Description of adult and larva of Ichnestoma pringlei n. sp. (Coleoptera: Scarabaeidae Cetoniinae), with notes on its biology and ecology
- Perissinotto, Renzo, Smith, Tamara J, Stobbia, P
- Authors: Perissinotto, Renzo , Smith, Tamara J , Stobbia, P
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/453815 , vital:75289 , https://doi.org/10.1080/03946975.1999.10539390
- Description: There are at present 10 described species in the primitive genus Ichnestoma Gory and Percheron 1833. These are all phylogenetic and geographic relicts of high evolutionary and conservation interest. The discovery of a new species, I. pringlei n. sp., and the first description of a larva (third instar) of this genus are reported here. New information is also presented on their life-cycle and on the dependence of their activities on rainfall patterns, particularly in the semi-arid region of the Karoo. In this region, larvae seem to take 2 years to complete growth and metamorphosis since they feed only after major rainfall events, while remaining inactive and deep underground during dry periods. Adults emerge from their cocoons only after summer rains of at least 15 mm. They lack functional mouth parts and are unable to feed. Their life span is only 3–5 days. Because females are completely flightless and unable to disperse, species of the genus are extremely vulnerable to environmental degradation. It seems likely that they may play a key role in the decomposition of dead plant matter, especially in dry and clay-rich soils where other primary decomposers are scarce.
- Full Text:
- Date Issued: 1999
- Authors: Perissinotto, Renzo , Smith, Tamara J , Stobbia, P
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/453815 , vital:75289 , https://doi.org/10.1080/03946975.1999.10539390
- Description: There are at present 10 described species in the primitive genus Ichnestoma Gory and Percheron 1833. These are all phylogenetic and geographic relicts of high evolutionary and conservation interest. The discovery of a new species, I. pringlei n. sp., and the first description of a larva (third instar) of this genus are reported here. New information is also presented on their life-cycle and on the dependence of their activities on rainfall patterns, particularly in the semi-arid region of the Karoo. In this region, larvae seem to take 2 years to complete growth and metamorphosis since they feed only after major rainfall events, while remaining inactive and deep underground during dry periods. Adults emerge from their cocoons only after summer rains of at least 15 mm. They lack functional mouth parts and are unable to feed. Their life span is only 3–5 days. Because females are completely flightless and unable to disperse, species of the genus are extremely vulnerable to environmental degradation. It seems likely that they may play a key role in the decomposition of dead plant matter, especially in dry and clay-rich soils where other primary decomposers are scarce.
- Full Text:
- Date Issued: 1999
Devaluation
- Batoma Sissoko (lead singer), Batoma Sissoko
- Authors: Batoma Sissoko (lead singer) , Batoma Sissoko
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Malinka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131205 , vital:36536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC50-06
- Description: Mandingo popular song with lead female vocal, accompanied by chorus, n'goni, balafon, Malian percussion, and other traditional Malian instruments, combined with Western guitar and drums
- Full Text: false
- Date Issued: 1999
- Authors: Batoma Sissoko (lead singer) , Batoma Sissoko
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Malinka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131205 , vital:36536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC50-06
- Description: Mandingo popular song with lead female vocal, accompanied by chorus, n'goni, balafon, Malian percussion, and other traditional Malian instruments, combined with Western guitar and drums
- Full Text: false
- Date Issued: 1999
Development and characterisation of a membrane gradostat bioreactor for the bioremediation of aromatic pollutants using white rot fungi
- Authors: Leukes, Winston D
- Date: 1999
- Subjects: Aromatic compounds Pollutants Fungi Bioremediation Industrial microbiology Biotechnology
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:4032 , http://hdl.handle.net/10962/d1004092
- Description: Bioremediation of aromatic pollutants using the ligninolytic enzymes of the white rot fungi has been thoroughly researched and has been shown to have considerable potential for industrial application. However, little success in scale-up and industrialisation of this technology has been attained due to problems associated with the continuous production of the pollutant-degrading enzymes using conventional bioreactor systems. The low productivities reported result from the incompatibility of conventional submerged culture reactor techniques with the physiological requirements of these fungi which have evolved on a solid-air interface, viz. wood. The enzymes are also produced only during the stationary phase of growth and can therefore be regarded as secondary metabolites. This study reports the conceptualisation, characterisation and evaluation of a novel bioreactor system as a solution to the continuous production of idiophasic pollutant degrading enzymes by the white rot fungus Phanerochaete chlysosporium. The reactor concept evolved from observation of these fungi in their native state, i. e. the metabolism of lignocellulosic material and involves the immobilisation of the organism onto a capillary ultrafiltration membrane. Nutrient gradients established across the biofilm, an inherent characteristic of fixed bed perfusion reactors, are exploited to provide both nutrient rich and nutrient poor zones across the biofilm. This allows growth or primary metabolism in the nutrient rich zone, pushing older biomass into the nutrient poor zone where secondary metabolism is induced by nutrient starvation. In effect, this represents a transformation of the events of a batch culture from a temporal to a spatial domain, allowing continuous production of secondary metabolites over time. Direct contact of the outer part of the biofilm with an air stream simulated the solid-air interface of the native state of the fungus. In order to facilitate the practical application of the membrane gradostat reactor (MGR) concept, conventional capillary membranes and membrane bioreactor modules were first evaluated. These were found to be unsuitable for application of the MGR concept. However, critical analysis of the shortcomings of the conventional systems resulted in the formulation of a set of design criteria for the development of a suitable membrane and module. These design criteria were satisfied by the development of a novel capillary membrane for membrane bioreactors, as well as a transverse flow membrane module, which is a novel approach in membrane bioreactor configuration. For the physiological characterisation of the MGR concept, a single fibre bioreactor unit was designed, which allowed destructive sampling of the biofilm for analysis. Using this system, it was shown that distinct morphological zones could be observed radially across the mature biofilm obtained through MGR operation. That these morphotypes do represent the temporal events of a typical batch culture in a spatial domain was confirmed by following the morphological changes occurring during batch culture of the immobilised fungus where the onset of primary and secondary metabolic conditions were manipulated through control of the nutrient supply. The different morphotypes were correlated to distinct growth phases by comparison of the morphology to the secretion of known enzymatic markers for secondary metabolism, viz. succinate dehydrogenase and cytochrome C oxidoreductase. Detailed structure-function analysis of the biofilm using transmission electron microscopy and adapted enzyme cytochemical staining techniques showed that the biofilm appeared to operate as a co-ordinated unit, with primary and secondary metabolism apparently linked in one thallus through nutrient translocation. This study provided new insights into the physiology of P. chrysosp,o rium and a detailed descriptive model was formulated which correlates well to existing models of wood degradation by the white rot fungi (WRF). Evaluation of the process on a laboratory scale using a novel transverse flow membrane bioreactor showed that a volumetric productivity of 1916 U.L.⁻¹day⁻¹ for manganese peroxidase, one of the pollutant degrading enzymes, could be attained, corresponding to a final concentration of 2 361 U.L.⁻¹ This may be compared to the best reported system (Moreira el at. 1997), where a volumetric productivity of 202 U.L.⁻¹day⁻¹was achieved with a final concentration of 250 U.L.⁻¹ However, MGR productivity is yet to be subjected to rigorous optimisation studies. The process could be operated continuously for 60 days. However, peak productivity could not be maintained for long periods. This was found to be due to physical phenomena relating to the fluid dynamics of the system which caused fluid flow maldistribution, which would have to be resolved through engineering analysis. In evaluation of the MGR concept for aromatic pollutant removal, in this case ρ- cresol, from growth medium, good performance was also achieved. The VmaxKm calculated by linear regression for the MGR was 0.8 (R² = 0.93), which compared favourably to that reported by Lewandowski et al. (1990), who obtained a Vmax/Km of 0.34 for a packed bed reactor treating chlorophenol. It was concluded that the MGR showed suitable potential to warrant further development, and that the descriptive characterisation of the biofilm physiology provided a sufficient basis for process analysis once engineering aspects ofthe system could be resolved.
- Full Text:
- Date Issued: 1999
- Authors: Leukes, Winston D
- Date: 1999
- Subjects: Aromatic compounds Pollutants Fungi Bioremediation Industrial microbiology Biotechnology
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:4032 , http://hdl.handle.net/10962/d1004092
- Description: Bioremediation of aromatic pollutants using the ligninolytic enzymes of the white rot fungi has been thoroughly researched and has been shown to have considerable potential for industrial application. However, little success in scale-up and industrialisation of this technology has been attained due to problems associated with the continuous production of the pollutant-degrading enzymes using conventional bioreactor systems. The low productivities reported result from the incompatibility of conventional submerged culture reactor techniques with the physiological requirements of these fungi which have evolved on a solid-air interface, viz. wood. The enzymes are also produced only during the stationary phase of growth and can therefore be regarded as secondary metabolites. This study reports the conceptualisation, characterisation and evaluation of a novel bioreactor system as a solution to the continuous production of idiophasic pollutant degrading enzymes by the white rot fungus Phanerochaete chlysosporium. The reactor concept evolved from observation of these fungi in their native state, i. e. the metabolism of lignocellulosic material and involves the immobilisation of the organism onto a capillary ultrafiltration membrane. Nutrient gradients established across the biofilm, an inherent characteristic of fixed bed perfusion reactors, are exploited to provide both nutrient rich and nutrient poor zones across the biofilm. This allows growth or primary metabolism in the nutrient rich zone, pushing older biomass into the nutrient poor zone where secondary metabolism is induced by nutrient starvation. In effect, this represents a transformation of the events of a batch culture from a temporal to a spatial domain, allowing continuous production of secondary metabolites over time. Direct contact of the outer part of the biofilm with an air stream simulated the solid-air interface of the native state of the fungus. In order to facilitate the practical application of the membrane gradostat reactor (MGR) concept, conventional capillary membranes and membrane bioreactor modules were first evaluated. These were found to be unsuitable for application of the MGR concept. However, critical analysis of the shortcomings of the conventional systems resulted in the formulation of a set of design criteria for the development of a suitable membrane and module. These design criteria were satisfied by the development of a novel capillary membrane for membrane bioreactors, as well as a transverse flow membrane module, which is a novel approach in membrane bioreactor configuration. For the physiological characterisation of the MGR concept, a single fibre bioreactor unit was designed, which allowed destructive sampling of the biofilm for analysis. Using this system, it was shown that distinct morphological zones could be observed radially across the mature biofilm obtained through MGR operation. That these morphotypes do represent the temporal events of a typical batch culture in a spatial domain was confirmed by following the morphological changes occurring during batch culture of the immobilised fungus where the onset of primary and secondary metabolic conditions were manipulated through control of the nutrient supply. The different morphotypes were correlated to distinct growth phases by comparison of the morphology to the secretion of known enzymatic markers for secondary metabolism, viz. succinate dehydrogenase and cytochrome C oxidoreductase. Detailed structure-function analysis of the biofilm using transmission electron microscopy and adapted enzyme cytochemical staining techniques showed that the biofilm appeared to operate as a co-ordinated unit, with primary and secondary metabolism apparently linked in one thallus through nutrient translocation. This study provided new insights into the physiology of P. chrysosp,o rium and a detailed descriptive model was formulated which correlates well to existing models of wood degradation by the white rot fungi (WRF). Evaluation of the process on a laboratory scale using a novel transverse flow membrane bioreactor showed that a volumetric productivity of 1916 U.L.⁻¹day⁻¹ for manganese peroxidase, one of the pollutant degrading enzymes, could be attained, corresponding to a final concentration of 2 361 U.L.⁻¹ This may be compared to the best reported system (Moreira el at. 1997), where a volumetric productivity of 202 U.L.⁻¹day⁻¹was achieved with a final concentration of 250 U.L.⁻¹ However, MGR productivity is yet to be subjected to rigorous optimisation studies. The process could be operated continuously for 60 days. However, peak productivity could not be maintained for long periods. This was found to be due to physical phenomena relating to the fluid dynamics of the system which caused fluid flow maldistribution, which would have to be resolved through engineering analysis. In evaluation of the MGR concept for aromatic pollutant removal, in this case ρ- cresol, from growth medium, good performance was also achieved. The VmaxKm calculated by linear regression for the MGR was 0.8 (R² = 0.93), which compared favourably to that reported by Lewandowski et al. (1990), who obtained a Vmax/Km of 0.34 for a packed bed reactor treating chlorophenol. It was concluded that the MGR showed suitable potential to warrant further development, and that the descriptive characterisation of the biofilm physiology provided a sufficient basis for process analysis once engineering aspects ofthe system could be resolved.
- Full Text:
- Date Issued: 1999
Development of a model of performance indicators required for the effective management of South African Universities and Technikons
- Authors: Hutton, Wendy
- Date: 1999
- Subjects: Universities and colleges -- South Africa -- Management , Performance -- Management , Performance standards , Performance -- Measurement
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:10826 , http://hdl.handle.net/10948/16 , Universities and colleges -- South Africa -- Management , Performance -- Management , Performance standards , Performance -- Measurement
- Description: Research has been conducted on performance indicators in higher education institutions in a number of countries. However, in South Africa limited research in this field on a national level is available to the management of South African higher education institutions. The change in funding of these institutions has led to performance measurement becoming essential in order to justify the use of public funds. In order to obtain more relevant information about performance indicators in the South African context, a literature study was conducted to develop a questionnaire to test the concurrence of the importance of performance indicators in South African universities and technikons. The findings of the survey shows a high level of concurrence for the performance indicators identified in the literature study.
- Full Text:
- Date Issued: 1999
- Authors: Hutton, Wendy
- Date: 1999
- Subjects: Universities and colleges -- South Africa -- Management , Performance -- Management , Performance standards , Performance -- Measurement
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:10826 , http://hdl.handle.net/10948/16 , Universities and colleges -- South Africa -- Management , Performance -- Management , Performance standards , Performance -- Measurement
- Description: Research has been conducted on performance indicators in higher education institutions in a number of countries. However, in South Africa limited research in this field on a national level is available to the management of South African higher education institutions. The change in funding of these institutions has led to performance measurement becoming essential in order to justify the use of public funds. In order to obtain more relevant information about performance indicators in the South African context, a literature study was conducted to develop a questionnaire to test the concurrence of the importance of performance indicators in South African universities and technikons. The findings of the survey shows a high level of concurrence for the performance indicators identified in the literature study.
- Full Text:
- Date Issued: 1999
Development of integrated biological processing for the biodesalination of sulphate- and metal-rich wastewaters
- Authors: Boshoff, Genevieve Ann
- Date: 1999
- Subjects: Sewage -- Purification -- Biological treatment Sulfates Mineral industries -- Environmental aspects
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3899 , http://hdl.handle.net/10962/d1003958
- Description: The substantial pollution threat to the South African environment from acid mine drainage (AMD) effluents has been well documented. Due to the juvenile nature of acidity in these flows, any remediation strategies implemented will need to function effectively and at low cost for long periods of time. The widespread use of sulphate reducing biological systems for the treatment of such effluents, and in particular large volume flows, has been limited. The supply of inexpensive electron donor and carbon sources, as well as appropriate reactor designs capable of handling large volume flows, have been identified as among the principal factors limiting development of this technology. The broad aim of the research programme reported here was to undertake an evaluation of the feasibility of an algal-bacterial integrated ponding system for the treatment of AMD, and the waste stabilisation pond (WSP) as an appropriate reactor design for this application. The study attempted to demonstrate the feasibility of individual unit operations in a proposed process train using complex organic carbon serving as the electron donor source for the sulphate reducing bacteria (SRB). Studies were undertaken as laboratory and pilot-scale investigations. Tannery effluent was shown to be a functional carbon source for biological sulphate reduction, with effective removal of sulphate and organics being recorded. In turn, the use of biological sulphate reduction for the treatment of tannery effluent was demonstrated. Algal biomass was shown in laboratory studies to function as an effective carbon source for biological sulphate reduction. It is known that micro-algae produce large quantities of photosynthate which is released to the growth medium under conditions of physiological stress. The potential for the use of photosynthate production in high rate algal ponding systems and its manipulation and use as a sustainable carbon source for sulphate reduction was investigated. Growth of a mixed culture of Dunaliella under conditions of light, temperature and salinity stress demonstrated production of large quantities of organic carbon. However, growth was inhibited at high temperatures. An elevation of salinity levels led to a decrease in growth of Dunaliella, but to increased organic carbon production. Spirulina spp., on the other hand, grew well at higher temperatures but showed the highest organic carbon production, and release to the medium, under low light conditions. These results led to a proposed process for the integration of algal ponding into an integrated system for the treatment of AMD. The algal biomass may be fed into the anaerobic digester as a carbon source, or it may be passed into a High Rate Algal Pond (HRAP) where it is stressed to enhance the organic carbon content. This can then be fed into the anaerobic digester as a carbon source. The impact of high levels of sulphide in the water feeding to the algal growth compartment was investigated. Spirulina spp. isolated from a tannery waste stabilisation pond was shown to be a sulphidophilic strain of cyanobacterium, capable of being adapted to high concentrations of sulphide. Dunaliella salina on the other hand was less tolerant. These results demonstrated the practical use of algal biomass providing an oxygen-rich cap for odour control on the surface of the facultative pond as well for the secondary treatment of sulphide-rich overflow to the High Rate Algal Pond. The ability of micro-algae to elevate the pH of their surrounding environment was evaluated as a functional precipitant and neutralisation reagent for acidic metal containing wastewater. Spirulina spp. was shown to perform effectively. D. salina was less functional in this environment. Anacystis spp. was effective in elevating the pH of a defined medium as well as a zinc-rich effluent. These results indicated the practicality of a neutralising function for algal ponds in the treatment of AMD. Metal removal in the system was found to be a combined function of sulphide precipitation, removal by binding to micro-algal biomass and extracellular polymeric substances. The feasibility of waste stabilisation ponding technology use for the treatment of large volume AMD effluents was provisionally demonstrated. It was shown that complex carbon sources would be used as efficient electron donors for sulphate reduction. The integration of algal ponding into the system provides for the generation of a sustainable carbon source, odour control with the recycling of oxygen-rich water onto the top of the facultative pond, secondary treatment of the anaerobic digester overflow, and the neutralisation of the incoming acidic effluents and removal of heavy metals. Integration of the individual unit operations, the feasibility of which has been provisionally demonstrated in this study, into a continuous process train is being investigated in follow-upstudies.
- Full Text:
- Date Issued: 1999
- Authors: Boshoff, Genevieve Ann
- Date: 1999
- Subjects: Sewage -- Purification -- Biological treatment Sulfates Mineral industries -- Environmental aspects
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3899 , http://hdl.handle.net/10962/d1003958
- Description: The substantial pollution threat to the South African environment from acid mine drainage (AMD) effluents has been well documented. Due to the juvenile nature of acidity in these flows, any remediation strategies implemented will need to function effectively and at low cost for long periods of time. The widespread use of sulphate reducing biological systems for the treatment of such effluents, and in particular large volume flows, has been limited. The supply of inexpensive electron donor and carbon sources, as well as appropriate reactor designs capable of handling large volume flows, have been identified as among the principal factors limiting development of this technology. The broad aim of the research programme reported here was to undertake an evaluation of the feasibility of an algal-bacterial integrated ponding system for the treatment of AMD, and the waste stabilisation pond (WSP) as an appropriate reactor design for this application. The study attempted to demonstrate the feasibility of individual unit operations in a proposed process train using complex organic carbon serving as the electron donor source for the sulphate reducing bacteria (SRB). Studies were undertaken as laboratory and pilot-scale investigations. Tannery effluent was shown to be a functional carbon source for biological sulphate reduction, with effective removal of sulphate and organics being recorded. In turn, the use of biological sulphate reduction for the treatment of tannery effluent was demonstrated. Algal biomass was shown in laboratory studies to function as an effective carbon source for biological sulphate reduction. It is known that micro-algae produce large quantities of photosynthate which is released to the growth medium under conditions of physiological stress. The potential for the use of photosynthate production in high rate algal ponding systems and its manipulation and use as a sustainable carbon source for sulphate reduction was investigated. Growth of a mixed culture of Dunaliella under conditions of light, temperature and salinity stress demonstrated production of large quantities of organic carbon. However, growth was inhibited at high temperatures. An elevation of salinity levels led to a decrease in growth of Dunaliella, but to increased organic carbon production. Spirulina spp., on the other hand, grew well at higher temperatures but showed the highest organic carbon production, and release to the medium, under low light conditions. These results led to a proposed process for the integration of algal ponding into an integrated system for the treatment of AMD. The algal biomass may be fed into the anaerobic digester as a carbon source, or it may be passed into a High Rate Algal Pond (HRAP) where it is stressed to enhance the organic carbon content. This can then be fed into the anaerobic digester as a carbon source. The impact of high levels of sulphide in the water feeding to the algal growth compartment was investigated. Spirulina spp. isolated from a tannery waste stabilisation pond was shown to be a sulphidophilic strain of cyanobacterium, capable of being adapted to high concentrations of sulphide. Dunaliella salina on the other hand was less tolerant. These results demonstrated the practical use of algal biomass providing an oxygen-rich cap for odour control on the surface of the facultative pond as well for the secondary treatment of sulphide-rich overflow to the High Rate Algal Pond. The ability of micro-algae to elevate the pH of their surrounding environment was evaluated as a functional precipitant and neutralisation reagent for acidic metal containing wastewater. Spirulina spp. was shown to perform effectively. D. salina was less functional in this environment. Anacystis spp. was effective in elevating the pH of a defined medium as well as a zinc-rich effluent. These results indicated the practicality of a neutralising function for algal ponds in the treatment of AMD. Metal removal in the system was found to be a combined function of sulphide precipitation, removal by binding to micro-algal biomass and extracellular polymeric substances. The feasibility of waste stabilisation ponding technology use for the treatment of large volume AMD effluents was provisionally demonstrated. It was shown that complex carbon sources would be used as efficient electron donors for sulphate reduction. The integration of algal ponding into the system provides for the generation of a sustainable carbon source, odour control with the recycling of oxygen-rich water onto the top of the facultative pond, secondary treatment of the anaerobic digester overflow, and the neutralisation of the incoming acidic effluents and removal of heavy metals. Integration of the individual unit operations, the feasibility of which has been provisionally demonstrated in this study, into a continuous process train is being investigated in follow-upstudies.
- Full Text:
- Date Issued: 1999
Dianguina
- Rokia Traore (vocals, guitar, lyrics, composition), Andra Kouyate, Baba Sissoko (n'goni), Oumar Diallo, Abdoul W. Berthe (bass guitar), Samba Diarra (balafon), Dimba Camara, Souleymane Ann (percussion, gita), Baba Sissoko (djembe), Samir Naman
- Authors: Rokia Traore (vocals, guitar, lyrics, composition) , Andra Kouyate, Baba Sissoko (n'goni) , Oumar Diallo, Abdoul W. Berthe (bass guitar) , Samba Diarra (balafon) , Dimba Camara, Souleymane Ann (percussion, gita) , Baba Sissoko (djembe) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130761 , vital:36476 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC46-07
- Description: Malian song accompanied by traditional Malian instruments, adddressing the responsiblity of bringing a child into the world
- Full Text: false
- Date Issued: 1999
- Authors: Rokia Traore (vocals, guitar, lyrics, composition) , Andra Kouyate, Baba Sissoko (n'goni) , Oumar Diallo, Abdoul W. Berthe (bass guitar) , Samba Diarra (balafon) , Dimba Camara, Souleymane Ann (percussion, gita) , Baba Sissoko (djembe) , Samir Naman
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130761 , vital:36476 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC46-07
- Description: Malian song accompanied by traditional Malian instruments, adddressing the responsiblity of bringing a child into the world
- Full Text: false
- Date Issued: 1999
Diarabi
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129880 , vital:36342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-06
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129880 , vital:36342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-06
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Didadi
- Namakoro Fomba (author, composer, callebasse, Donso n'goni), Koko Dembele (guitar), Abdoul Wahab Berthe (bass guitar, karignan), Assanatou Kouyate, Assetou Kone (chorus), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Namakoro Fomba (author, composer, callebasse, Donso n'goni) , Koko Dembele (guitar) , Abdoul Wahab Berthe (bass guitar, karignan) , Assanatou Kouyate, Assetou Kone (chorus) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Religious aspects , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130384 , vital:36411 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC42-03
- Description: Traditional Malian music that reflects the spiritual rhythm of Komo worship of the Malinke, Bambara, Kagoro, Fulani, Manding, Fouladougou and Girgo and Bougouni peoples of Mali
- Full Text: false
- Date Issued: 1999
- Authors: Namakoro Fomba (author, composer, callebasse, Donso n'goni) , Koko Dembele (guitar) , Abdoul Wahab Berthe (bass guitar, karignan) , Assanatou Kouyate, Assetou Kone (chorus) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Religious aspects , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130384 , vital:36411 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC42-03
- Description: Traditional Malian music that reflects the spiritual rhythm of Komo worship of the Malinke, Bambara, Kagoro, Fulani, Manding, Fouladougou and Girgo and Bougouni peoples of Mali
- Full Text: false
- Date Issued: 1999
Diggale
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Thione Ballago Seck (performer), Amy Bambe (chorus), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Thione Ballago Seck (performer) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130137 , vital:36379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-02
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Thione Ballago Seck (performer) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130137 , vital:36379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-02
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Dioko
- Omar Pene (author, composer, lead vocal), Babacar Dieng, Mada Ba (Super Diamono vocals), Lappa Diagne (Super Diamono drums), Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards), Doudou Conare, Ousmane Sow (Super Diamono guitars), Pape Ndiaye ( Super Diamono percussion), Dembel Diop (Super Diamono bass, arrangement), Amy Bamba, Awa Maiga (guest vocals), Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone), Philippe Guez (guest keyboard), Thio Mbaye (guest percussions, vocal), Syllart Production
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130348 , vital:36407 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-05
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
- Authors: Omar Pene (author, composer, lead vocal) , Babacar Dieng, Mada Ba (Super Diamono vocals) , Lappa Diagne (Super Diamono drums) , Iba Ndiaye, Papis Ba, Ousmane Sow (Super Diamono keyboards) , Doudou Conare, Ousmane Sow (Super Diamono guitars) , Pape Ndiaye ( Super Diamono percussion) , Dembel Diop (Super Diamono bass, arrangement) , Amy Bamba, Awa Maiga (guest vocals) , Brass: Philippe Slominsky, Ibou Konate (guest trumpet), Alain Hatot, Sanou Diouf (guest saxophone), Jacques Bolognesi, Moustapha Fall (guest trombone) , Philippe Guez (guest keyboard) , Thio Mbaye (guest percussions, vocal) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130348 , vital:36407 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC41-05
- Description: Reggae and jazz influenced dance music rooted in Sengalese mbalax frenetic and syncopated rhythms
- Full Text: false
- Date Issued: 1999
Diongama
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Amy Bambe (chorus), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130142 , vital:36380
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Amy Bambe (chorus) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130142 , vital:36380
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Diour Sanni
- Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus), EH. Malick Diouf (solo guitar, arrangments), Paul Thierry Oliveira (keyboard, arrangments), Alioune Wade (bass guitar), El Hadji Faye (percussion), Figaro Diagne (marimba), Abib Ndiaye (drums), Thirifays Claude (saxophone), Ramirez Jean Pierre (trumpet), Welch Jean Marc (trombone), Studio 2000, Samassa Records
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130164 , vital:36382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-05
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
- Authors: Ismael Lo (author, composer, lead vocal, rhythm guitar, harmonica, chorus) , EH. Malick Diouf (solo guitar, arrangments) , Paul Thierry Oliveira (keyboard, arrangments) , Alioune Wade (bass guitar) , El Hadji Faye (percussion) , Figaro Diagne (marimba) , Abib Ndiaye (drums) , Thirifays Claude (saxophone) , Ramirez Jean Pierre (trumpet) , Welch Jean Marc (trombone) , Studio 2000 , Samassa Records
- Date: 1999
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130164 , vital:36382 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC38-05
- Description: Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum percussion and African and Arabic vocalistic styling in the Wolof language that accompanies Western keyboard and other electronic guitar and brass instruments
- Full Text: false
- Date Issued: 1999
Djanfa
- Koniba Traore (author, composer, interpreter, performer), Straun Douglas
- Authors: Koniba Traore (author, composer, interpreter, performer) , Straun Douglas
- Date: 1999
- Subjects: Popular music--Mali--1991-2000 , Guitar , Drum--Performance , Djembe music , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/125469 , vital:35786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO1-01
- Description: Malian popular music
- Full Text: false
- Date Issued: 1999
- Authors: Koniba Traore (author, composer, interpreter, performer) , Straun Douglas
- Date: 1999
- Subjects: Popular music--Mali--1991-2000 , Guitar , Drum--Performance , Djembe music , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/125469 , vital:35786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO1-01
- Description: Malian popular music
- Full Text: false
- Date Issued: 1999
Djesse
- Billy Sincop, Goly Herve (key board), Vata Monbassa, Santa N'guessan, N'dri Martial (guitars), Niamkey Jusitine, Botha Therese, Loukou Kedjebo, N'guessan Pitie, Gerbasco, Kouadio Maurison (chorus), Santa N'guessan (arrangement), Kouadio Maurison (perfromer), Santa N'guessan
- Authors: Billy Sincop, Goly Herve (key board) , Vata Monbassa, Santa N'guessan, N'dri Martial (guitars) , Niamkey Jusitine, Botha Therese, Loukou Kedjebo, N'guessan Pitie, Gerbasco, Kouadio Maurison (chorus) , Santa N'guessan (arrangement) , Kouadio Maurison (perfromer) , Santa N'guessan
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127804 , vital:36047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO7-07
- Description: Ivorian band with solo and chorus singing, accompanied by synthesiser, guitars and percussion
- Full Text: false
- Date Issued: 1999
- Authors: Billy Sincop, Goly Herve (key board) , Vata Monbassa, Santa N'guessan, N'dri Martial (guitars) , Niamkey Jusitine, Botha Therese, Loukou Kedjebo, N'guessan Pitie, Gerbasco, Kouadio Maurison (chorus) , Santa N'guessan (arrangement) , Kouadio Maurison (perfromer) , Santa N'guessan
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127804 , vital:36047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO7-07
- Description: Ivorian band with solo and chorus singing, accompanied by synthesiser, guitars and percussion
- Full Text: false
- Date Issued: 1999
Djinke Mousso
- Batoma Sissoko (lead singer), Batoma Sissoko
- Authors: Batoma Sissoko (lead singer) , Batoma Sissoko
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Malinka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131240 , vital:36542 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC50-09
- Description: Mandingo popular song with lead female vocal, accompanied by chorus, n'goni, balafon, Malian percussion, and other traditional Malian instruments, combined with Western guitar and drums
- Full Text: false
- Date Issued: 1999
- Authors: Batoma Sissoko (lead singer) , Batoma Sissoko
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Malinka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131240 , vital:36542 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC50-09
- Description: Mandingo popular song with lead female vocal, accompanied by chorus, n'goni, balafon, Malian percussion, and other traditional Malian instruments, combined with Western guitar and drums
- Full Text: false
- Date Issued: 1999
Djongoma
- Thione Seck (lead singer), Raam Daan (band name of accompanying musicians), Syllart Production
- Authors: Thione Seck (lead singer) , Raam Daan (band name of accompanying musicians) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131379 , vital:36565 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC52-04
- Description: The spare beautiful Dakar sound is propelled by percussion,and dominated by Thione Seck's thrilling voice
- Full Text: false
- Date Issued: 1999
- Authors: Thione Seck (lead singer) , Raam Daan (band name of accompanying musicians) , Syllart Production
- Date: 1999
- Subjects: Mbalax (Music) , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131379 , vital:36565 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC52-04
- Description: The spare beautiful Dakar sound is propelled by percussion,and dominated by Thione Seck's thrilling voice
- Full Text: false
- Date Issued: 1999
Dlambe Lo!
- Mafika, N, Ndzelani, M, Magqirha, N, Tukani, N, Tukani, M, Pintshana, T, Mukwena, E, Thukani, M. J., Ndzelani, N, Dargie, Dave
- Authors: Mafika, N , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344518 , vital:63140 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347a-03
- Description: Traditional music
- Full Text: false
- Date Issued: 1999
- Authors: Mafika, N , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344518 , vital:63140 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347a-03
- Description: Traditional music
- Full Text: false
- Date Issued: 1999
Doni Taba
- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129875 , vital:36341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-05
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
- Authors: Mamou Sidibe (composer, author, lead singer) , Yves Wernert (bass, recording engineer)) , Boua Diakite (kamelen'ngoni) , Moussa Kanoute (karignan) , Ramata Diakite (chorus) , Moussa Kone (accoustic and electric guitar) , Adama Traore (calebasse) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Africa, West , Folk music , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129875 , vital:36341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC34-05
- Description: Traditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamou
- Full Text: false
- Date Issued: 1999
Door mou danou
- Tonton Mac, Sugar Flavor, Caporal F (lead vocals), Suzanne Khar Fofana Ass II, Bouba (chorus), El hadji Cissokho, Babouli Cissokho (kora), Laye Kane, Urbain Lambert (guitar), Jazzy M (scratch), Sama Flavor (composed by), Studio 2000
- Authors: Tonton Mac, Sugar Flavor, Caporal F (lead vocals) , Suzanne Khar Fofana Ass II, Bouba (chorus) , El hadji Cissokho, Babouli Cissokho (kora) , Laye Kane, Urbain Lambert (guitar) , Jazzy M (scratch) , Sama Flavor (composed by) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129477 , vital:36297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC28-07
- Description: Hip hop song sung in English, French and Wolof
- Full Text: false
- Date Issued: 1999
- Authors: Tonton Mac, Sugar Flavor, Caporal F (lead vocals) , Suzanne Khar Fofana Ass II, Bouba (chorus) , El hadji Cissokho, Babouli Cissokho (kora) , Laye Kane, Urbain Lambert (guitar) , Jazzy M (scratch) , Sama Flavor (composed by) , Studio 2000
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129477 , vital:36297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC28-07
- Description: Hip hop song sung in English, French and Wolof
- Full Text: false
- Date Issued: 1999
Dramatic learning : a case study of theatre for development and environmental education
- Authors: Burt, Jane Caroline
- Date: 1999
- Subjects: Drama in education -- South Africa Environmental education -- Study and teaching (Elementary)
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1501 , http://hdl.handle.net/10962/d1003383
- Description: The aim of my research was to introduce drama, in the form of theatre for development processes, to local Grahamstown Primary School teachers, and to work closely with one teacher to explore theatre for development in the classroom, as a means of introducing both environmental education and learner-centred, constructivist teaching methodologies. I started my research by interviewing Primary School principals as well as sending out questionnaires to teachers, to survey their understanding and practice of drama and environmental education in the school curriculum and to invite them to participate in the research project. In collaboration with Educational Drama and Theatre students, I developed two workshops to introduce theatre for development processes such as image theatre and role-play to the teachers. Nine teachers attended this workshop which was video-taped. After the workshop I gave two lessons at a local school, in partnership with a teacher. Throughout this process I kept a research journal. All action components of the research were followed up with individual interviews, group discussions and a focus group. Although the study gave rise to multiple themes, I chose to highlight two: Firstly, Curriculum 2005 advocates a move towards more learner-centred,constructivist and process-orientated pedagogies. All of the participants in this study, including myself, had intentions of adopting a new approach tq education and teaching but found that we often reverted back to earlier learnt roles of product-orientated, text-based, authoritarian approaches to education which we originally had rejected. Secondly, I reflect on how we set out viewing environmental education, education, drama and research as a process and yet all the participants, including myself, continually tried to 'put on' the perfect performance in the form of a drama, a learning experience and research. This project was a participatory research project. The textwork of the research reflects a post-structural orientation. It has been written in the form of a drama to represent the many voices of the participants, but also to question the role of research in society and make research more accessible to non-academic readers. I also intend to perform the research process at a later stage.
- Full Text:
- Date Issued: 1999
- Authors: Burt, Jane Caroline
- Date: 1999
- Subjects: Drama in education -- South Africa Environmental education -- Study and teaching (Elementary)
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1501 , http://hdl.handle.net/10962/d1003383
- Description: The aim of my research was to introduce drama, in the form of theatre for development processes, to local Grahamstown Primary School teachers, and to work closely with one teacher to explore theatre for development in the classroom, as a means of introducing both environmental education and learner-centred, constructivist teaching methodologies. I started my research by interviewing Primary School principals as well as sending out questionnaires to teachers, to survey their understanding and practice of drama and environmental education in the school curriculum and to invite them to participate in the research project. In collaboration with Educational Drama and Theatre students, I developed two workshops to introduce theatre for development processes such as image theatre and role-play to the teachers. Nine teachers attended this workshop which was video-taped. After the workshop I gave two lessons at a local school, in partnership with a teacher. Throughout this process I kept a research journal. All action components of the research were followed up with individual interviews, group discussions and a focus group. Although the study gave rise to multiple themes, I chose to highlight two: Firstly, Curriculum 2005 advocates a move towards more learner-centred,constructivist and process-orientated pedagogies. All of the participants in this study, including myself, had intentions of adopting a new approach tq education and teaching but found that we often reverted back to earlier learnt roles of product-orientated, text-based, authoritarian approaches to education which we originally had rejected. Secondly, I reflect on how we set out viewing environmental education, education, drama and research as a process and yet all the participants, including myself, continually tried to 'put on' the perfect performance in the form of a drama, a learning experience and research. This project was a participatory research project. The textwork of the research reflects a post-structural orientation. It has been written in the form of a drama to represent the many voices of the participants, but also to question the role of research in society and make research more accessible to non-academic readers. I also intend to perform the research process at a later stage.
- Full Text:
- Date Issued: 1999