A tree cannot make a forest: looking inward, reaching out in African Art Studies
- Authors: Fọlárànmí, Stephen
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146090 , vital:38494 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00453
- Description: These proverbs from the Yorùbá of southwestern Nigeria and the Bemba of Zambia are a few examples that can be found in many Africa languages. While these proverbs are rich in philosophical sayings and muses, many are being forgotten because fewer and fewer people possess deep knowledge of languages, and in the arts, Africans tend to look to the Global North for theoretical frameworks to examine their art and other cultural properties. The title of this piece is therefore an identification with the potency of the proverbs because of the trends of collaboration that I have noticed in the last few years in African Art Studies. It could also be said to be a call to look into what could be shared within Global Souths in terms of an available knowledge base that could be used to forge ahead rather than subjecting thoughts and knowledge to the Global North.
- Full Text:
- Authors: Fọlárànmí, Stephen
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146090 , vital:38494 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00453
- Description: These proverbs from the Yorùbá of southwestern Nigeria and the Bemba of Zambia are a few examples that can be found in many Africa languages. While these proverbs are rich in philosophical sayings and muses, many are being forgotten because fewer and fewer people possess deep knowledge of languages, and in the arts, Africans tend to look to the Global North for theoretical frameworks to examine their art and other cultural properties. The title of this piece is therefore an identification with the potency of the proverbs because of the trends of collaboration that I have noticed in the last few years in African Art Studies. It could also be said to be a call to look into what could be shared within Global Souths in terms of an available knowledge base that could be used to forge ahead rather than subjecting thoughts and knowledge to the Global North.
- Full Text:
An evaluation of the current extent and potential spread of Black Bass invasions in South Africa
- Khosa, Dumisani, Marr, Sean M, Wasserman, Ryan J, Zengeya, Tsungai A, Weyl, Olaf L F
- Authors: Khosa, Dumisani , Marr, Sean M , Wasserman, Ryan J , Zengeya, Tsungai A , Weyl, Olaf L F
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/103867 , vital:32317 , https://doi.org/10.1007/s10530-019-01930-0
- Description: Black Bass, a collective name for members of the centrarchid genus Micropterus, are native to North America, but have been introduced globally to enhance recreational angling. This study assessed the distribution of Micropterus salmoides, M. dolomieu and M. punctulatus in South Africa using both formal (survey-based) and informal (tournament data and social media) information sources. Analysis of the distribution data showed habitat bias between the data sources. Survey data from formal information sources were dominated by locality records in riverine environments while those derived from informal information sources focused more on lacustrine habitats. Presence data were used to develop niche models to identify suitable areas for their establishment. The predicted distribution range of M. salmoides revealed a broad suitability over most of South Africa, however, the Cape Fold Ecoregion and all coastal regions were most suitable for the establishment for both M. dolomieu and M. punctulatus. Flow accumulation and precipitation of coldest quarter were the most important environmental variables associated with the presence of all Black Bass species in South Africa. In addition, anthropogenic disturbance such as agricultural activities were associated with the presence of both Smallmouth Bass and Spotted Bass. An extensive area-based invasion debt was observed for all Micropterus spp. The potential for further spread of Black Bass in South Africa is of ecological concern because of their impact on native biota.
- Full Text:
- Authors: Khosa, Dumisani , Marr, Sean M , Wasserman, Ryan J , Zengeya, Tsungai A , Weyl, Olaf L F
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/103867 , vital:32317 , https://doi.org/10.1007/s10530-019-01930-0
- Description: Black Bass, a collective name for members of the centrarchid genus Micropterus, are native to North America, but have been introduced globally to enhance recreational angling. This study assessed the distribution of Micropterus salmoides, M. dolomieu and M. punctulatus in South Africa using both formal (survey-based) and informal (tournament data and social media) information sources. Analysis of the distribution data showed habitat bias between the data sources. Survey data from formal information sources were dominated by locality records in riverine environments while those derived from informal information sources focused more on lacustrine habitats. Presence data were used to develop niche models to identify suitable areas for their establishment. The predicted distribution range of M. salmoides revealed a broad suitability over most of South Africa, however, the Cape Fold Ecoregion and all coastal regions were most suitable for the establishment for both M. dolomieu and M. punctulatus. Flow accumulation and precipitation of coldest quarter were the most important environmental variables associated with the presence of all Black Bass species in South Africa. In addition, anthropogenic disturbance such as agricultural activities were associated with the presence of both Smallmouth Bass and Spotted Bass. An extensive area-based invasion debt was observed for all Micropterus spp. The potential for further spread of Black Bass in South Africa is of ecological concern because of their impact on native biota.
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An experimental test of the allotonic frequency hypothesis to isolate the effects of light pollution on bat prey selection:
- Bailey, Lauren A, Brigham, R Mark, Bohn, Shelby J, Boyles, Justin G, Smit, Ben
- Authors: Bailey, Lauren A , Brigham, R Mark , Bohn, Shelby J , Boyles, Justin G , Smit, Ben
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158309 , vital:40171 , https://0-doi.org.wam.seals.ac.za/10.1007/s00442-019-04417-w
- Description: Artificial lights may be altering interactions between bats and moth prey. According to the allotonic frequency hypothesis (AFH), eared moths are generally unavailable as prey for syntonic bats (i.e., bats that use echolocation frequencies between 20 and 50 kHz within the hearing range of eared moths) due to the moths’ ability to detect syntonic bat echolocation. Syntonic bats therefore feed mainly on beetles, flies, true bugs, and non-eared moths. The AFH is expected to be violated around lights where eared moths are susceptible to exploitation by syntonic bats because moths’ evasive strategies become less effective. The hypothesis has been tested to date almost exclusively in areas with permanent lighting, where the effects of lights on bat diets are confounded with other aspects of human habitat alteration. We undertook diet analysis in areas with short-term, localized artificial lighting to isolate the effects of artificial lighting and determine if syntonic and allotonic bats (i.e., bats that use echolocation frequencies outside the hearing range of eared moths) consumed more moths under conditions of artificial lights than in natural darkness.
- Full Text:
- Authors: Bailey, Lauren A , Brigham, R Mark , Bohn, Shelby J , Boyles, Justin G , Smit, Ben
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158309 , vital:40171 , https://0-doi.org.wam.seals.ac.za/10.1007/s00442-019-04417-w
- Description: Artificial lights may be altering interactions between bats and moth prey. According to the allotonic frequency hypothesis (AFH), eared moths are generally unavailable as prey for syntonic bats (i.e., bats that use echolocation frequencies between 20 and 50 kHz within the hearing range of eared moths) due to the moths’ ability to detect syntonic bat echolocation. Syntonic bats therefore feed mainly on beetles, flies, true bugs, and non-eared moths. The AFH is expected to be violated around lights where eared moths are susceptible to exploitation by syntonic bats because moths’ evasive strategies become less effective. The hypothesis has been tested to date almost exclusively in areas with permanent lighting, where the effects of lights on bat diets are confounded with other aspects of human habitat alteration. We undertook diet analysis in areas with short-term, localized artificial lighting to isolate the effects of artificial lighting and determine if syntonic and allotonic bats (i.e., bats that use echolocation frequencies outside the hearing range of eared moths) consumed more moths under conditions of artificial lights than in natural darkness.
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Chinese engagement of Zimbabwe and the limits of elite agency:
- Chipaike, Ronald, Bischoff, Paul, 1954-
- Authors: Chipaike, Ronald , Bischoff, Paul, 1954-
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/161548 , vital:40637 , https://0-doi.org.wam.seals.ac.za/10.1177/0021909619848783
- Description: This article contends that Zimbabwe’s agency in its engagement with China has been limited and at best circumscribed. This owes to factors such as indifference by state authorities to cooperation with civil society actors in negotiating with Chinese actors, the desperation of the The Zimbabwe African National Union – Patriotic Front regime in the face of isolation by erstwhile partners as well as the opacity and secrecy that characterizes significant areas of the Zimbabwe–China relationship. The pressing need for critical institutions such as parliament to play independent oversight roles as well as the creation of space for civil society watchdog functions are highlighted as key enablers if Zimbabwean agency is to generate positive gains from the country’s engagement with China.
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- Authors: Chipaike, Ronald , Bischoff, Paul, 1954-
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/161548 , vital:40637 , https://0-doi.org.wam.seals.ac.za/10.1177/0021909619848783
- Description: This article contends that Zimbabwe’s agency in its engagement with China has been limited and at best circumscribed. This owes to factors such as indifference by state authorities to cooperation with civil society actors in negotiating with Chinese actors, the desperation of the The Zimbabwe African National Union – Patriotic Front regime in the face of isolation by erstwhile partners as well as the opacity and secrecy that characterizes significant areas of the Zimbabwe–China relationship. The pressing need for critical institutions such as parliament to play independent oversight roles as well as the creation of space for civil society watchdog functions are highlighted as key enablers if Zimbabwean agency is to generate positive gains from the country’s engagement with China.
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Comparing sequence and structure of falcipains and human homologs at prodomain and catalytic active site for malarial peptide based inhibitor design:
- Musyoka, Thommas M, Njuguna, Joyce N, Tastan Bishop, Özlem
- Authors: Musyoka, Thommas M , Njuguna, Joyce N , Tastan Bishop, Özlem
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/162962 , vital:41000 , https://0-doi.org.wam.seals.ac.za/10.1186/s12936-019-2790-2
- Description: Falcipains are major cysteine proteases of Plasmodium falciparum involved in haemoglobin degradation and remain attractive anti-malarial drug targets. Several inhibitors against these proteases have been identified, yet none of them has been approved for malaria treatment. Other Plasmodium species also possess highly homologous proteins to falcipains. For selective therapeutic targeting, identification of sequence and structure differences with homologous human cathepsins is necessary. The substrate processing activity of these proteins is tightly controlled via a prodomain segment occluding the active site which is chopped under low pH conditions exposing the catalytic site. Current work characterizes these proteases to identify residues mediating the prodomain regulatory function for the design of peptide based anti-malarial inhibitors.
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- Authors: Musyoka, Thommas M , Njuguna, Joyce N , Tastan Bishop, Özlem
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/162962 , vital:41000 , https://0-doi.org.wam.seals.ac.za/10.1186/s12936-019-2790-2
- Description: Falcipains are major cysteine proteases of Plasmodium falciparum involved in haemoglobin degradation and remain attractive anti-malarial drug targets. Several inhibitors against these proteases have been identified, yet none of them has been approved for malaria treatment. Other Plasmodium species also possess highly homologous proteins to falcipains. For selective therapeutic targeting, identification of sequence and structure differences with homologous human cathepsins is necessary. The substrate processing activity of these proteins is tightly controlled via a prodomain segment occluding the active site which is chopped under low pH conditions exposing the catalytic site. Current work characterizes these proteases to identify residues mediating the prodomain regulatory function for the design of peptide based anti-malarial inhibitors.
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Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities
- Simbao, Ruth K, Kouoh, Koyo, Nzewi, Ugochukwu-Smooth C, Sousa, Suzana, Koide, Emi
- Authors: Simbao, Ruth K , Kouoh, Koyo , Nzewi, Ugochukwu-Smooth C , Sousa, Suzana , Koide, Emi
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146055 , vital:38491 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00456
- Description: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in important ways towards a shift of the center of gravity of the global academy, particularly the study of art history in and of Africa.
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Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities
- Authors: Simbao, Ruth K , Kouoh, Koyo , Nzewi, Ugochukwu-Smooth C , Sousa, Suzana , Koide, Emi
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146055 , vital:38491 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00456
- Description: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in important ways towards a shift of the center of gravity of the global academy, particularly the study of art history in and of Africa.
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Conjuring our beings: Stacey Gillian Abe and Immy Mali in conversational partnership
- Abe, Stacey Gillian, Mali, Immy
- Authors: Abe, Stacey Gillian , Mali, Immy
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145963 , vital:38482 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00457
- Description: The series of Conversational Partnerships began in 2017 in African Arts vol. 50, no. 2, with a conversation between two artists: Eria Nsubuga SANE from Uganda and Sikhumbuzo Makandula from South Africa. The format of a “conversational partnership” (Rubin and Rubin 2012: 7) emphasizes the cocreation of meaning by the interviewer and interviewee as coauthors. This enables a move away from the art history format of the interviewer (usually a writer) assuming the role of the sole author and the interviewee (often an artist) having no status as an author despite the fact that her or his practice-led creation of knowledge is foundational to the content of the interview. Stacey Gillian Abe and Immy Mali participated in a joint artists' residency as part of the RAW program at Rhodes University in South Africa from November to December 2017. During this time, they engaged with each other's practice-led work, and they created this conversational partnership at a writing breakaway in the Eastern Cape.
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- Authors: Abe, Stacey Gillian , Mali, Immy
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145963 , vital:38482 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00457
- Description: The series of Conversational Partnerships began in 2017 in African Arts vol. 50, no. 2, with a conversation between two artists: Eria Nsubuga SANE from Uganda and Sikhumbuzo Makandula from South Africa. The format of a “conversational partnership” (Rubin and Rubin 2012: 7) emphasizes the cocreation of meaning by the interviewer and interviewee as coauthors. This enables a move away from the art history format of the interviewer (usually a writer) assuming the role of the sole author and the interviewee (often an artist) having no status as an author despite the fact that her or his practice-led creation of knowledge is foundational to the content of the interview. Stacey Gillian Abe and Immy Mali participated in a joint artists' residency as part of the RAW program at Rhodes University in South Africa from November to December 2017. During this time, they engaged with each other's practice-led work, and they created this conversational partnership at a writing breakaway in the Eastern Cape.
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Factors influencing the spatial patterns of vertebrate roadkill in South Africa: The Greater Mapungubwe Transfrontier Conservation Area as a case study
- Collinson, Wendy J, Parker, Daniel M, Bernard, Ric T F, Reilly, Brian K, Davies-Mostert, Harriet T
- Authors: Collinson, Wendy J , Parker, Daniel M , Bernard, Ric T F , Reilly, Brian K , Davies-Mostert, Harriet T
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158320 , vital:40172 , https://0-doi.org.wam.seals.ac.za/10.1111/aje.12628
- Description: Few studies have investigated the factors that influence roadkill occurrence in developing countries. In 2013, we monitored a 100‐km section of the road (comprising the R572 and R521 regional highways and the D2662) that pass through the Greater Mapungubwe Transfrontier Conservation Area in South Africa, to assess the possible factors influencing roadkill. Over a period of 120 days, and across the three ecological seasons, we recorded 981 roadkills (rate = 0.08 roadkill/km/day) from four vertebrate taxonomic groups. We generated predictive models of roadkill from one combined data set that considered eight variables identified from the literature as potential correlates of roadkill. The model that included the distance of the fence from the road, habitat type adjacent to the road, and the presence of a hill in the road (i.e., elevation) or a bank on the side of the road best explained roadkill occurrence.
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- Authors: Collinson, Wendy J , Parker, Daniel M , Bernard, Ric T F , Reilly, Brian K , Davies-Mostert, Harriet T
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/158320 , vital:40172 , https://0-doi.org.wam.seals.ac.za/10.1111/aje.12628
- Description: Few studies have investigated the factors that influence roadkill occurrence in developing countries. In 2013, we monitored a 100‐km section of the road (comprising the R572 and R521 regional highways and the D2662) that pass through the Greater Mapungubwe Transfrontier Conservation Area in South Africa, to assess the possible factors influencing roadkill. Over a period of 120 days, and across the three ecological seasons, we recorded 981 roadkills (rate = 0.08 roadkill/km/day) from four vertebrate taxonomic groups. We generated predictive models of roadkill from one combined data set that considered eight variables identified from the literature as potential correlates of roadkill. The model that included the distance of the fence from the road, habitat type adjacent to the road, and the presence of a hill in the road (i.e., elevation) or a bank on the side of the road best explained roadkill occurrence.
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Masked in metaphors: counter narratives in the works of Nigerian cartoonist Mike Asukwo
- Authors: Jimoh, Ganiyu A
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145974 , vital:38483 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00458
- Description: At the time of independence, most African countries were poised to take charge of their own affairs. However, postcolonial realities characterized by political upheavals, coups and counter-coups, civil wars, and economic downturn, among other setbacks, created a sense of ambivalence in terms of political and economic freedom. In Nigeria, satirical expressions became the tool used against oppressive regimes. In post-independence Nigeria, from the military dictatorial era to the present civilian dispensations,1 sociopolitical issues have been lampooned in different forms of expression such as music, performance, cartoons, and memes. Within this environment, political cartoons began to thrive, as they became a relatively safe way to comment on the political issues of the day (Akande 2002: 2). This was achieved largely by concealing the main subject matter behind the “masks” of metaphoric imagery, which enabled cartoonists to develop narratives that counter the dominant narratives, often opposing governmental policies and practices.
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- Authors: Jimoh, Ganiyu A
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145974 , vital:38483 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00458
- Description: At the time of independence, most African countries were poised to take charge of their own affairs. However, postcolonial realities characterized by political upheavals, coups and counter-coups, civil wars, and economic downturn, among other setbacks, created a sense of ambivalence in terms of political and economic freedom. In Nigeria, satirical expressions became the tool used against oppressive regimes. In post-independence Nigeria, from the military dictatorial era to the present civilian dispensations,1 sociopolitical issues have been lampooned in different forms of expression such as music, performance, cartoons, and memes. Within this environment, political cartoons began to thrive, as they became a relatively safe way to comment on the political issues of the day (Akande 2002: 2). This was achieved largely by concealing the main subject matter behind the “masks” of metaphoric imagery, which enabled cartoonists to develop narratives that counter the dominant narratives, often opposing governmental policies and practices.
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Mulling over Art with Andrew Mulenga: Ni Mzilo – it is taboo
- Authors: Mulenga, Andrew
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146793 , vital:38558 , https://www.themastonline.com/2019/05/14/ni-mzilo-it-is-taboo/
- Description: “Ni Mzilo — It is taboo”, the ongoing solo exhibition by Agness Buya Yombwe at the Livingstone National Art Gallery that investigates the subject of Taboos and superstitions, but really anything from environmental concerns to prostate cancer is no secret by now, having been opened alongside the launch of a book also authored by the artist.
- Full Text:
- Authors: Mulenga, Andrew
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146793 , vital:38558 , https://www.themastonline.com/2019/05/14/ni-mzilo-it-is-taboo/
- Description: “Ni Mzilo — It is taboo”, the ongoing solo exhibition by Agness Buya Yombwe at the Livingstone National Art Gallery that investigates the subject of Taboos and superstitions, but really anything from environmental concerns to prostate cancer is no secret by now, having been opened alongside the launch of a book also authored by the artist.
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Mulling over Art with Andrew Mulenga: Vincentio solo yields mixed reviews from ZAOU students
- Authors: Mulenga, Andrew
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146804 , vital:38559 , https://www.themastonline.com/2019/05/28/mulling-over-art-vincentio-solo-yields-mixed-reviews-from-zaou-students/
- Description: Every semester, the Zambian Open University’s Bachelor of Arts in Fine Art residential programme and examination periods include several field trips that involve visits to museums, art galleries, private collections, public discussions as well as theatre and film production houses within Lusaka. Among the many tours this semester was a visit by a combined group of over thirty 2nd, 3rd and 4th year students from across the country to Zambian abstract maestro Vincentio Phiri’s solo exhibition entitled “Omission” that ran at the Zambia Ultra Gallery at Garden City Mall on Great East Road in Lusaka from 14th to 30th April.
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- Authors: Mulenga, Andrew
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146804 , vital:38559 , https://www.themastonline.com/2019/05/28/mulling-over-art-vincentio-solo-yields-mixed-reviews-from-zaou-students/
- Description: Every semester, the Zambian Open University’s Bachelor of Arts in Fine Art residential programme and examination periods include several field trips that involve visits to museums, art galleries, private collections, public discussions as well as theatre and film production houses within Lusaka. Among the many tours this semester was a visit by a combined group of over thirty 2nd, 3rd and 4th year students from across the country to Zambian abstract maestro Vincentio Phiri’s solo exhibition entitled “Omission” that ran at the Zambia Ultra Gallery at Garden City Mall on Great East Road in Lusaka from 14th to 30th April.
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Paper beads on the move: mobilizing trajectories and subjectivities to shape contemporary art in Uganda
- Authors: Kasozi, Dorah
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145985 , vital:38484 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00459
- Description: Beads cannot simply be viewed as nonrepresentational, decorative entities. In Uganda, the art of paper bead[ing] is empowering women economically while mobilizing new trajectories that reflect the intersecting and shifting landscapes of public space and private space to shape inquiry into gender relationships, art, art-making, and politics.
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- Authors: Kasozi, Dorah
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145985 , vital:38484 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00459
- Description: Beads cannot simply be viewed as nonrepresentational, decorative entities. In Uganda, the art of paper bead[ing] is empowering women economically while mobilizing new trajectories that reflect the intersecting and shifting landscapes of public space and private space to shape inquiry into gender relationships, art, art-making, and politics.
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Reconfiguring the Omweso board game: performing narratives of Buganda material culture
- Authors: Kirumira, Rose Namubiru
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145996 , vital:38487 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00460
- Description: My artwork titled Nakulabye, which is 4 meters long and weighs 440 pounds, is an intimidating sculptural replica of the Omweso game board (Fig. 1). The wooden sculpture, twenty times larger than an average Omweso game board, includes four cane stools to sit on during play. Its composition is derived from a human face, and it has thirty-two pits (8 × 4) in the configuration of a mancala board. This sculpture was inspired by my engagement with a group of men that I visited in July 2016 in Nakulabye, a town in an urban area of Kampala City, Uganda. At the Nakulabye Omweso Club, a shop veranda in Nakulabye Town, these men play Omweso and chat against the backdrop of a small television that mostly screens British Premiere Leagues. Observing their exchanges, which seem to be informed by moves on the Omweso board and reveal strong, clearly gendered power dynamics, I became curious about the performative place of Omweso as a cultural artifact of the Baganda people.
- Full Text:
- Authors: Kirumira, Rose Namubiru
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145996 , vital:38487 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00460
- Description: My artwork titled Nakulabye, which is 4 meters long and weighs 440 pounds, is an intimidating sculptural replica of the Omweso game board (Fig. 1). The wooden sculpture, twenty times larger than an average Omweso game board, includes four cane stools to sit on during play. Its composition is derived from a human face, and it has thirty-two pits (8 × 4) in the configuration of a mancala board. This sculpture was inspired by my engagement with a group of men that I visited in July 2016 in Nakulabye, a town in an urban area of Kampala City, Uganda. At the Nakulabye Omweso Club, a shop veranda in Nakulabye Town, these men play Omweso and chat against the backdrop of a small television that mostly screens British Premiere Leagues. Observing their exchanges, which seem to be informed by moves on the Omweso board and reveal strong, clearly gendered power dynamics, I became curious about the performative place of Omweso as a cultural artifact of the Baganda people.
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Wild edible fruits: A systematic review of an under-researched multifunctional NTFP (non-timber forest product)
- Sardeshpande, Mallika, Shackleton, Charlie M
- Authors: Sardeshpande, Mallika , Shackleton, Charlie M
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/177752 , vital:42856 , https://doi.org/10.3390/f10060467
- Description: Wild edible fruits (WEFs) are among the most widely used non-timber forest products (NTFPs), and important sources of nutrition, medicine, and income for their users. In addition to their use as food, WEF species may also yield fiber, fuel, and a range of processed products. Besides forests, WEF species also thrive in diverse environments, such as agroforestry and urban landscapes, deserts, fallows, natural lands, and plantations. Given the multifunctional, ubiquitous nature of WEFs, we conducted a systematic review on the literature specific to WEFs and highlighted links between different domains of the wider knowledge on NTFPs.
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- Authors: Sardeshpande, Mallika , Shackleton, Charlie M
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/177752 , vital:42856 , https://doi.org/10.3390/f10060467
- Description: Wild edible fruits (WEFs) are among the most widely used non-timber forest products (NTFPs), and important sources of nutrition, medicine, and income for their users. In addition to their use as food, WEF species may also yield fiber, fuel, and a range of processed products. Besides forests, WEF species also thrive in diverse environments, such as agroforestry and urban landscapes, deserts, fallows, natural lands, and plantations. Given the multifunctional, ubiquitous nature of WEFs, we conducted a systematic review on the literature specific to WEFs and highlighted links between different domains of the wider knowledge on NTFPs.
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