Composition portfolio
- Authors: Lemmer, Elizabeth Kate
- Date: 2022-04
- Subjects: Composition (Music) , Music South Africa , COVID-19 (Disease) and the arts , Emotions in music , Violin music Scores , String quartets Scores , Chamber music Scores
- Language: English
- Type: Master's thesis , text , sheet music
- Identifier: http://hdl.handle.net/10962/232624 , vital:50008
- Description: In this portfolio I reflect on issues Covid-19 has brought to our communities and the possibilities of creating a brighter future. My music reflects the struggle that most people have faced in the last two years, the emotions and the conspiracies surrounding the experience, and the effect of solitude. In a time such as this it is almost inevitable that the music being composed is connected to the struggle in society at large. For ma composition is a journal of the heart. The pandemic has created a situation where most are out of touch with each other, have lost all previous routine and structure, where relationships are broken due to lack of personal contact, and almost everyone has unwillingly (or unwittingly) been thrust into self-reflection. Every day sees a new struggle to squeeze in all those pre-pandemic ideals so that some normalcy can be obtained, but this is not a time to be looking back. It’s a time to understand what we are going through, build new joy and excitement for this different life and learn to live the best we can with the opportunities we are given. There has not been a more important time to foster some form of connection with friends and family, and to be as strong and supportive as possible. The portfolio begins with a solo violin piece, Unwelcome Solitude, which exemplifies the loneliness and sadness during the various lockdowns over the last two years, with hints of the past and the difficulties in trying to resurrect pre-Covid-19 times. There are some unusual expressive markings to add to the descriptive effect within the piece. This is followed by The Pandemic, two serialism works: Panic and Pain scored for a string quartet. Both of these pieces apply a flexible use of serialism to emphasize out the emotional aspects of the music, and quite simply; the panic and the pain caused by Covid-19 and the country’s response to the pandemic as a whole. Finally there is a three movement chamber piece titled A Storm Series which quite literally represents the series of events that occur from the upcoming to the closure of a typical Highveld storm. Further than this, these pieces represent the series of events that occurred in South Africa from the first rumour of the Covid-19 virus starting to circle around the world, through the various lockdowns and progression of events in our country and abroad. The final movement of this series, Re-awakening, ends on a positive note representing the rainbow at the end of the storm, and the positive outlook for South Africa to keep persevering through the pandemic. , Thesis (MMus) -- Faculty of Humanities, Music and Musicology, 2022
- Full Text:
- Authors: Lemmer, Elizabeth Kate
- Date: 2022-04
- Subjects: Composition (Music) , Music South Africa , COVID-19 (Disease) and the arts , Emotions in music , Violin music Scores , String quartets Scores , Chamber music Scores
- Language: English
- Type: Master's thesis , text , sheet music
- Identifier: http://hdl.handle.net/10962/232624 , vital:50008
- Description: In this portfolio I reflect on issues Covid-19 has brought to our communities and the possibilities of creating a brighter future. My music reflects the struggle that most people have faced in the last two years, the emotions and the conspiracies surrounding the experience, and the effect of solitude. In a time such as this it is almost inevitable that the music being composed is connected to the struggle in society at large. For ma composition is a journal of the heart. The pandemic has created a situation where most are out of touch with each other, have lost all previous routine and structure, where relationships are broken due to lack of personal contact, and almost everyone has unwillingly (or unwittingly) been thrust into self-reflection. Every day sees a new struggle to squeeze in all those pre-pandemic ideals so that some normalcy can be obtained, but this is not a time to be looking back. It’s a time to understand what we are going through, build new joy and excitement for this different life and learn to live the best we can with the opportunities we are given. There has not been a more important time to foster some form of connection with friends and family, and to be as strong and supportive as possible. The portfolio begins with a solo violin piece, Unwelcome Solitude, which exemplifies the loneliness and sadness during the various lockdowns over the last two years, with hints of the past and the difficulties in trying to resurrect pre-Covid-19 times. There are some unusual expressive markings to add to the descriptive effect within the piece. This is followed by The Pandemic, two serialism works: Panic and Pain scored for a string quartet. Both of these pieces apply a flexible use of serialism to emphasize out the emotional aspects of the music, and quite simply; the panic and the pain caused by Covid-19 and the country’s response to the pandemic as a whole. Finally there is a three movement chamber piece titled A Storm Series which quite literally represents the series of events that occur from the upcoming to the closure of a typical Highveld storm. Further than this, these pieces represent the series of events that occurred in South Africa from the first rumour of the Covid-19 virus starting to circle around the world, through the various lockdowns and progression of events in our country and abroad. The final movement of this series, Re-awakening, ends on a positive note representing the rainbow at the end of the storm, and the positive outlook for South Africa to keep persevering through the pandemic. , Thesis (MMus) -- Faculty of Humanities, Music and Musicology, 2022
- Full Text:
Recruitment disruptors: an exploratory study on the perception of artificial intelligence amongst selected Eastern Cape Province recruiters
- Authors: Sobekwa, Sinazo
- Date: 2022-04
- Subjects: Uncatalogued
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/232238 , vital:49974
- Description: Thesis (MA) -- Faculty of Humanities, Psychology, 2022
- Full Text:
- Authors: Sobekwa, Sinazo
- Date: 2022-04
- Subjects: Uncatalogued
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/232238 , vital:49974
- Description: Thesis (MA) -- Faculty of Humanities, Psychology, 2022
- Full Text:
Representations of adult women who have experienced 'absent' fathers: a thematic analysis of True Love magazine
- Authors: Moola, Lubayna Codelia
- Date: 2022-04
- Subjects: Absentee fathers South Africa , Fathers and daughters South Africa , Fathers and daughters in literature South Africa , Mass media and families South Africa , Mass media and women South Africa , Families Psychological aspects , Self-actualization (Psychology) in women South Africa , Thematic analysis , True Love magazine
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232568 , vital:50003
- Description: This study explored how adult women who have experienced father 'absence' are represented in True Love magazine, a popular South African women's magazine targeting black women readers. The study examined nineteen articles published between 2016 and 2021 in True Love, featuring black women’s stories and clinical psychologists, which mentioned ‘absent’ fathers. Through the lenses of psychoanalytic, traditional African cultural, and feminist theoretical frameworks and their key concepts, the articles were examined in relation to how the effects on the adult women of complicated relationships with their fathers while they were growing up, were represented. The selected articles were analysed using Braun and Clarke's reflexive thematic analysis, and representational themes were identified guided by theoretical frameworks and familiarity with the scholarly literature on father ‘absence’ in South Africa. A wide range of childhood and young adult experiences of father-daughter relationships, and household circumstances, appeared alongside the strong maternal networks which supported these girls and women. Representations and themes of clinical psychologists involved Freudian psychoanalytic frameworks to describe the damaging psychological implications of ‘absent’ fathers, particularly affecting adult women’s capacities to form trusting intimate relationships with men. The adult women’s stories – largely successful businesswomen and/or celebrities in the arts, as represented by True Love feature writers and editors – presented themes of what the women had learnt from their mothers, and how they had overcome difficulties and obstacles. These themes included representations of resilience, and of being ‘survivors’, informed by empowerments from a feminist theoretical framework. These themes also represented the women as working psychotherapeutically to manage their past experiences and psychological distress, to transform their retriggering in adult heterosexual relationships, and to pursue healing and self-actualisation. These representations and themes are argued to have inspirational and motivating implications for girls and women in contemporary South Africa. They generate alternate stories about the longer-term effects and outcomes of father ‘absence’, rather than the prominent 'victim' stories in media and scholarly literature of young women doomed to suffer poor relationships and depression forever. , Thesis (MA) -- Faculty of Humanities, Psychology, 2022
- Full Text:
- Authors: Moola, Lubayna Codelia
- Date: 2022-04
- Subjects: Absentee fathers South Africa , Fathers and daughters South Africa , Fathers and daughters in literature South Africa , Mass media and families South Africa , Mass media and women South Africa , Families Psychological aspects , Self-actualization (Psychology) in women South Africa , Thematic analysis , True Love magazine
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232568 , vital:50003
- Description: This study explored how adult women who have experienced father 'absence' are represented in True Love magazine, a popular South African women's magazine targeting black women readers. The study examined nineteen articles published between 2016 and 2021 in True Love, featuring black women’s stories and clinical psychologists, which mentioned ‘absent’ fathers. Through the lenses of psychoanalytic, traditional African cultural, and feminist theoretical frameworks and their key concepts, the articles were examined in relation to how the effects on the adult women of complicated relationships with their fathers while they were growing up, were represented. The selected articles were analysed using Braun and Clarke's reflexive thematic analysis, and representational themes were identified guided by theoretical frameworks and familiarity with the scholarly literature on father ‘absence’ in South Africa. A wide range of childhood and young adult experiences of father-daughter relationships, and household circumstances, appeared alongside the strong maternal networks which supported these girls and women. Representations and themes of clinical psychologists involved Freudian psychoanalytic frameworks to describe the damaging psychological implications of ‘absent’ fathers, particularly affecting adult women’s capacities to form trusting intimate relationships with men. The adult women’s stories – largely successful businesswomen and/or celebrities in the arts, as represented by True Love feature writers and editors – presented themes of what the women had learnt from their mothers, and how they had overcome difficulties and obstacles. These themes included representations of resilience, and of being ‘survivors’, informed by empowerments from a feminist theoretical framework. These themes also represented the women as working psychotherapeutically to manage their past experiences and psychological distress, to transform their retriggering in adult heterosexual relationships, and to pursue healing and self-actualisation. These representations and themes are argued to have inspirational and motivating implications for girls and women in contemporary South Africa. They generate alternate stories about the longer-term effects and outcomes of father ‘absence’, rather than the prominent 'victim' stories in media and scholarly literature of young women doomed to suffer poor relationships and depression forever. , Thesis (MA) -- Faculty of Humanities, Psychology, 2022
- Full Text:
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