Aramutanga
- Authors: Bomera and Tibuhoire , not specified , Composer not specified , Tracey, Hugh
- Date: 1950-08-28
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/224604 , vital:49125 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1927 , XYZ5363b
- Description: One of three ways of 'piping' the Mukama
- Full Text: false
- Date Issued: 1950-08-28
Aramutanga
- Authors: Bomera and Tibuhoire , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169798 , vital:41825 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-05
- Description: Tunes, like the bosun's piping in the navy, which drum and pipe the Mukama as he leaves his Kikale (house) to go his rounds or visit the Council Chamber or court. The Nsegu pipes are made in two sections and joined together by binding with hide, or iguana skin which is shrunk or bound onto the two halves. Way of 'piping' the Mukama with two Nsegu end blown vertical, open flutes.
- Full Text: false
- Date Issued: 1950
Kitwekize kya Winyi Part I
- Authors: Bomera and Tibuhoire , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169715 , vital:41791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-12
- Description: One of the traditional methods of reciting praises in this country is for the reciter to manipulate a marionette, in this case the skin with head and legs of a small civet cat. The animal is decorated with bead necklets and a small bell which can be heard during the recitation by the two men. The leader manipulated the civet cat with his hand inside the skin as a glove puppet. Winiyi is one of the names of the Mukama, the king of Bunyoro (Now Sir Winyi). Praise song, with clapping.
- Full Text: false
- Date Issued: 1950
Kitwekize kya Winyi Part II
- Authors: Bomera and Tibuhoire , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169724 , vital:41792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-13
- Description: One of the traditional methods of reciting praises in this country is for the reciter to manipulate a marionette, in this case the skin with head and legs of a small civet cat. The animal is decorated with bead necklets and a small bell which can be heard during the recitation by the two men. The leader manipulated the civet cat with his hand inside the skin as a glove puppet. Winiyi is one of the names of the Mukama, the king of Bunyoro (Now Sir Winyi). Praise song, with clapping.
- Full Text: false
- Date Issued: 1950