The Moravian church music heritage in South Africa: a historical account and a theoretical framework for the establishment of a music foundation based on the North American concept
- Authors: Boonzaaier, Devandre
- Date: 2018
- Subjects: Church music , Moravian Church -- South Africa Choirs (Music) -- South Africa
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/23570 , vital:30581
- Description: This study serves as a contribution to the literature on the music of the Moravian Church with specific reference to the South African Moravian music heritage. The Moravian Church music heritage is documented through the lens of Coloured composers of Moravian church music. In my study, I highlight the origins of the Moravian Church and its underlying philosophies by focusing on important figures and treasures of the Moravian Church. I provide a brief outline of the Moravians’ contribution to education and music. In the study I discuss the importance of record-keeping and rich hymnody of the Moravian church. I also discuss the doctrine, worship and sacraments of the Moravian Church. The literature study provides the history of the music of the American Moravian Church. This serves as a basis for comparison with the Moravian Church music tradition in South Africa, which is discussed in chapter four of this study. Furthermore, I provide an account of the history of the Moravian Church in South Africa. I use the qualitative research method of case studies to detail the music departments of a selected number of congregations within the Moravian Church of South Africa. Chapter five contains biographies of South African Moravian composers. This research adds to the body of new knowledge through the provision of a comprehensive list of South African Moravian composers and provides the first annotated bibliography of their works. Finally, my study concludes with the provision of a theoretical framework for the establishment of a Moravian Music Foundation based on the North American Moravian Music Foundation model.
- Full Text:
- Date Issued: 2018
- Authors: Boonzaaier, Devandre
- Date: 2018
- Subjects: Church music , Moravian Church -- South Africa Choirs (Music) -- South Africa
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/23570 , vital:30581
- Description: This study serves as a contribution to the literature on the music of the Moravian Church with specific reference to the South African Moravian music heritage. The Moravian Church music heritage is documented through the lens of Coloured composers of Moravian church music. In my study, I highlight the origins of the Moravian Church and its underlying philosophies by focusing on important figures and treasures of the Moravian Church. I provide a brief outline of the Moravians’ contribution to education and music. In the study I discuss the importance of record-keeping and rich hymnody of the Moravian church. I also discuss the doctrine, worship and sacraments of the Moravian Church. The literature study provides the history of the music of the American Moravian Church. This serves as a basis for comparison with the Moravian Church music tradition in South Africa, which is discussed in chapter four of this study. Furthermore, I provide an account of the history of the Moravian Church in South Africa. I use the qualitative research method of case studies to detail the music departments of a selected number of congregations within the Moravian Church of South Africa. Chapter five contains biographies of South African Moravian composers. This research adds to the body of new knowledge through the provision of a comprehensive list of South African Moravian composers and provides the first annotated bibliography of their works. Finally, my study concludes with the provision of a theoretical framework for the establishment of a Moravian Music Foundation based on the North American Moravian Music Foundation model.
- Full Text:
- Date Issued: 2018
A theoretical study on the Alexander technique for the organ
- Authors: Boonzaaier, Devandre
- Date: 2011
- Subjects: Musicians -- Health and hygiene , Alexander technique , Organ (Musical instrument) -- Instruction and study , Organists -- Training of -- South Africa , Music -- Performance -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8520 , http://hdl.handle.net/10948/d1015727
- Description: The aim of this research is to provide a theoretical framework of the Alexander Technique for organists. Frederick Matthias Alexander was an Australian actor who developed a technique to enable and enhance his own performance. This innovative technique is now used across the world, including South Africa. In this study the researcher provides a Literature Study of the Alexander Technique. Furthermore, he investigates and reports on the practises of a number of organists. A multiple case study approach was adapted and data was collected by means of questionnaires, personal observations and informal interviews. The data gathered in this study is described and analysed. The study culminates with a description of a theoretical framework for the application of the Alexander Technique for organists.
- Full Text:
- Date Issued: 2011
- Authors: Boonzaaier, Devandre
- Date: 2011
- Subjects: Musicians -- Health and hygiene , Alexander technique , Organ (Musical instrument) -- Instruction and study , Organists -- Training of -- South Africa , Music -- Performance -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8520 , http://hdl.handle.net/10948/d1015727
- Description: The aim of this research is to provide a theoretical framework of the Alexander Technique for organists. Frederick Matthias Alexander was an Australian actor who developed a technique to enable and enhance his own performance. This innovative technique is now used across the world, including South Africa. In this study the researcher provides a Literature Study of the Alexander Technique. Furthermore, he investigates and reports on the practises of a number of organists. A multiple case study approach was adapted and data was collected by means of questionnaires, personal observations and informal interviews. The data gathered in this study is described and analysed. The study culminates with a description of a theoretical framework for the application of the Alexander Technique for organists.
- Full Text:
- Date Issued: 2011
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