Diski 9 Nine and Other Stories (and Things)
- Authors: Mahlabe, Stoffel Seshia
- Date: 2022-04-07
- Subjects: Creative writing (Higher education) South Africa , Diaries -- Authorship , South African essays (English) 21st century , Short stories, South African (English) 21st century , Portuguese fiction History and criticism , African literature (English) History and criticism , Ghanaian fiction (English) History and criticism , South African fiction (English) History and criticism
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232283 , vital:49978
- Description: My thesis is a collection of short stories that reflects the everyday lives of ordinary people. They touch on issues of morality within the current context, in such a way as to both entertain and educate. As a child I learned to imitate the wildly comical, sometimes dark dinoonwane and dithamalakwane stories I heard from elders. In my thesis, I draw on Amos Tutuola’s exuberant style of retelling Yoruba folktales and balance this with the languid candour of Jose Saramago’s Blindness. Stories such as Bessora’s The Milka Cow, and Micah Dean Hicks’s Crawfish Noon have impressed me deeply for their incredible, wild narrative strategies that still, however, emulate realism. Dambudzo Marechera and Can Themba are also present influences. Both have sprinklings of erudition in their writing, but in an earthy kind of way. Their writing contains transliterations that have a ring of the vernacular languages, an idiom that Africanises the English language. , Thesis (MA) -- Faculty of Humanities, School of Languages, 2022
- Full Text:
- Authors: Mahlabe, Stoffel Seshia
- Date: 2022-04-07
- Subjects: Creative writing (Higher education) South Africa , Diaries -- Authorship , South African essays (English) 21st century , Short stories, South African (English) 21st century , Portuguese fiction History and criticism , African literature (English) History and criticism , Ghanaian fiction (English) History and criticism , South African fiction (English) History and criticism
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232283 , vital:49978
- Description: My thesis is a collection of short stories that reflects the everyday lives of ordinary people. They touch on issues of morality within the current context, in such a way as to both entertain and educate. As a child I learned to imitate the wildly comical, sometimes dark dinoonwane and dithamalakwane stories I heard from elders. In my thesis, I draw on Amos Tutuola’s exuberant style of retelling Yoruba folktales and balance this with the languid candour of Jose Saramago’s Blindness. Stories such as Bessora’s The Milka Cow, and Micah Dean Hicks’s Crawfish Noon have impressed me deeply for their incredible, wild narrative strategies that still, however, emulate realism. Dambudzo Marechera and Can Themba are also present influences. Both have sprinklings of erudition in their writing, but in an earthy kind of way. Their writing contains transliterations that have a ring of the vernacular languages, an idiom that Africanises the English language. , Thesis (MA) -- Faculty of Humanities, School of Languages, 2022
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Joice Mujuru and the Zanu-PF Women’s League 1973-2014: opportunities and limits of maternal dignity (musha mukadzi) and self-preservation
- Authors: Mataruse, Sisasenkosi
- Date: 2022-04-07
- Subjects: Mujuru, Amai Joice T R (Amai Joice Teurai Ropa) , ZANU Women's League , Women and democracy Zimbabwe , Women Political activity Zimbabwe , Political leadership Zimbabwe , Sexism in political culture Zimbabwe , Patriarchy Zimbabwe , Women Zimbabwe Social conditions , Maternal dignity (musha mukadzi)
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/292748 , vital:57012
- Description: The foundations of African feminisms are intertwined with the historical liberation of the African continent. Joice Mujuru’s five decades in Zimbabwean political parties are no different in showing the gendered nature of the fight against the intersectional oppressions of nation, race, class and gender. The research aimed to examine the political life of Joice Mujuru between 1973 and 2018 in various political roles and what this might mean for how women political leaders participate and make decisions as autonomous individuals within political parties in Zimbabwe. This study is a political biography of Joice Mujuru’s ideas and leadership in political parties in Zimbabwe since 1973, when she joined the Zimbabwe African National Union – Patriotic Front (ZANU-PF) as a guerilla of its military wing, the Zimbabwe African National Liberation Army (ZANLA). Mujuru was the only woman in the first ZANU-PF cabinet in 1980. She served the Zimbabwean government in different cabinet positions and became the first female vice-president in 2004, until her ousting in 2014. This study is based on an interview with Mujuru, and nine interviews with one Member of Parliament, two independent political party candidates, three academics, two CSO activists, the leader of LEAD political party in Zimbabwe and personal communication with a celebrated Zimbabwean writer. The study uses the concept of “patriarchal bargain” (Kandiyoti, 1988; Makhunga, 2016) and “femocracy” (Mama, 1995b) to show that Mujuru’s participation in political parties has been shaped by compromising and negotiating a complex web of patriarchal constraints for acceptance and respect. This study shows that wifehood and motherhood, the idea of musha mukadzi (‘woman as home’), stands out as a defining factor for Mujuru in her identity formation as a political party leader and how she views the roles of other women in Zimbabwean political parties and politics. I term this political identity maternal dignity, which is a collective set of ideas of maternal respect determining women’s participation in political parties. The study shows that Mujuru uses dominant ideas of maternal dignity as a tool of self-presentation and self-preservation to survive as a political leader. Mujuru’s expulsion from ZANU-PF and her subsequent leadership in other political parties demonstrates the ways in which maternal dignity limits women from shaping alternative ideas of leadership outside of respectable womanhood. Through a political biography of Mujuru, the study reaches the conclusion that post-independence Zimbabwe offers limited space for women’s leadership, whether those women have liberation history credentials or not. The strategy of maternal dignity that Mujuru has used to navigate her political career is a “patriarchal bargain” with limited possibilities for women’s meaningful participation, and the transformation of political parties and governance in Zimbabwe. , Thesis (MA) -- Faculty of Humanities, Political and International Studies, 2022
- Full Text:
- Authors: Mataruse, Sisasenkosi
- Date: 2022-04-07
- Subjects: Mujuru, Amai Joice T R (Amai Joice Teurai Ropa) , ZANU Women's League , Women and democracy Zimbabwe , Women Political activity Zimbabwe , Political leadership Zimbabwe , Sexism in political culture Zimbabwe , Patriarchy Zimbabwe , Women Zimbabwe Social conditions , Maternal dignity (musha mukadzi)
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/292748 , vital:57012
- Description: The foundations of African feminisms are intertwined with the historical liberation of the African continent. Joice Mujuru’s five decades in Zimbabwean political parties are no different in showing the gendered nature of the fight against the intersectional oppressions of nation, race, class and gender. The research aimed to examine the political life of Joice Mujuru between 1973 and 2018 in various political roles and what this might mean for how women political leaders participate and make decisions as autonomous individuals within political parties in Zimbabwe. This study is a political biography of Joice Mujuru’s ideas and leadership in political parties in Zimbabwe since 1973, when she joined the Zimbabwe African National Union – Patriotic Front (ZANU-PF) as a guerilla of its military wing, the Zimbabwe African National Liberation Army (ZANLA). Mujuru was the only woman in the first ZANU-PF cabinet in 1980. She served the Zimbabwean government in different cabinet positions and became the first female vice-president in 2004, until her ousting in 2014. This study is based on an interview with Mujuru, and nine interviews with one Member of Parliament, two independent political party candidates, three academics, two CSO activists, the leader of LEAD political party in Zimbabwe and personal communication with a celebrated Zimbabwean writer. The study uses the concept of “patriarchal bargain” (Kandiyoti, 1988; Makhunga, 2016) and “femocracy” (Mama, 1995b) to show that Mujuru’s participation in political parties has been shaped by compromising and negotiating a complex web of patriarchal constraints for acceptance and respect. This study shows that wifehood and motherhood, the idea of musha mukadzi (‘woman as home’), stands out as a defining factor for Mujuru in her identity formation as a political party leader and how she views the roles of other women in Zimbabwean political parties and politics. I term this political identity maternal dignity, which is a collective set of ideas of maternal respect determining women’s participation in political parties. The study shows that Mujuru uses dominant ideas of maternal dignity as a tool of self-presentation and self-preservation to survive as a political leader. Mujuru’s expulsion from ZANU-PF and her subsequent leadership in other political parties demonstrates the ways in which maternal dignity limits women from shaping alternative ideas of leadership outside of respectable womanhood. Through a political biography of Mujuru, the study reaches the conclusion that post-independence Zimbabwe offers limited space for women’s leadership, whether those women have liberation history credentials or not. The strategy of maternal dignity that Mujuru has used to navigate her political career is a “patriarchal bargain” with limited possibilities for women’s meaningful participation, and the transformation of political parties and governance in Zimbabwe. , Thesis (MA) -- Faculty of Humanities, Political and International Studies, 2022
- Full Text:
The self and the impossible pursuit of justice in J.M. Coetzee’s "Waiting for the barbarians, disgrace and foe”
- Authors: Swanepoel, Elbie
- Date: 2022-04-07
- Subjects: Coetzee, J M, 1940- Criticism and interpretation , Coetzee, J M, 1940- Waiting for the barbarians , Coetzee, J M, 1940- Disgrace , Coetzee, J M, 1940- Foe , Ethics in literature , Deconstruction , Postmodernism (Literature) , Justice in literature
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232294 , vital:49979
- Description: In its engagement with J.M. Coetzee’s Waiting for the Barbarians, Disgrace and Foe, this thesis explores how the philosophies of Emmanuel Levinas and Jacques Derrida can be used as a framework for understanding the self’s relationship with the other. In contrast to postcolonial readings of these texts, this thesis does not consider the separation between the self and the other in terms of social or cultural differences but rather the radical alterity of the other that is perceived in the face-to-face encounter. This study aims to illustrate how the engagement with alterity exposes the instability of the self’s structures of knowledge that, in these instances, are grounded in the Western metaphysical tradition. The effects of the self’s encounter with the other are seen in the personal transformation of Coetzee’s protagonists whose initial flaws and problematic worldviews are revealed in the context of the injustices done to the other. Furthermore, the study examines the extent to which the self is complicit in the suffering of the other and how this ultimately complicates their pursuit of justice for them. While the focus of this thesis is primarily on the characters, it also shows how the writer’s careful treatment of otherness functions to confront and engage the reader with the alterity of the other and the ethical dilemmas inherent in attempting to conceptualise it. The study concludes that the protagonists’ engagement with others and their subsequent confrontation with themselves lead them to consider what an ethical response to the other might be. This ethical turn results in positive change, however ambiguously, in their thoughts about and behaviours toward other beings. , Thesis (MA) -- Faculty of Humanities, English Language and Linguistics, 2022
- Full Text:
- Authors: Swanepoel, Elbie
- Date: 2022-04-07
- Subjects: Coetzee, J M, 1940- Criticism and interpretation , Coetzee, J M, 1940- Waiting for the barbarians , Coetzee, J M, 1940- Disgrace , Coetzee, J M, 1940- Foe , Ethics in literature , Deconstruction , Postmodernism (Literature) , Justice in literature
- Language: English
- Type: Master's thesis , text
- Identifier: http://hdl.handle.net/10962/232294 , vital:49979
- Description: In its engagement with J.M. Coetzee’s Waiting for the Barbarians, Disgrace and Foe, this thesis explores how the philosophies of Emmanuel Levinas and Jacques Derrida can be used as a framework for understanding the self’s relationship with the other. In contrast to postcolonial readings of these texts, this thesis does not consider the separation between the self and the other in terms of social or cultural differences but rather the radical alterity of the other that is perceived in the face-to-face encounter. This study aims to illustrate how the engagement with alterity exposes the instability of the self’s structures of knowledge that, in these instances, are grounded in the Western metaphysical tradition. The effects of the self’s encounter with the other are seen in the personal transformation of Coetzee’s protagonists whose initial flaws and problematic worldviews are revealed in the context of the injustices done to the other. Furthermore, the study examines the extent to which the self is complicit in the suffering of the other and how this ultimately complicates their pursuit of justice for them. While the focus of this thesis is primarily on the characters, it also shows how the writer’s careful treatment of otherness functions to confront and engage the reader with the alterity of the other and the ethical dilemmas inherent in attempting to conceptualise it. The study concludes that the protagonists’ engagement with others and their subsequent confrontation with themselves lead them to consider what an ethical response to the other might be. This ethical turn results in positive change, however ambiguously, in their thoughts about and behaviours toward other beings. , Thesis (MA) -- Faculty of Humanities, English Language and Linguistics, 2022
- Full Text:
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