Beasts we love
- Authors: Masolane, Tseliso Chrisjan
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Detective and mystery stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63098 , vital:28363
- Description: My thesis is a novella in flash, written as political crime fiction. It is set in contemporary South Africa and tells the story of Rafau Lekopo, a teacher from a little township called Dikgohlong, whose life is changed forever after he finds his wife and the mayor in bed and shoots them both dead. The information contained within the dead mayor's notebook proves to be explosive, showing that the mayor is far more than he seems, and that he is in fact in the employ of a foreign intelligence service. After his release from prison, the embittered Lekopo sets about his revenge against powerful men who abuse their political power. He takes refuge in Lesotho, masterminds a series of heists, car-hijackings and human trafficking, and expands his syndication back in South Africa. Using the contacts and information from the mayor's notebook, he manipulates the Lesotho government into a diplomatic feud with South Africa which treatens to escalate into a military conflict.
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- Authors: Masolane, Tseliso Chrisjan
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Detective and mystery stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63098 , vital:28363
- Description: My thesis is a novella in flash, written as political crime fiction. It is set in contemporary South Africa and tells the story of Rafau Lekopo, a teacher from a little township called Dikgohlong, whose life is changed forever after he finds his wife and the mayor in bed and shoots them both dead. The information contained within the dead mayor's notebook proves to be explosive, showing that the mayor is far more than he seems, and that he is in fact in the employ of a foreign intelligence service. After his release from prison, the embittered Lekopo sets about his revenge against powerful men who abuse their political power. He takes refuge in Lesotho, masterminds a series of heists, car-hijackings and human trafficking, and expands his syndication back in South Africa. Using the contacts and information from the mayor's notebook, he manipulates the Lesotho government into a diplomatic feud with South Africa which treatens to escalate into a military conflict.
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Between blue and light
- Authors: Campbell, Jennifer
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63570 , vital:28441
- Description: My novella follows a narrator observing her life, as she struggles with what it is to live in a world that she finds simultaneously frightening and beautiful. The story touches on the limitations of human connection and with loss in various forms. Set in both Cape Town and small town South Africa, the story explores the inner life of a woman detached and adrift.
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- Authors: Campbell, Jennifer
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63570 , vital:28441
- Description: My novella follows a narrator observing her life, as she struggles with what it is to live in a world that she finds simultaneously frightening and beautiful. The story touches on the limitations of human connection and with loss in various forms. Set in both Cape Town and small town South Africa, the story explores the inner life of a woman detached and adrift.
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Blue ring of fire
- Authors: O’Flaherty, Craig
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63615 , vital:28448
- Description: My poems are reflections of shape, colour and emotions expressed through imagery. Their unsentimental landscape-realism echo my own feelings as well as broader human dimensions of contradiction and uncertainty, without trying to resolve them. In the same way that photography is the art of 'painting with light', my poems seek a language that evokes light and darkness. They aspire to what Keats said when writing about ‘negative capability’: “Poetical character has no self, it is anything and nothing, it has no character and enjoys light and shade”. My poems explore what I have learned about form – how line-length, syntax and musicality can add grace and energy to language. Poets that have influenced me include the classical Chinese poets such as Du Fu and Li Po, and the Generation of 27 Spanish poets, such as Antonio Machado and Leon Felipe.
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- Authors: O’Flaherty, Craig
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63615 , vital:28448
- Description: My poems are reflections of shape, colour and emotions expressed through imagery. Their unsentimental landscape-realism echo my own feelings as well as broader human dimensions of contradiction and uncertainty, without trying to resolve them. In the same way that photography is the art of 'painting with light', my poems seek a language that evokes light and darkness. They aspire to what Keats said when writing about ‘negative capability’: “Poetical character has no self, it is anything and nothing, it has no character and enjoys light and shade”. My poems explore what I have learned about form – how line-length, syntax and musicality can add grace and energy to language. Poets that have influenced me include the classical Chinese poets such as Du Fu and Li Po, and the Generation of 27 Spanish poets, such as Antonio Machado and Leon Felipe.
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I won’t be long
- Mhlambi, Ntombi Kayise Millicent
- Authors: Mhlambi, Ntombi Kayise Millicent
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , South African poetry (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63603 , vital:28446
- Description: My thesis is a weave of short stories, flash fiction and vignettes of prose-poetry. It uses lyrical, scenic and explorative modes to explore the stories of women, past, present and future, from all walks of life. These women, young and old, struggle to find their way within a ‘world’ characterised as Salithambo (the pink castle) whose structures and survival preys on their bodies. The stories explore the themes of girlhood and maturation, violence (specifically against women), animality, scatology, time, gender roles and expectations, and their rejection. I draw inspiration, stylistically, from Irenosen Okojie’s depiction of beauty and terror in the same sentence; Selah Saterstrom’s fragmented plot and directorial stroke; Taban Lo Liyong & Amos Tutuola’s avant-gardism and amplification of language; Adania Shibli’s sensorial and spare prose, Lyudmila Petrushevskaya, Lily Hoang & Carol Oates’ normalized magic spell, Athena Villaverde & Espido Freire’s imaginative overload of childhood; Shelley Jackson & Chevisa Woods’ construction of body parts as bearing texts or as texts themselves.
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- Authors: Mhlambi, Ntombi Kayise Millicent
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , South African poetry (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63603 , vital:28446
- Description: My thesis is a weave of short stories, flash fiction and vignettes of prose-poetry. It uses lyrical, scenic and explorative modes to explore the stories of women, past, present and future, from all walks of life. These women, young and old, struggle to find their way within a ‘world’ characterised as Salithambo (the pink castle) whose structures and survival preys on their bodies. The stories explore the themes of girlhood and maturation, violence (specifically against women), animality, scatology, time, gender roles and expectations, and their rejection. I draw inspiration, stylistically, from Irenosen Okojie’s depiction of beauty and terror in the same sentence; Selah Saterstrom’s fragmented plot and directorial stroke; Taban Lo Liyong & Amos Tutuola’s avant-gardism and amplification of language; Adania Shibli’s sensorial and spare prose, Lyudmila Petrushevskaya, Lily Hoang & Carol Oates’ normalized magic spell, Athena Villaverde & Espido Freire’s imaginative overload of childhood; Shelley Jackson & Chevisa Woods’ construction of body parts as bearing texts or as texts themselves.
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Poem to be sung
- Authors: Ndyoko, Nomtha
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63592 , vital:28444
- Description: My collection of poems expresses the complexities that exist beneath the surface of my life – my tongue, our bleak country, the politics of having a dark skin, my ancestors who speak to me in unexplainable ways, and the speech of nature – the wind, the sea, death, birds. It is in writing poems and songs that I make a space to be alive, a space to meet my ancestors and to say the unsayable. The poems move between the ordinary, the magical, the abject, and the spiritual, often expressing the contradictions that exist within life. The main influence on my poetry has come from music, from African jazz musicians such as Zim Ngqawana, Thandiswa Mazwai and Msaki Mvana. Literary influences have come from Spanish poets such as Juan Ramón Jiménez, whose strong imagery and short lines capture profound emotion, and from ancient Chinese poetry that moves in a fluid and minimal way. I have also been inspired by the African spirituality expressed in Mazisi Kunene’s poetry and the down-to-earth associative poetry of Mangaliso Buzani and Mxolisi Nyezwa.
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- Authors: Ndyoko, Nomtha
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63592 , vital:28444
- Description: My collection of poems expresses the complexities that exist beneath the surface of my life – my tongue, our bleak country, the politics of having a dark skin, my ancestors who speak to me in unexplainable ways, and the speech of nature – the wind, the sea, death, birds. It is in writing poems and songs that I make a space to be alive, a space to meet my ancestors and to say the unsayable. The poems move between the ordinary, the magical, the abject, and the spiritual, often expressing the contradictions that exist within life. The main influence on my poetry has come from music, from African jazz musicians such as Zim Ngqawana, Thandiswa Mazwai and Msaki Mvana. Literary influences have come from Spanish poets such as Juan Ramón Jiménez, whose strong imagery and short lines capture profound emotion, and from ancient Chinese poetry that moves in a fluid and minimal way. I have also been inspired by the African spirituality expressed in Mazisi Kunene’s poetry and the down-to-earth associative poetry of Mangaliso Buzani and Mxolisi Nyezwa.
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Slanting the light
- Authors: Marais, Shirley
- Date: 2018
- Subjects: South African poetry (English) -- 21st century , Creative writing (Higher education) -- South Africa
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63558 , vital:28440
- Description: Through my poetry I attempt to make sense of my encounters with myself by bringing to creative expression my experiences of and felt responses to people, places and situations. Among the poets who have had a significant influence on my work are Robert Berold, for his quiet assertion of intense, dramatic images; Frank O’Hara for his disciplined sense of mischief; Joan Metelerkamp for her meticulous attention to form and the way she makes a poem breathe; Robert Creeley for his ability to create free-floating meaning; and Mangaliso Buzani, for his fierce, honest poetics.
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- Authors: Marais, Shirley
- Date: 2018
- Subjects: South African poetry (English) -- 21st century , Creative writing (Higher education) -- South Africa
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63558 , vital:28440
- Description: Through my poetry I attempt to make sense of my encounters with myself by bringing to creative expression my experiences of and felt responses to people, places and situations. Among the poets who have had a significant influence on my work are Robert Berold, for his quiet assertion of intense, dramatic images; Frank O’Hara for his disciplined sense of mischief; Joan Metelerkamp for her meticulous attention to form and the way she makes a poem breathe; Robert Creeley for his ability to create free-floating meaning; and Mangaliso Buzani, for his fierce, honest poetics.
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Witches & villains: the nasty tales
- Authors: Dalldorf, Tamaryn
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century , Fairy tales -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63087 , vital:28362
- Description: My thesis compromises a variety of short stories which are modern re-writes of dark fairy tales. Fairy Tales often explore the dark side of human nature and in these stories I focus on the voices of female villains and the strange psychology which drives them. I find Fairy Tales absorbing because they reveal the vulnerabilities, dreams and fears of the human consciousness. My stories contain some satirical expositions of human nature and society. My influences are the anthology of short stories, “My mother She Killed Me and My Father He Ate Me”, The Grimm Fairy Tales (original) and The Fairy Tales of Charles Perrault as well as the writing of Horacio Moya, Angela Carter and Alissa Nutting for their dark satire and mockery of social eccentricities. Kate Bernheimer’s “Form is Fairy Tale and Fairy Tale is Form” is very influential in terms of the style it recommends in writing such as: “every day magic”, “flatness” (a form of narration), abstraction and intuitive logic.
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- Authors: Dalldorf, Tamaryn
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century , Fairy tales -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63087 , vital:28362
- Description: My thesis compromises a variety of short stories which are modern re-writes of dark fairy tales. Fairy Tales often explore the dark side of human nature and in these stories I focus on the voices of female villains and the strange psychology which drives them. I find Fairy Tales absorbing because they reveal the vulnerabilities, dreams and fears of the human consciousness. My stories contain some satirical expositions of human nature and society. My influences are the anthology of short stories, “My mother She Killed Me and My Father He Ate Me”, The Grimm Fairy Tales (original) and The Fairy Tales of Charles Perrault as well as the writing of Horacio Moya, Angela Carter and Alissa Nutting for their dark satire and mockery of social eccentricities. Kate Bernheimer’s “Form is Fairy Tale and Fairy Tale is Form” is very influential in terms of the style it recommends in writing such as: “every day magic”, “flatness” (a form of narration), abstraction and intuitive logic.
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