the spatial relationships between real interactors. The theoretical analysis of the determinants of interpersonal distance and orientation in social encounters which has been worked out by students of non-verbal behaviour is therefore able to serve as a basis for the interpretation of the spatial characteristics of doll placements. Previous work with the doll placement technique has concentrated on the distance between dolls. The present study explored the determinants of figure orientations. Firstly an analysis was made of the types of orientation pattern that can occur when two persons are involved in a social encounter. Secondly, an experiment was performed which was designed to explore whether asymmetry in an orientation pattern might act as a cue to determine how individual figures in a pair were perceived. Thirdly, two doll placement studies were performed which were designed to investigate the conditions giving rise to asymmetrical orientation patterns and the determinants of direct and indirect orientations. The confidence or anxiety attributed to an interactor represented by a figure proved to be a major determinant of its spatial position. The results of the study indicate that the use of the angle measures in the analysis of doll placements considerably enhances the value of the technique. It is argued that the doll placement method could be profitably employed both as a clinical instrument and as a research tool for cross-cultural psychology.
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Coleridge on drama
- Authors: Wagstaff, Brian John
- Date: 1973
- Subjects: Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , English drama -- 18th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2276 , http://hdl.handle.net/10962/d1007255 , Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , English drama -- 18th century -- History and criticism
- Description: From Introduction: In the Preface to his book The idea of Coleridge's Criticism, Richard Harter Fogle states: There is... I am confident, a need for such a study as I here introduce; a study of Coleridge's criticism in itself, tentatively accepting the metaphysical assumptions on which it is based and focusing upon its central principles and inner relationship; endeavouring without direct regard for its external connections to the past and the present to see it as a whole, yet at the same time anxiously regardful of its permanent significance and its bearing upon practical criticism. These are the principles on which I have based this thesis, applied more particularly to Coleridge's criticism of drama.
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Dr Johnson's critical assumptions in the preface to Shakespeare: an essay in descriptive method
- Authors: Gouws, John Stephen
- Date: 1973
- Subjects: Johnson, Samuel, 1709-1784 -- Criticism and interpretation , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2298 , http://hdl.handle.net/10962/d1012073 , Johnson, Samuel, 1709-1784 -- Criticism and interpretation , Shakespeare, William, 1564-1616 -- Criticism and interpretation
- Description: "His criticism may be considered as general or occasional. In his general precepts, which depend upon the nature of things and the structure of the human mind, he may doubtlessly be safely recommended to the confidence of the reader: but his occasional and particular positions were sometimes interested, sometimes negligent, and sometimes capricious." With certain qualifications, it would be the opinion of those critics who share a great admiration of the man that this statement might well have been made of Johnson himself. There are those, however, whose esteem of Johnson is perhaps not so great. One thus finds Alan Tate writing: "One is constantly impressed by Johnson's consistency of point of view, over the long pull of his self-dedication to letters. There is seldom either consistency or precision in his particular judgements and definitions -- a defect that perhaps accounts negatively for his greatness as a critic: the perpetual reformulation of his standards, with his eye on the poetry, has done much to keep eighteenth century verse alive in our day. His theories (if his ideas ever reach that level of logical abstraction) are perhaps too simple for our taste and too improvised; but his reading is disciplined and acute." Tate is eager to perpetuate the notion of Johnson as a critic with a massive common sense and little more, an imputation which Johnson would not only resent, but dismiss as short-sighted. Intro., p. 1.
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Hesiods Vorstellungen von Moipa, Timh, Themis and Dikh
- Authors: Spandau, Stefanie
- Date: 1973
- Subjects: Hesiod , Homer , Greek poetry -- Criticism and interpretation
- Language: German
- Type: Thesis , Masters , MA
- Identifier: vital:3642 , http://hdl.handle.net/10962/d1014548
- Description: [Moipa, Timh, Themis and Dikh] geben Aufsehluβ über die Anschauungen des von Homer und Hesiod dargestellten Menschen, seinen Glauben, seine Rechts- und Staatsauffassung und seine Einsehatzung des Menschen. Moipa stellt einen Glaubensbereich dar, der neben den Göttern Gültigkeit hat. Timh ist ein Maβstab, an dem gewisse Menschen und aIle Götter gewertet werden. Themis und Dikh verkörpen Vorstellungen, die aus der politisch-rechtlichen Sphäre stammen. Darüber hinaus stellen diese vier Anschauungen den Versuch des Menschen dar, sich und seine Welt zu verstehen und sich in dieser Welt zurechtzufinden. Der Schiecksalsglaube stellt das Verständnis des Menschen von den ihn persönlich treffenden Ereignissen dar. Durch die Timh findet der Mensch oder Gott seinen ihm zugewiesenen Rang innerhalb der Gesellschaft; sie verleiht dem Einzelnen die Selbstsicherheit und den Wert, den er besitzen muβ, um vor den anderen bestehen zu können. Themis und Dikh sind Stutzen und Pfeiler, auf denen die Gesellschaft basiert. Mit ihr ordnet der Mensch seine Gemeinschaft rechtlich und politisch.
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The lyric vision of W. H. Davies: pastoral, the unintelligible universe, community
- Authors: Rabinowitz, Ivan Arthur
- Date: 1973
- Subjects: Davies, W. H. (William Henry), 1871-1940 -- Criticism and interpretation , English poetry -- 20th century , Poets, English -- 20th century -- Biography
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2280 , http://hdl.handle.net/10962/d1007579 , Davies, W. H. (William Henry), 1871-1940 -- Criticism and interpretation , English poetry -- 20th century , Poets, English -- 20th century -- Biography
- Description: From Introductory note: The Complete Poems of W.H. Davies (London: Jonathan Cape, 1963; rev. 1968) has been used throughout this study. Accordingly, unless otherwise stated, all citations of poem numbers and pagination refer to this text. Critical literature on the work of W.H. Davies is restricted in quantity and limited in scope. There are few comprehensive assessments of Davies as poet, autobiographer, novelist, or raconteur. Apart from such sources as Richard J. Stonesifer's full-length critical biography (1963), Lawrence Hockey's biographical monograph (1971), and Thomas Moult's anecdotal and historical appreciation (1934), critical material must be drawn from contemporary reviews, isolated articles in magazines such as The Catholic World and Fortnightly Review, and specific chapters in surveys of the poetry of the early twentieth century, although Davies is frequently alluded to passim in literary histories which deal with this period. Many of these studies favour biographical exposition and evaluation rather than descriptive analysis and discursive interpretation. A detailed chronology of Davies's works is included in Stonesifer's discussion. This thesis is not attempting to trace a line of development for two reasons. First, the Complete Poems gives no indication of date of composition or publication of particular poems, and the present writer has access only to the dates of publication of individual volumes as external evidence of a chronology, internal evidence being confined to such infrequent references as "the birds of steel" in Poem no. 236, p. 260. Secondly, the lyrics themselves do not, on the whole, evince much stylistic and thematic development, and the concern of this study is with recurrent themes and techniques dispersed throughout the oeuvre.
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The voice of protest in English poetry : with special reference to poets of the first three decades of the twentieth century
- Authors: Verschoor, Edith N E
- Date: 1973
- Subjects: Protest poetry, English -- History and criticism , English poetry -- History and criticism , English poetry -- 20th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2277 , http://hdl.handle.net/10962/d1007270
- Description: Poetry, like every other form of art, reflects the values of the artist himself as well as the values of the age in which he lives. "I would say that the poet may write about anything provided that the thing matters to him to start with, for then it will bring with it into the poem the intellectual or moral significance which it has for him in life". (Louis MacNeice). This thesis sets out to uncover some of the things which, in the long pageant of English poetry, have "mattered" to poets to such an extent that they have felt compelled to voice their protest against any violation of such things perceived by them in life around them. The basic study has been a search for the different kinds of values and codes of conduct, in social, political and moral spheres, which have been unacceptable to some of the major poets in English, and to examine particularly the manner and the tone of voice in which each one has expressed his disapproval. "Poetry was the mental rattle that awakened the attention of intellect in the infancy of civil society." (T.L.Peacock). English poets who have protested against whatever they regarded as worthy of protest have continued up to the maturity of civil society to be rattles (some soft and mellow, others loud and harsh), to awaken both the intellect and the conscience of their readers.
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