Imbai tudi benaLulua
- Group of Lulua men and women, Hugh Tracey
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183942 , vital:44086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-07
- Description: The low roaring sound towards the end is produced by the lips and cheeks of the women and is not produced in the throat, (as the Xhosa do). The women usually used a gourd when making this sound, holding their mouths into the orifice of the gourd. They appear to blow through their pursed lips first on one side and then on the other, alternately. No gourds were used on this occasion. This item which was recorded at the Wankie Colliery several hundred miles from the district of origin of the performers, appears to have been influenced by foreign mission techniques, especially in the correct iambic stress at the end of lines. Installation of a Chief with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183942 , vital:44086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-07
- Description: The low roaring sound towards the end is produced by the lips and cheeks of the women and is not produced in the throat, (as the Xhosa do). The women usually used a gourd when making this sound, holding their mouths into the orifice of the gourd. They appear to blow through their pursed lips first on one side and then on the other, alternately. No gourds were used on this occasion. This item which was recorded at the Wankie Colliery several hundred miles from the district of origin of the performers, appears to have been influenced by foreign mission techniques, especially in the correct iambic stress at the end of lines. Installation of a Chief with clapping
- Full Text: false
- Date Issued: 1957
Jirigaya dya kabongo (This is my home)
- Group of Lulua men and women, Hugh Tracey
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136972 , vital:37474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-07
- Description: The buzzing tone quality of the weighted drums can be discerned. Song of greeting with 2 Madimba xylophones, 1 ligazi basket rattle, 2 goblet drums, closed, weighted, pinned and handbeaten.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lulua men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people)--Music , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabinda f-cg
- Language: Luba/Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136972 , vital:37474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR035-07
- Description: The buzzing tone quality of the weighted drums can be discerned. Song of greeting with 2 Madimba xylophones, 1 ligazi basket rattle, 2 goblet drums, closed, weighted, pinned and handbeaten.
- Full Text: false
- Date Issued: 1957
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