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Ife totumika (We have been invited)

Ilele dona rabavu

Imale yami idliwa yingwababane (My money has been eaten up by courtesans)

Imbube Ingonyama (You are the lion)

  • Authors: Five girls from the Queen mother's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152240 , vital:39237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-08
  • Description: The song goes on:- "You are growing up to eat man and kill people." The song is sung by the brides' party when the king's daughter is going to be married. The song is addressed to the bridegroom. Lamkhwanse Tsemba was the leader. The prefix "la" indicates she is married. Four of these girls were married and wore their hair in the "Swati dome", the other had her hair painted and combed to form a circular cap. Wedding song.
  • Full Text: false
  • Date Issued: 1958

Imiziyabola kaNgwane (Kraals are being destroyed)

  • Authors: Large group of Swazi men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152455 , vital:39280 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR069-07
  • Description: "Imiziyabola kangwane ngendzaba yempi Uyexa jaha wasalele kuyichitisi miti nasise nyakathwo." "Kraals are being destroyed in the country of the Ngwane (Swaziland), because of the war. You understand, you young men, you who stayed behind to destroy our villages while we were up north." (This seems to refer to a faction fight when the houses of the soilders up north were burnt while they were away). Umgubo group song.
  • Full Text: false
  • Date Issued: 1958

Incaba KaNcofula (We capyured the fortress of Ncofula)

Incaba no Ncofula (Come out of your cave Ncofula)

Indlaliso (Games)

  • Authors: Swazi men of the "Lindimbi" age group. , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152509 , vital:39303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-01
  • Description: The singers belonged to the Lindimbi group or regiment. The chant is one of these performed in their barracks when dancing is over. It seems each regiment has many such chants. They accompany the military exercises or drill by which the young men used to keep themselves in fighting trim. The chant with its frequent changes of rhythms which mark the change to a different movement. This performance was very well done. The men were all between the ages of 18 and 30, and belonged to the age group Lindimbi. They perform a number of movements, leaping forward and backward, tuning into file, marching around in a circle and many other actions. It is a most attractive dance drill. ENTONJENI is the old royal kraal. The hill nearby is still used as a burial ground for some members of the royal lineage. Tiga chant to accompany military games or drill.
  • Full Text: false
  • Date Issued: 1958

Ine ndaleka sanje (I have left my jealousy)

  • Authors: Mugizi Mware , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159997 , vital:40365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-03
  • Description: The first wife of a certain man was jealous of the younger wife. The husband was arguing with her but she replied that she had indeed put jealousy behind her in the hut of her children. Her children were in fact her consolation. "I left my jealousy in the house of my son. Come and kneel, I have left my jealousy. Lament with Karigo one string bowed lute.
  • Full Text: false
  • Date Issued: 1958

Ine ndikumbira (I am envious)

  • Authors: Women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158927 , vital:40241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-11
  • Description: Two dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. "I am envious of my friends wearing evening dress."Andiloko from the Afrikaans word Aandrok. Dance tune with bass drum.
  • Full Text: false
  • Date Issued: 1958

Inganile Intombi Yami Nokuzula (My girl Nokuzula has left me)

  • Authors: Yelanjani Matula , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
  • Language: Swati
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/152666 , vital:39329 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-07
  • Description: A phrase in this song refers to the custom of reserving a portion of an animal, the heart or chops for the younger people. So comparing this to the loss of the girl, he says, waiting in anticipation of his share of the chops, he is disappointed. Topical song with concertina.
  • Full Text: false
  • Date Issued: 1958

Inkonjana emnyama (Black swallow)

Intombi isonile KaNgwane (A girl has been led astray in Swaziland)

Intombi zegoli zilalemagenwane (The girls of Johannesburg are immoral)

Inu A Nambewe, inu A Phiri (You Nambewa, you Phiri)

  • Authors: Five elderly Chewa men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160242 , vital:40425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-09
  • Description: After singing their song they tap their bamboo friction sticks and laugh and blow into the ends of the bamboos. A widow has to put string into her hair for two years after the husband dies, to mourn for him. The wicked old man is egging on the widow to be merry again. When this recording was played to some villagers in a nearby district, the Chief Njolomole was specially delighted to hear the blowing down the bamboo tubes at the end of the performance, an old drinking party custom, it appeared. "You Nambewa, you Phiri (two widows). Have you already taken off your mourning strings before you have finished mourning for your husband. You A Nabetha, and you A Naketha?" Drinking party dance song. Umkwenda with friction sticks.
  • Full Text: false
  • Date Issued: 1958

Inu A'Kachere (You Kachere)

  • Authors: By elderly men at Kachere's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153392 , vital:39447 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-10
  • Description: One of the songs said to have been sung after a tribal raid - a morality song after victory, so that the people will continue to be strong and not be thrown out of their country. It was sung when Europeans first entered the country about the end of the last century when Sir Harry Johnstone first ruled the country. "You! It is A Kachere who has increased the population of this country. There should not be prostitutes, it is forbidden or you will be thrown out by the white men." The Kachere mentioned in the song was the father of the present Chief who is about 70 years old. The song is no doubt derived from the old Nguni custom of purification after fighting. A fighting song with clapping.
  • Full Text: false
  • Date Issued: 1958

Inu A'Kachere (You Kachere)

  • Authors: By elderly men at Kachere's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153401 , vital:39446 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-10
  • Description: One of the songs said to have been sung after a tribal raid - a morality song after victory, so that the people will continue to be strong and not be thrown out of their country. It was sung when Europeans first entered the country about the end of the last century when Sir Harry Johnstone first ruled the country. "You! It is A Kachere who has increased the population of this country. There should not be prostitutes, it is forbidden or you will be thrown out by the white men." The Kachere mentioned in the song was the father of the present Chief who is about 70 years old. The song is no doubt derived from the old Nguni custom of purification after fighting. A fighting song with clapping.
  • Full Text: false
  • Date Issued: 1958

Inu mayi (There was a woman)

  • Authors: Akim Bewe and 2 women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula's village, Lilongwe, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153643 , vital:39491 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-12
  • Description: A woman had a daughter and was very keen on inviting men to take her daughter in order to get money for her. She did this with 3 or 4 different men and the people of the village said, "You are very bad to do this as these men will start quarraling because of your daughter." It will be noticed that the moral question of giving her daughter to several different men one after the other does not arise. Only the fact that the men may be jealous of each other and so quarrel. Drinking song
  • Full Text: false
  • Date Issued: 1958

Iyahlomi dlovu yekh' maye (The elephant arms itself)

Iyaya lero (Bad today)

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