Louder than the frame:
- Podesva, K L, Beasley, M, Kataoka, M, Ntombela, N
- Authors: Podesva, K L , Beasley, M , Kataoka, M , Ntombela, N
- Date: 2016
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146211 , vital:38505 , ISBN 9783863359140
- Description: Book abstract. Almost 30 years after the founding of the first curatorial studies program (at the École du Magasin, Grenoble), with the curator remaining a figure of curiosity and fascination in the contemporary art world, a new question has emerged: how do we educate curators? Great Expectations: Prospects for the Future of Curatorial Education explores this question, focusing in particular on the challenges, opportunities and subjects that motivate educators and students. How has curatorial education changed in the past 25 years, and what will the next 25 years bring?.
- Full Text:
- Date Issued: 2016
- Authors: Podesva, K L , Beasley, M , Kataoka, M , Ntombela, N
- Date: 2016
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146211 , vital:38505 , ISBN 9783863359140
- Description: Book abstract. Almost 30 years after the founding of the first curatorial studies program (at the École du Magasin, Grenoble), with the curator remaining a figure of curiosity and fascination in the contemporary art world, a new question has emerged: how do we educate curators? Great Expectations: Prospects for the Future of Curatorial Education explores this question, focusing in particular on the challenges, opportunities and subjects that motivate educators and students. How has curatorial education changed in the past 25 years, and what will the next 25 years bring?.
- Full Text:
- Date Issued: 2016
Remastered:
- Authors: Ntombela, N
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146423 , vital:38524 , https://www.e-flux.com/announcements/49246/the-exhibitionist-journal-on-exhibition-making/
- Description: Exhibition abstract. Issue 12 scrutinizes our founding premise, that The Exhibitionist is a journal “by curators, for curators.” When we launched six years ago, this circuit of self-reflection seemed necessary, and enabled a conversation that was not available in other venues. But one effect of this focus, as we see it now, was a siloing-off of curatorial thinking from other parts of the field of exhibition making—which is, after all, based in collective forms of authorship.
- Full Text:
- Date Issued: 2016
- Authors: Ntombela, N
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/146423 , vital:38524 , https://www.e-flux.com/announcements/49246/the-exhibitionist-journal-on-exhibition-making/
- Description: Exhibition abstract. Issue 12 scrutinizes our founding premise, that The Exhibitionist is a journal “by curators, for curators.” When we launched six years ago, this circuit of self-reflection seemed necessary, and enabled a conversation that was not available in other venues. But one effect of this focus, as we see it now, was a siloing-off of curatorial thinking from other parts of the field of exhibition making—which is, after all, based in collective forms of authorship.
- Full Text:
- Date Issued: 2016
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