An exploration of female physicality and psyche and how these inform art-making
- Authors: Poole, Tanya Katherine
- Date: 2000
- Subjects: Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2419 , http://hdl.handle.net/10962/d1002215 , Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Description: This thesis proposes that female physicality informs the psyche and thus in turn, art-making. My argument will be shown to be apposite and informative to the discussion of the work of Paula Rego, Jenny Saville and Cindy Sherman. Furthermore such an understanding is helpful to a reading of my practice. In examining issues of identity, which contribute to the formulation of a distinctly female psyche, I will base my critique on the philosophical positions of Sartre, de Beauvoir and Paglia.
- Full Text:
- Date Issued: 2000
- Authors: Poole, Tanya Katherine
- Date: 2000
- Subjects: Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2419 , http://hdl.handle.net/10962/d1002215 , Women artists , Women artists -- Psychology , Rego, Paula -- Interviews , Feminism , Women -- Sexual behavior , Sherman, Cindy , Saville, Jenny, 1970-
- Description: This thesis proposes that female physicality informs the psyche and thus in turn, art-making. My argument will be shown to be apposite and informative to the discussion of the work of Paula Rego, Jenny Saville and Cindy Sherman. Furthermore such an understanding is helpful to a reading of my practice. In examining issues of identity, which contribute to the formulation of a distinctly female psyche, I will base my critique on the philosophical positions of Sartre, de Beauvoir and Paglia.
- Full Text:
- Date Issued: 2000
Colonial photography in nineteenth century Grahamstown: an analysis of the Dr W.G. Atherstone Bequest
- Authors: Waters, Hywell George
- Date: 2000
- Subjects: Atherstone, W. G. (William Guybon), 1814-1898 Art and photography Photography -- Technique
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2426 , http://hdl.handle.net/10962/d1002222
- Description: The research for this degree comprises of a theoretical dissertationand a practicalcomponent of exhibited photographs. The theoretical research investigates the original photographic prints and glass-plate negatives taken betweenthe 1840's and 1890's, by the late Dr. W.G. Atherstone - an enthusiastic, Grahamstown amateur photographer. Dr W. G Atherstone's prints and negatives were examined by the author to deduce and establish his photographic abilities, his numerous techniques, diverse subject matter and the pictorialconstructionof his images. Selected works will be examined in order to interpret and illustrate his diverse interests and approaches towards photography. The selection of these photographs was determined by their pertinence to subject matter, and to the pictorial and historical considerations of the candidate. These issues are finally examined in relation to the candidates's own approach to photography today.
- Full Text:
- Date Issued: 2000
- Authors: Waters, Hywell George
- Date: 2000
- Subjects: Atherstone, W. G. (William Guybon), 1814-1898 Art and photography Photography -- Technique
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2426 , http://hdl.handle.net/10962/d1002222
- Description: The research for this degree comprises of a theoretical dissertationand a practicalcomponent of exhibited photographs. The theoretical research investigates the original photographic prints and glass-plate negatives taken betweenthe 1840's and 1890's, by the late Dr. W.G. Atherstone - an enthusiastic, Grahamstown amateur photographer. Dr W. G Atherstone's prints and negatives were examined by the author to deduce and establish his photographic abilities, his numerous techniques, diverse subject matter and the pictorialconstructionof his images. Selected works will be examined in order to interpret and illustrate his diverse interests and approaches towards photography. The selection of these photographs was determined by their pertinence to subject matter, and to the pictorial and historical considerations of the candidate. These issues are finally examined in relation to the candidates's own approach to photography today.
- Full Text:
- Date Issued: 2000
Environmental art and its contribution to establishing an awareness of the sacred in nature
- Matthews, Elaine Katherine Simone
- Authors: Matthews, Elaine Katherine Simone
- Date: 2000
- Subjects: Installations (Art) Art, Modern -- 20th century Nature (Aesthetics)
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2413 , http://hdl.handle.net/10962/d1002209
- Description: The introduction establishes the goal of the research, which is to discover that art concerned with re-evaluating the relationship to the environment and spirituality can serve to connect people to one another, and to the environment. The context of the research is the contemporary ecological and spiritual crisis of the postmodern world. The background places the discussion within the contexts of modernism and postmodernism. The historical background focuses on the period from the 1960s to the present day. Land and Environmental artists who work in a manner that is conscious of environmental issues and who suggest a sacred and creative attitude to ecology are discussed. My own creative work which is a response to both ancient and contemporary sites as well as to contemporary theories of art and spirituality is discussed. The four projects, are discussed in chronological order, they are: Quest - A journey into Sacred Space; Gaika's Kop - Sacred Mountain; Labyrinth - Journeys to the Centre; and Transforming the Centre. The conclusion shows that the multi-faceted, intertextual and relativistic philosophy of postmodernism has brought about a significant change in the attitude of humanity towards the environment. Artists who reject the modernist aesthetic and philosophy are making art that emphasises relationship to, rather than separation from the natural world.
- Full Text:
- Date Issued: 2000
- Authors: Matthews, Elaine Katherine Simone
- Date: 2000
- Subjects: Installations (Art) Art, Modern -- 20th century Nature (Aesthetics)
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2413 , http://hdl.handle.net/10962/d1002209
- Description: The introduction establishes the goal of the research, which is to discover that art concerned with re-evaluating the relationship to the environment and spirituality can serve to connect people to one another, and to the environment. The context of the research is the contemporary ecological and spiritual crisis of the postmodern world. The background places the discussion within the contexts of modernism and postmodernism. The historical background focuses on the period from the 1960s to the present day. Land and Environmental artists who work in a manner that is conscious of environmental issues and who suggest a sacred and creative attitude to ecology are discussed. My own creative work which is a response to both ancient and contemporary sites as well as to contemporary theories of art and spirituality is discussed. The four projects, are discussed in chronological order, they are: Quest - A journey into Sacred Space; Gaika's Kop - Sacred Mountain; Labyrinth - Journeys to the Centre; and Transforming the Centre. The conclusion shows that the multi-faceted, intertextual and relativistic philosophy of postmodernism has brought about a significant change in the attitude of humanity towards the environment. Artists who reject the modernist aesthetic and philosophy are making art that emphasises relationship to, rather than separation from the natural world.
- Full Text:
- Date Issued: 2000
Road culture : an investigation of the road as a means of mental and physical exploration
- Authors: Meistre, Brent Arthur
- Date: 2000
- Subjects: Roads in art , Travel in art , Travel -- Psychological aspects , Travelers -- Psychology
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2414 , http://hdl.handle.net/10962/d1002210 , Roads in art , Travel in art , Travel -- Psychological aspects , Travelers -- Psychology
- Description: Chapter one considers various manifestations of the concept of ‘journey’ and how they have changed over history. The Odyssean journey that the hero undertakes to reach a point of self-realisation is investigated. This leads to a other discussion of types of journeys such as pilgrimages, as well as ‘wandering’. These are contrasted with the twentieth century perceptions of journey. Questions of travel are then dealt with: how the nature of the traveller's path has changed over the centuries, various points of travel and gender, and how in the last century solitary travel has been transformed into mass tourism. The second chapter deals specifically with the motorcar, the mobility it enables and how it has led to the rise of a roadside culture. Different factors that influenced the rise of the motorcar are looked at. The motorcar as a cell and eroticism and the car are also investigated. The twentieth century city, it's restructuring, as well as the highway systems is discussed. In Chapter Three, the sense of freedom that the motorcar created is considered in particular reference to escape, aimlessness, and road weariness, as well as the landscape as a symbol of freedom. This leads to a discussion on the notion of speed, the sense of power and the romanticisation of death in car crashes. Chapter Four investigates masculinity and the road. The frontier as a place in the psyche of the male is also dealt with. The road as a means of testing and regaining masculinity in the mid-twentieth century is considered. Issues of the male domination of the land and the feminine are discussed, with the chapter ending with a brief examination of the woman as traveller. Lastly the masters’ submission exhibition, entitled RODE is discussed with direct reference to the theories investigated in the previous chapters. Individual works as well as the methodology are looked at closely.
- Full Text:
- Date Issued: 2000
- Authors: Meistre, Brent Arthur
- Date: 2000
- Subjects: Roads in art , Travel in art , Travel -- Psychological aspects , Travelers -- Psychology
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2414 , http://hdl.handle.net/10962/d1002210 , Roads in art , Travel in art , Travel -- Psychological aspects , Travelers -- Psychology
- Description: Chapter one considers various manifestations of the concept of ‘journey’ and how they have changed over history. The Odyssean journey that the hero undertakes to reach a point of self-realisation is investigated. This leads to a other discussion of types of journeys such as pilgrimages, as well as ‘wandering’. These are contrasted with the twentieth century perceptions of journey. Questions of travel are then dealt with: how the nature of the traveller's path has changed over the centuries, various points of travel and gender, and how in the last century solitary travel has been transformed into mass tourism. The second chapter deals specifically with the motorcar, the mobility it enables and how it has led to the rise of a roadside culture. Different factors that influenced the rise of the motorcar are looked at. The motorcar as a cell and eroticism and the car are also investigated. The twentieth century city, it's restructuring, as well as the highway systems is discussed. In Chapter Three, the sense of freedom that the motorcar created is considered in particular reference to escape, aimlessness, and road weariness, as well as the landscape as a symbol of freedom. This leads to a discussion on the notion of speed, the sense of power and the romanticisation of death in car crashes. Chapter Four investigates masculinity and the road. The frontier as a place in the psyche of the male is also dealt with. The road as a means of testing and regaining masculinity in the mid-twentieth century is considered. Issues of the male domination of the land and the feminine are discussed, with the chapter ending with a brief examination of the woman as traveller. Lastly the masters’ submission exhibition, entitled RODE is discussed with direct reference to the theories investigated in the previous chapters. Individual works as well as the methodology are looked at closely.
- Full Text:
- Date Issued: 2000
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