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(A)Kankukhu (The Chicken) (B) Kaposi Kapila (One, two) (C) Thu njeketu (I have walked with my sister)

- Young Chewa girls and boys, Hugh Tracey

  • Authors: Young Chewa girls and boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153311 , vital:39434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-01
  • Description: These are traditional children's verses whose meaning is obsecure as, it is believed, they are composite collections of odd lines. But the words sound well and so have survied. a) "The small chicken is angry. You have refused me everything. You have made me cross. It is enough to make me leave you" says the small chicken. b) A counting jingle. c) "I have walked with my sister. I have forgotten my bow and arrows. Go fetch them for me. Why have I given them to someone else (The sister replies) "Shall I brew you some beer? (Reply) "I don't drink beer." Children's verses.
  • Full Text: false
  • Date Issued: 1958

A Baiwelu (The story of the foolish young man 'Baiwelu')

- Four Chewa lads, Hugh Tracey

  • Authors: Four Chewa lads , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153864 , vital:39531 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-09
  • Description: There was once a man who wanted to get married and he found two sisters. He asked the elder on to marry him and she agreed. But when he came back the next day the elder sister was not at home and he asked the younger sister to marry him instead. She said, "What about my elder sister, and what would we do with her?" The elder sister heard about the proposal to the younger sister, she cooked food, put poison in it and gave it to the young man so he died. When they were taking his body to the grave they sang this song: "Baiwelu, you were killed by Berita (the name of the elder sister). But when they sang this song the dead Bauwelu heard it and became alive again." Story with song "Ntano" with clapping.
  • Full Text: false
  • Date Issued: 1958

A Lomwe tasiyane (Lomwe go away)

- Chewa women, Hugh Tracey

  • Authors: Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Lilongwe District, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153518 , vital:39461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-23
  • Description: "You Lomwe man, go away from me! Let another come and marry me especially a man who wears an elastic belt." The significance of the elsatic belt was not explained, except to say that only 'rich' men could afford elastic. The song is about a certain Lomwe man, her husband, who, she sings is very poor and dressed only in rags which fall to pieces if you try to sew them up on the sewing machine. "Let me go and marry another man who does not have so many patches on his trousers which break the sewing machine." During the item the sound of the winnowing of bran from the corn in a sieve can be heard. Pounding song with pestle and mortar.
  • Full Text: false
  • Date Issued: 1958

A m'bwalo (Unmarried boys)

- Small girls, Hugh Tracey

  • Authors: Small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160061 , vital:40377 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-10
  • Description: The boys go around at night in a group to tease the girls by standing outside their huts, pulling out their sleeping mats and generally making nuisances of themselves, so it was explained. "Unmarried boys "teka-teka" they break the mats. They mock and they do not get fat. Shaking the mats. We will report them to the elders, for breaking our mats." Girls song with clapping.
  • Full Text: false
  • Date Issued: 1958

A Mama dyelawe (Mother what greed)

- Chewa girls, Hugh Tracey

A Namageli

- Faresi Gama and Nadiesi Namulinde, Hugh Tracey

A Nkundazuwa

- Four elderly Chewa women, Hugh Tracey

  • Authors: Four elderly Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160556 , vital:40474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-03
  • Description: The Konsolo dance is said to have been performed in the 1930's. It is suggested that Nkundazuwa was very fond of playing with the baby and used to wake it up for this purpose. Nkundazuwa is a village headman, living about 10 miles from the village of Kachere. A pleasant little sidelight on family life. "A Nkundazuwa pinches his baby and wakes it up so that it does not go to sleep." Konsolo women's dance with clapping.
  • Full Text: false
  • Date Issued: 1958

A) Kazima (Wait for me) B) I-e-e Gumbwa Gumbwa (How alike things are) C) Mee Mbuzi Mee (My Shephard) D) Amanu (Temper, temper)

- Young boys and girls, Hugh Tracey

  • Authors: Young boys and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153320 , vital:39435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-02
  • Description: Sung by boys and girls in their separate sleeping huts before falling asleep. Verses such as these are the heritage of most African tribes. a) "Kazima, wait for me, please wait for me. There is some meat on the roof. (I have something to tell you). There is something on the path. There is meat on the roof. b) "I-i-i! How alike things are!. The people here are clever. They visit secretly, so... The meat has gone away. With whom shall I walk? The story is told, so... To whom shall I walk?" c) "My shephard is dead, he striped and fell. Oh dear, oh dear. The goat cries 'me-e-e!" d) "Where has the mother gone? Where is she? She has gone to Malambo. What has she gone for? She has gone to buy millet. What will she do with it? She will make beer. (etc.) Verses are made up as they go along. 4 Children's verses.
  • Full Text: false
  • Date Issued: 1958

A) Lululu, B) Leza wa mwana

- Lusiya Nabanda (a grandmother), Hugh Tracey

  • Authors: Lusiya Nabanda (a grandmother) , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Liliongwe, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153329 , vital:39436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-03
  • Description: Old traditional lullabies, by Chewa women of this district. In them the continually harassed mother mentions her many and endless duties which demand her attention as well as the child which needs her constant care. b) "Luluya, sleeping child, do not cry. See your motehr is at work. See the porridge pot is boiling. Don't go on crying, go to sleep. A child's god is a scrap of food. Its mother is the stirring stick. Should I nurse a child on account of the stirring stick? Its father is its first finger. I get only a share from the kitchen spoon." Two lullabies.
  • Full Text: false
  • Date Issued: 1958

A-a-ye nanga omwale (Aaye! what about Omwale)

- Women, Hugh Tracey

  • Authors: Women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158936 , vital:40242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-12
  • Description: Dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. The song consists mostly of references to the names of local persons. Such as OMwale, Ojere, OPhiri etc., each with the tonorific prefix 'O'. The equivalent of the English "Mister". Dance tune with bass drum.
  • Full Text: false
  • Date Issued: 1958

Adamu, we (Adam, you have left me)

- Chewa women, Hugh Tracey

Adaweta ng'ombe, kapolo uja (That slave herded the cattle)

- Gezani Mwale, Hugh Tracey

  • Authors: Gezani Mwale , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Bimphi, Dowa, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153999 , vital:39552 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-05
  • Description: "He herded the cattle, that slave. He herded the cattle, father. The cattle, the cattle, the cattle, mother. He herded the cattle, that slave. They are in the kraal." Slavery was common place in this region until the end of the 19th century because the YAO, on behalf of the Arabs and themselves would capture the local CHEWA and make them slaves for sale or service. Self delectative song with Sansi (Mbira)
  • Full Text: false
  • Date Issued: 1958

Ai lelo kwa Masula kotokoto (Today at Masula, sickness)

- Woman of Masula village, Hugh Tracey

Akanji gele maleza (Go and get a razor)

- Young Chewa boys (Under 20 years), Hugh Tracey

Akayamba kudelela (Never satisfied)

- Four girls, Hugh Tracey

Akazi aku Dowa (The women of Dowa)

- Pearson Kapeni, Hugh Tracey

  • Authors: Pearson Kapeni , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153779 , vital:39521 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-02
  • Description: "The women of Dowa desire very much to drink beer. Their work indeed is to drink beer. The women of Dowa, their work is to sell flour and flat cakes. And when they get home their marriage is broken. The women of Msoci, their work is to love the market place. And they was on Saturday only. I, Pearson Kapeni have troubles in the country of Dowa. This country hates me, why does it hate me? The reference to washing on Saturday is appreciated when one remembers that Saturday is market day in Dowa when the women put on their best clothes. The song struck home as it was true. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1958

Akazi amachenjera (Women are clever)

- Five Chewa men, Hugh Tracey

  • Authors: Five Chewa men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160233 , vital:40423 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-08
  • Description: An old song, now only sung by the older men and danced by the men at drinking parties. This wicked old song was much enjoyed by the singers and by their contemporaries and all the older people around. "Women are very clever, they have their own ways of having fun (with other men). M'kwenda dance with 5 Umkwenda friction sticks.
  • Full Text: false
  • Date Issued: 1958

Akweni (Sister I am tired)

- Chewa women, Hugh Tracey

Alaina n'kuphika nkhwani (Alaina cooked vegetables)

- Chewa girls, Hugh Tracey

  • Authors: Chewa girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160170 , vital:40415 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-01
  • Description: This kind of dance they say was first introduced into the district by Yao people about 15 years ago in 1940 when it was originally sung in the Yao language from the Fort Johnstone district. But the Chewa girls liked the dance and made up their own words for it. They reflect a young girls growing sense of responsibility towards her domestic duties. "Alaina cooked vegetables, what shall I do for vegetables myself? My mother cooked vegetables, what shall I do for vegetables myself?" Mjiri dance song. Girls evening dances with clapping.
  • Full Text: false
  • Date Issued: 1958

Alipaole (When it is dark)

- Losani Malewa, Hugh Tracey

  • Authors: Losani Malewa , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
  • Language: Lomwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160661 , vital:40492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-11
  • Description: He performs this song, he says, when he is happy. "When it is darkpeople talk. This is a usual thing as they want to enchant each other." To enchant, to influence, to throw a spell upon a person. Self delectative song with one-stringed stressed lute Thangara.
  • Full Text: false
  • Date Issued: 1958
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