Bringing us back
- Authors: Dhliwayo, Mercy
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63077 , vital:28361
- Description: My thesis takes the form of a collection of short stories set mostly in Zimbabwe and South Africa under the current political, social and economic climate. The themes I explore include forced migrations, identity, family disintegration and destitution. I use non-linear narration inspired by my reading of Dambudzo Marechera and Lidia Yuknavitch’s use of photographic imagery, in Black Sunlight and The Small Backs of Children respectively, to heighten my thematic concerns. The poetry in their language also serves as a source of inspiration, as does the graphic imagery used by Ayi Kwei Armah. In addition, I draw on the fragmented form used by Deepak Unnikrishnan to explore migration in his collection, Temporary People and Miljenko Jergovic’s investigation of violence and displacement in Sarajevo Marlboro.
- Full Text:
- Date Issued: 2018
- Authors: Dhliwayo, Mercy
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63077 , vital:28361
- Description: My thesis takes the form of a collection of short stories set mostly in Zimbabwe and South Africa under the current political, social and economic climate. The themes I explore include forced migrations, identity, family disintegration and destitution. I use non-linear narration inspired by my reading of Dambudzo Marechera and Lidia Yuknavitch’s use of photographic imagery, in Black Sunlight and The Small Backs of Children respectively, to heighten my thematic concerns. The poetry in their language also serves as a source of inspiration, as does the graphic imagery used by Ayi Kwei Armah. In addition, I draw on the fragmented form used by Deepak Unnikrishnan to explore migration in his collection, Temporary People and Miljenko Jergovic’s investigation of violence and displacement in Sarajevo Marlboro.
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- Date Issued: 2018
Still
- Authors: Hall, Leila
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63638 , vital:28450
- Description: This thesis is a novella in fragments set in contemporary Lesotho. It tells the story of a Mosotho woman in her 30s who has spent a long time living out of the country. She returns to search for a former lover who she hasn’t seen for 15 years. The nonlinear narrative follows her journey, exploring a range of themes, including sexuality, gender and class relations, memory and time, relationship to place, non-conformity and defiance in the face of societal pressure and conformism. The style of writing is inspired by a diverse range of writers, including Sonallah Ibrahim for his understated, sparse and minimalist prose, Tina May Hall for her ability to tell a story in fragmented vignettes, Noy Holland for her understanding of time as synchronous and non-linear, and Ayi Kwei Armah for his skill in evoking the feelings, textures and specificities of a place.
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- Date Issued: 2018
- Authors: Hall, Leila
- Date: 2018
- Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63638 , vital:28450
- Description: This thesis is a novella in fragments set in contemporary Lesotho. It tells the story of a Mosotho woman in her 30s who has spent a long time living out of the country. She returns to search for a former lover who she hasn’t seen for 15 years. The nonlinear narrative follows her journey, exploring a range of themes, including sexuality, gender and class relations, memory and time, relationship to place, non-conformity and defiance in the face of societal pressure and conformism. The style of writing is inspired by a diverse range of writers, including Sonallah Ibrahim for his understated, sparse and minimalist prose, Tina May Hall for her ability to tell a story in fragmented vignettes, Noy Holland for her understanding of time as synchronous and non-linear, and Ayi Kwei Armah for his skill in evoking the feelings, textures and specificities of a place.
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- Date Issued: 2018
There’s another story here
- Authors: Nkosi, Lindokuhle
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63065 , vital:28360
- Description: Written in fragments and combining fiction and narrative non-fiction, this novella explores how South Africa's history of violence and current violence against women affects and influences how women relate to each other. Based in the knowledge that our memories and behaviours are linked to the experiences of our ancestors via our bodies, I engage what our violent history and the disappearing myths that are still embedded in our bloodstream mean for life today. Drawing on the experiences of several generations of women in my family, current affairs and the lives of women close to me, my novella picks at the fragile things that hold us together. I take influence from the prose poetry in Claudia Rankine’s Citizen, and the use of fragmentation, myth and biography in Lydia Yuknavitch’s A Chronology of Water and Lily Hoang’s A Bestiary, and use an amalgam of genres to ask how we hold each other; how we breath, create, love and dream.
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- Date Issued: 2018
- Authors: Nkosi, Lindokuhle
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/63065 , vital:28360
- Description: Written in fragments and combining fiction and narrative non-fiction, this novella explores how South Africa's history of violence and current violence against women affects and influences how women relate to each other. Based in the knowledge that our memories and behaviours are linked to the experiences of our ancestors via our bodies, I engage what our violent history and the disappearing myths that are still embedded in our bloodstream mean for life today. Drawing on the experiences of several generations of women in my family, current affairs and the lives of women close to me, my novella picks at the fragile things that hold us together. I take influence from the prose poetry in Claudia Rankine’s Citizen, and the use of fragmentation, myth and biography in Lydia Yuknavitch’s A Chronology of Water and Lily Hoang’s A Bestiary, and use an amalgam of genres to ask how we hold each other; how we breath, create, love and dream.
- Full Text:
- Date Issued: 2018
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