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Makwarela na Petrus

Malala (The powerful back)

  • Authors: Masaria and other Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138143 , vital:37598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-03
  • Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
  • Full Text: false
  • Date Issued: 1957

Malala wabila (Malala is crying)

  • Authors: Ruth, Jane Muchindu and group of Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138535 , vital:37647 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-05
  • Description: "Malala is crying because she wants a baby. The wife of the headman has run away from her husband, because she has never had a child." Mankuntu dance song for boys and girls with 3 drums (Gogogo, Musunta, Mpati). The 1st was open, pegged and played with a stick. The 2nd and 3rd, open and pegged, and played by hands.
  • Full Text: false
  • Date Issued: 1957

Malayisha 1 (Hold the sun, so that it sets)

  • Authors: Young Gcaleka men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151107 , vital:39030 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-05
  • Description: Dancing song such as this one is the present fashion among Gcaleka young people. They are simple and easy to follow and each singer can add his own variations. The dancers add the gutteral roaring sound, which may reflect their distant relationship with the Arabs of the East African coast many generations ago. Mtshotsho song, with clapping.
  • Full Text: false
  • Date Issued: 1957

Malayisha 1 (Hold the sun, so that it sets)

  • Authors: Young Gcaleka men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151098 , vital:39029 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-04
  • Description: Dancing song such as this one is the present fashion among Gcaleka young people. They are simple and easy to follow and each singer can add his own variations. The dancers add the gutteral roaring sound, which may reflect their distant relationship with the Arabs of the East African coast many generations ago. Mtshotsho song, with clapping.
  • Full Text: false
  • Date Issued: 1957

Malayisha 2 (Hold the sun, so that it sets)

  • Authors: Young Gcaleka men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151112 , vital:39031 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-05
  • Description: Dancing song such as this one is the present fashion among Gcaleka young people. They are simple and easy to follow and each singer can add his own variations. The dancers add the gutteral roaring sound, which may reflect their distant relationship with the Arabs of the East African coast many generations ago. Mtshotsho song, with clapping.
  • Full Text: false
  • Date Issued: 1957

Mali yoi -yoi-ile

  • Authors: S. Kaseya and A. Kabamba and group of Kanyoka men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Instrumental music , Africa Democratic Republic of Congo Kandakanda f-cg
  • Language: Kanyoka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134458 , vital:37157 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0020-03
  • Description: "When those people (Kasai or Luba) on the other side of the river hear us singing so well, they want to come and cut our throats." The river appears to be either the Bushimaie or the Lubilashi, which are said to separate the Kanyoka tribe from the Luba and other tribes. Masamba dance with 2 guitars, 3 goblet drums, 2 basket rattles and 1 piece of metal.
  • Full Text: false
  • Date Issued: 1957

Malilela imango ingasiyo yako

Malilela imango ingasiyo yako

Malomile

Malona diya wadikenge leli kufwa (Malona was warned of danger)

  • Authors: Group of 14 Lunda men and 4 women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Mwinilungu f-za
  • Language: Lunda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139357 , vital:37730 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-14
  • Description: "Malona was warned of danger but she paid no attention and thus met with an accident." This song follows common Lunda pattern with the chorus singing in organum. The Lunda tribe occupy the watershed from which three great rivers arise: the Zambezi, the Lualaba and the Kasai, the one flowing east to the Indian ocean and the other two comprising the main southern branches of the Congo flowing westwards to the Atlantic. Kahaku ceremonial dance song with rattle and struck bottle.
  • Full Text: false
  • Date Issued: 1957

Mama (Mother)

  • Authors: Group of Mpondo men and 3 girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136533 , vital:37388 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-01
  • Description: The singers were dancing in a circle in closely packed formation and each singing into a cupped hand which was slightly vibrated to and fro, to produce a vibrato effect. Gubura dance for young men.
  • Full Text: false
  • Date Issued: 1957

Mama Josefina

Mama Josefuia

Mama ndaswelindawo ngendaba (Mother, I am short of accommodation on account of news)

  • Authors: Gcaleka boys and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Idutywa f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151219 , vital:39040 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR063-09
  • Description: The girl playing this mouth bow whistles out of the side of her mouth as well as resonating the notes in the usual manner. She used the open string and a stopped note, stopping it with her thumbnail and first finger. The use of this indigenious instrument and its style of music explains the ease with which Gcaleka people take to the small concertina. The harmonies produced in the mouth being on the true harmonic series makes the transition to the concertina a simple matter for simple tunes. Notes of the bow, 292 and 260. Mtshotsho dance for boys and girls with Ikinki mouth resonated musical bow.
  • Full Text: false
  • Date Issued: 1957

Mama wanyi bwala wanyi

  • Authors: S. Kaseya and A. Kabamba and group of Kanyoka men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Instrumental music , Africa Democratic Republic of Congo Kandakanda f-cg
  • Language: Kanyoka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134472 , vital:37163 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0020-04
  • Description: According to Father de Nolf, quoted by le Pere van Bulck, S. J., the BaLuba Lubilashi used to pay a tax to these Kanyoka chiefs who were themselves the envoys of the Luba emperors from Kasongo Nyembo. In return for their submission they recieved the chieftainship and its external signs: a vase to contain kaolin, a hat, a sceptre, a tortoise and a lion's skin. The Kanyoka have adopted many elements of the underlying culture of the Kasai and its Luba people Kamwendende dance with 2 guitars, 2 basket rattles, 3 goblet drums, and piece of struck metal
  • Full Text: false
  • Date Issued: 1957

Mama wanyi bwala wanyi

Mamilambo

  • Authors: Women of Kalana location , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa King Williams Town f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150003 , vital:38929 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR059-16
  • Description: A diviner arrived in person but declined to sing with the women who were all sitting around on the floor of the hut, about 80 of them. "Mamilambo" is said to be a spirit or charm in the shape of a snake, which the people buy from the diviners in order to obtain good luck and get rich-so it was explained. The married women were more soberly dressed than the young unmarried ones and wore their headclothes in the more usual Xhosa 'pile' of cloth on the head, producing a large loose turban-like effect. Diviner's song, with clapping.
  • Full Text: false
  • Date Issued: 1957

Mamiye mami

Mamosi

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