Showing items 101 - 120 of 153

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Urombo we Madzibaba (II

- Teachers Training School, Composer not specified, Tracey, Hugh

Ninkutina

- Kabyoma Mashulamo with Haya men, Composer not specified, Tracey, Hugh

Ninkutina

- Kabyoma Mashulamo with Haya men, Composer not specified, Tracey, Hugh

Harusi I

- Ngayamiso Kitunga, Composer not Specified, Tracey, Hugh

Chemirocha

- Chemutoi Ketienya, Kipsigis girls, Tracey, Hugh

Chepchoni marinda

- Malakwen Chepsaidut, performer not specified, Tracey, Hugh

Chepchoni Marinda

- Malakwen Chepsaikut, Hugh Tracey

  • Authors: Malakwen Chepsaikut , Hugh Tracey
  • Date: 1950
  • Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176824 , vital:42762 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-02
  • Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. Praise sone with Kipukandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950

Chepchoni Marinda a Arap Chepsiolei b

- Malakwen Chepsaidut, performer not specified, Tracey, Hugh

E liso lyamukatata

- Tigalyoma Tilwesobwa, Zinza women, Composer not specified, Tracey, Hugh

E liso lyamukatata

- Tigalyoma Tilwesobwa, Zinza women, Composer not specified, Tracey, Hugh

Eliso lyamukatata

- Tegalyoma Tilwesobwa with Zinza women, Hugh Tracey

Harusi I

- Ngayamiso Kitunga, Hugh Tracey

  • Authors: Ngayamiso Kitunga , Hugh Tracey
  • Date: 1950
  • Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172914 , vital:42295 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-01
  • Description: Tunes played at weddings. The instrument was new and the notes not well hammered so the tone of the instrument was not as good as it might have been. Nevertheless the music is attractive. The tuning from left to right was:- 448, 372, 320, 244, 208, 168, 122, 244, 284, 336, 372, 416, 488 giving a heptatonic scale of:- 488, 448, 416, 372, 336, 320, 284, 244 vs. These items were recorded at Itetemia, the village of Chief N. S. Fundikira. Wedding tune, with Malimba Likembe.
  • Full Text: false
  • Date Issued: 1950

Iyelele

- Ngoni men and women, Kiti Shunga, folk, Tracey, Hugh

Iyelele

- Kiti Shunga, Ngoni men and women, Folk, Tracey, Hugh

Iyelele

- Kiti Shunga, Ngoni men and women, Nsenga women, Hugh Tracey

Iyelele a Zamapembe sesiyandinda b

- Kiti Shunga, Ngoni men and women, composer not specified, Tracey, Hugh

Kamano

- Akito Arap Yeko, Hugh Tracey

  • Authors: Akito Arap Yeko , Hugh Tracey
  • Date: 1950
  • Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176853 , vital:42765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-04
  • Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. The tune comes from the Luo people in the valleys below but has had Nandi words put to it. It is a song of praise for the Nandi country and other places which the singer and his audience have visited. Topical song with Kipukandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950

Kamano

- Akito Arap Yeko, performer not specified, Tracey, Hugh

Kamano

- Akito Arap Yeko, Tracey, Hugh

  • Authors: Akito Arap Yeko , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/298746 , vital:57738 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2037-XYZ5472a
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Kilamu

- Ndunge wa Kalele, Kamba women, Folk, Tracey, Hugh

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