- Title
- Violence and the cultural logics of pain: representations of sexuality in the work of Nicholas Hlobo and Zanele Muholi
- Creator
- Makhubu, Nomusa
- Date
- 2012
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/147814
- Identifier
- vital:38675
- Identifier
- https://0-doi.org.wam.seals.ac.za/10.1080/02560046.2012.723843
- Description
- Nicholas Hlobo and Zanele Muholi have raised critical issues regarding sexual identity in patriarchal contexts since they premiered at the Michael Stevenson Gallery in 2005. Nicholas Hlobo, a sculptor and performance artist, and Zanele Muholi, a photographer and activist, explore different ways of representing sexuality – in particular, homosexuality. Hlobo investigates notions of masculinity and the practice of circumcision, while Muholi documents the existence of transgender and homosexuality in township spaces (her recent work expands to various other spaces). This article focuses on the roles that violence plays in the sexual politics represented in Hlobo and Muholi’s work.
- Format
- 21 pages, pdf
- Language
- English
- Relation
- Critical Arts, Makhubu, N.M., 2012. Violence and the cultural logics of pain: representations of sexuality in the work of Nicholas Hlobo and Zanele Muholi. Critical Arts, 26(4), pp.504-524., Critical Arts volume 26 number 4 504 524 October 2012 1992-6049
- Rights
- Publisher
- Rights
- Use of this resource is governed by the terms and conditions of the Taylor and Francis Online Terms and Conditions Statement (https://www.tandfonline.com/terms-and-conditions)
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