Masked in metaphors: counter narratives in the works of Nigerian cartoonist Mike Asukwo
- Authors: Jimoh, Ganiyu A
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145974 , vital:38483 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00458
- Description: At the time of independence, most African countries were poised to take charge of their own affairs. However, postcolonial realities characterized by political upheavals, coups and counter-coups, civil wars, and economic downturn, among other setbacks, created a sense of ambivalence in terms of political and economic freedom. In Nigeria, satirical expressions became the tool used against oppressive regimes. In post-independence Nigeria, from the military dictatorial era to the present civilian dispensations,1 sociopolitical issues have been lampooned in different forms of expression such as music, performance, cartoons, and memes. Within this environment, political cartoons began to thrive, as they became a relatively safe way to comment on the political issues of the day (Akande 2002: 2). This was achieved largely by concealing the main subject matter behind the “masks” of metaphoric imagery, which enabled cartoonists to develop narratives that counter the dominant narratives, often opposing governmental policies and practices.
- Full Text:
- Authors: Jimoh, Ganiyu A
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145974 , vital:38483 , https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00458
- Description: At the time of independence, most African countries were poised to take charge of their own affairs. However, postcolonial realities characterized by political upheavals, coups and counter-coups, civil wars, and economic downturn, among other setbacks, created a sense of ambivalence in terms of political and economic freedom. In Nigeria, satirical expressions became the tool used against oppressive regimes. In post-independence Nigeria, from the military dictatorial era to the present civilian dispensations,1 sociopolitical issues have been lampooned in different forms of expression such as music, performance, cartoons, and memes. Within this environment, political cartoons began to thrive, as they became a relatively safe way to comment on the political issues of the day (Akande 2002: 2). This was achieved largely by concealing the main subject matter behind the “masks” of metaphoric imagery, which enabled cartoonists to develop narratives that counter the dominant narratives, often opposing governmental policies and practices.
- Full Text:
Virtual Activism: internet memes and political discourse in Nigeria
- Authors: Jimoh, Ganiyu A
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146767 , vital:38555 , http://www.tajuniuyo.ng/Virtual Activism Internet Memes and Political Discourse in Nigeria.html
- Description: This paper examines internet memes as a unique form of narratives about political discourse in Nigeria. Through the use of social media platforms as a vehicle of political communication, internet memes about politics explore issues that contain visual metaphors aimed at provoking discourse and stimulate political participation. By employing semiotic theory, this paper examines 200 pictorial internet memes on Nigerian politics between 2015 and 2018. I argue that internet memes about politics are related to political cartoons in form and context. But unlike cartoons, memes require less artistic prowess and figurative expression in rendition but could achieve the same desire in viewers. Owing to their composition of easily digestible visual elements, they appeal to more audience who in turn could easily lend their voices to a popular meme by adding more textual or visual enhancement to create more layers of meaning.
- Full Text:
- Authors: Jimoh, Ganiyu A
- Date: 2019
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146767 , vital:38555 , http://www.tajuniuyo.ng/Virtual Activism Internet Memes and Political Discourse in Nigeria.html
- Description: This paper examines internet memes as a unique form of narratives about political discourse in Nigeria. Through the use of social media platforms as a vehicle of political communication, internet memes about politics explore issues that contain visual metaphors aimed at provoking discourse and stimulate political participation. By employing semiotic theory, this paper examines 200 pictorial internet memes on Nigerian politics between 2015 and 2018. I argue that internet memes about politics are related to political cartoons in form and context. But unlike cartoons, memes require less artistic prowess and figurative expression in rendition but could achieve the same desire in viewers. Owing to their composition of easily digestible visual elements, they appeal to more audience who in turn could easily lend their voices to a popular meme by adding more textual or visual enhancement to create more layers of meaning.
- Full Text:
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