Kongoi Maitoling
- Cherondet Arap Ng'asura, Hugh Tracey
- Authors: Cherondet Arap Ng'asura , Hugh Tracey
- Date: 1950
- Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
- Language: Kipsigis
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177381 , vital:42816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-01
- Description: A love song in which English words, 'my darling' have been transmogrified into Kipsigis "maitoling" He also calls her little 'calf', a term of great endearment in a pastoral such as these. The singer starts with whistling. The instrument on which this is played is a Chepkongo six string lyre, with one string removed in order to turn it into a five string Kibungandet which uses a different pentatonic scale. Love song with Chepkong 6 string bowl lyre and whistling.
- Full Text: false
- Date Issued: 1950
- Authors: Cherondet Arap Ng'asura , Hugh Tracey
- Date: 1950
- Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
- Language: Kipsigis
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/177381 , vital:42816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-01
- Description: A love song in which English words, 'my darling' have been transmogrified into Kipsigis "maitoling" He also calls her little 'calf', a term of great endearment in a pastoral such as these. The singer starts with whistling. The instrument on which this is played is a Chepkongo six string lyre, with one string removed in order to turn it into a five string Kibungandet which uses a different pentatonic scale. Love song with Chepkong 6 string bowl lyre and whistling.
- Full Text: false
- Date Issued: 1950
Ligari
- Wasiole Waliaula with Bukusu men, Hugh Tracey
- Authors: Wasiole Waliaula with Bukusu men , Hugh Tracey
- Date: 1950
- Subjects: Bukusu (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malakasi f-ke
- Language: Bukusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176499 , vital:42707 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-01
- Description: "The railway made it easier for people to travel and for goods to be brought into our country." The two strings of the lute were tuned to 256 vs. and 196 vs. giving an interval of 462 cents. There is little melody in this item. It is more of a recitation to a ground. Topical song, with Sihilili 2 string lute and piece of Iron (-12.16-).
- Full Text: false
- Date Issued: 1950
- Authors: Wasiole Waliaula with Bukusu men , Hugh Tracey
- Date: 1950
- Subjects: Bukusu (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malakasi f-ke
- Language: Bukusu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176499 , vital:42707 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-01
- Description: "The railway made it easier for people to travel and for goods to be brought into our country." The two strings of the lute were tuned to 256 vs. and 196 vs. giving an interval of 462 cents. There is little melody in this item. It is more of a recitation to a ground. Topical song, with Sihilili 2 string lute and piece of Iron (-12.16-).
- Full Text: false
- Date Issued: 1950
Longilo
- Paul Serebu with young Nandi men, Hugh Tracey
- Authors: Paul Serebu with young Nandi men , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176725 , vital:42744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-08
- Description: The word 'longilo' does not appear to have any meaning and is used in songs for its sound as a kind of 'Hey nonny, nonny'. Moran dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Paul Serebu with young Nandi men , Hugh Tracey
- Date: 1950
- Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
- Language: Nandi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176725 , vital:42744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-08
- Description: The word 'longilo' does not appear to have any meaning and is used in songs for its sound as a kind of 'Hey nonny, nonny'. Moran dance song for men.
- Full Text: false
- Date Issued: 1950
Marrite
- Melany Mewarali with Meru men and women, Hugh Tracey
- Authors: Melany Mewarali with Meru men and women , Hugh Tracey
- Date: 1950
- Subjects: Chaga (African people) -- Music , Meru (African people) -- Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
- Language: Meru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173872 , vital:42417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-03
- Description: "My love Marrite has been taken away. I will send my friend Morani to fetch her. Morani will go to the mission by night." The fine Marrite dance was started by Marrite who dances better than her father. "Show me the way to the court, so that I may report the man who stole my Marrite." These Meru people are among the most handsome in Africa and were a brave sight in their beautiful costumes with their bright beads, their six foot long spears and pastel coloured shields. The setting, upon the slopes of Mount Meru was also exhilarating in a green sward set among the large forest trees. Marrite dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Melany Mewarali with Meru men and women , Hugh Tracey
- Date: 1950
- Subjects: Chaga (African people) -- Music , Meru (African people) -- Music , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
- Language: Meru
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173872 , vital:42417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-03
- Description: "My love Marrite has been taken away. I will send my friend Morani to fetch her. Morani will go to the mission by night." The fine Marrite dance was started by Marrite who dances better than her father. "Show me the way to the court, so that I may report the man who stole my Marrite." These Meru people are among the most handsome in Africa and were a brave sight in their beautiful costumes with their bright beads, their six foot long spears and pastel coloured shields. The setting, upon the slopes of Mount Meru was also exhilarating in a green sward set among the large forest trees. Marrite dance song for men and women.
- Full Text: false
- Date Issued: 1950
Mwangalile leke ndali na wasoga
- Hashima Bin Kilamata with Nyamwezi men, Hugh Tracey
- Authors: Hashima Bin Kilamata with Nyamwezi men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173246 , vital:42349 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-01
- Description: "Everyone despises me because I make love to ugly women." The leader was dressed up in his dancing kit, with feather head dress, red ochre on the face and rag dress. The singers were workers on the Mwadui diamond mines, recruited locally. The song features a character whom they call Sajeni Meja (Sergeant Major) no doubt on account of the fact that several of them served for a while in the K.A.R., the Kings' African Rifles. During the singing they call out the familiar cry used by the soilders of the King's African Rifles. The moral problems of the disintegrated family and tribal life present themselves at every turn and especially in the towns or industrial areas where large bodies of men are attracted to work. Hiyari ya moyo dance song for men and women, with metal cylindrical drum, and conical pegged drum and bells.
- Full Text: false
- Date Issued: 1950
- Authors: Hashima Bin Kilamata with Nyamwezi men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173246 , vital:42349 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-01
- Description: "Everyone despises me because I make love to ugly women." The leader was dressed up in his dancing kit, with feather head dress, red ochre on the face and rag dress. The singers were workers on the Mwadui diamond mines, recruited locally. The song features a character whom they call Sajeni Meja (Sergeant Major) no doubt on account of the fact that several of them served for a while in the K.A.R., the Kings' African Rifles. During the singing they call out the familiar cry used by the soilders of the King's African Rifles. The moral problems of the disintegrated family and tribal life present themselves at every turn and especially in the towns or industrial areas where large bodies of men are attracted to work. Hiyari ya moyo dance song for men and women, with metal cylindrical drum, and conical pegged drum and bells.
- Full Text: false
- Date Issued: 1950
Ndaluza ine
- Maluba Mwale, Tonga men, Hugh Tracey
- Authors: Maluba Mwale , Tonga men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184671 , vital:44247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-12
- Description: "Talking behind your back is not good, this is my wife's song, let us sing it well. The old men sing it at drinking parties." The simple tune played on the Karigo follows the tone pattern of the words of the refrain. Drinking song with Karigo one stringed lute, bowed
- Full Text: false
- Date Issued: 1950
- Authors: Maluba Mwale , Tonga men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184671 , vital:44247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-12
- Description: "Talking behind your back is not good, this is my wife's song, let us sing it well. The old men sing it at drinking parties." The simple tune played on the Karigo follows the tone pattern of the words of the refrain. Drinking song with Karigo one stringed lute, bowed
- Full Text: false
- Date Issued: 1950
Ngochu
- Kariuki, Karurua with kikuyu boys, Hugh Tracey
- Authors: Kariuki, Karurua with kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175499 , vital:42586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-05
- Description: An interesting example of modal (probably 'modern' or 'model') singing. Party song.
- Full Text: false
- Date Issued: 1950
- Authors: Kariuki, Karurua with kikuyu boys , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Kikuyu , Kikuyu (African people) , Songs, Kikuyu--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kiambu f-ke
- Language: Kikuyu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175499 , vital:42586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR159-05
- Description: An interesting example of modal (probably 'modern' or 'model') singing. Party song.
- Full Text: false
- Date Issued: 1950
Nheura
- Chabarwa Musunda Sinyoro, Hugh Tracey
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180123 , vital:43316 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-01
- Description: A song for entertaining the chief. The title of this song has persisted for generations, each no doubt setting its own topical words to the traditional air. This in turn has no doubt suffered many a change in the course of time but is still Nheura for all that. The yodelling by Shona musicians in Southern Rhodesia is a distictive characteristic of their music and is similar to the yodelling of the Mambuti pygmies of North East Congo and the Turi forest. Chabarwa is a Njanja from the Charter district where about 1750 A.D. a certain Portuguese mulatto trader married the chief's daughter and took the Mitupo or clan name of Sinyoro (Senhor) which has been handed down to his male descendants since that date. Leave your husband and let us dance. What I have said is very little. But not enough to leave your husband behind in the house. The dream of Hobe's wife is true, she dreamed about a wagon. It has come, you men. Tall men are lucky, even when they kneel down they are still big. You can do it too. You women, I will start. The children of today are wocked. They only learn to be 'wasters'. We will marry the children of the Zinjanja. There are women who wear skin aprons. But the cost of dresses spoil the country. Who have you come with? Four will come in and the fifth I will go with. Topical song sung for the entertainment of Chiefs, with Njari dza Manjanja (Mbira).
- Full Text: false
- Date Issued: 1950
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180123 , vital:43316 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-01
- Description: A song for entertaining the chief. The title of this song has persisted for generations, each no doubt setting its own topical words to the traditional air. This in turn has no doubt suffered many a change in the course of time but is still Nheura for all that. The yodelling by Shona musicians in Southern Rhodesia is a distictive characteristic of their music and is similar to the yodelling of the Mambuti pygmies of North East Congo and the Turi forest. Chabarwa is a Njanja from the Charter district where about 1750 A.D. a certain Portuguese mulatto trader married the chief's daughter and took the Mitupo or clan name of Sinyoro (Senhor) which has been handed down to his male descendants since that date. Leave your husband and let us dance. What I have said is very little. But not enough to leave your husband behind in the house. The dream of Hobe's wife is true, she dreamed about a wagon. It has come, you men. Tall men are lucky, even when they kneel down they are still big. You can do it too. You women, I will start. The children of today are wocked. They only learn to be 'wasters'. We will marry the children of the Zinjanja. There are women who wear skin aprons. But the cost of dresses spoil the country. Who have you come with? Four will come in and the fifth I will go with. Topical song sung for the entertainment of Chiefs, with Njari dza Manjanja (Mbira).
- Full Text: false
- Date Issued: 1950
Nsiriba ya munange katego
- Entenga, Royal drummers, Hugh Tracey
- Authors: Entenga, Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170728 , vital:41954 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-15
- Description: The story behind this tune is about a certain 'Saza' chief named Kangawo who wore as a charm a headband. He would wear it all day and at night hang it up on the wall of his hut. One night the headband was stolen and he soon died without his protective charm. Six drummers play these 15 drums. Four the main set of 12 drums, and two others the three bass drums. The melody of the tune is well brought out both at the beginning and the end of the performance. Drum tunes. Set of 15 Entenga tuned conical drums, laced, closed, single.
- Full Text: false
- Date Issued: 1950
- Authors: Entenga, Royal drummers , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170728 , vital:41954 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-15
- Description: The story behind this tune is about a certain 'Saza' chief named Kangawo who wore as a charm a headband. He would wear it all day and at night hang it up on the wall of his hut. One night the headband was stolen and he soon died without his protective charm. Six drummers play these 15 drums. Four the main set of 12 drums, and two others the three bass drums. The melody of the tune is well brought out both at the beginning and the end of the performance. Drum tunes. Set of 15 Entenga tuned conical drums, laced, closed, single.
- Full Text: false
- Date Issued: 1950
Slia Lazaro soka
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184579 , vital:44237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-02
- Description: "I will meet my love some day, Elia let us go and sing with my love Steria (Esther)." Love song
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184579 , vital:44237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-02
- Description: "I will meet my love some day, Elia let us go and sing with my love Steria (Esther)." Love song
- Full Text: false
- Date Issued: 1950
Musengu
- Chabarwa Musunda Sinyoro, Hugh Tracey
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180141 , vital:43324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-03
- Description: The spirit complex which goes by the name Mondoro or Lion spirit is a central belief in the ethics of the Karanga people. This song is here played by a gifted young musician who plays his instruments in the traditional style. Do not argue child, it is forbidden. And you will be sorry for it. Ha, my son-in-law, it makes you feel good (?) The way you dance makes the earth turn over. Song for the Mondoro Spirits with Njari.
- Full Text: false
- Date Issued: 1949
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180141 , vital:43324 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-03
- Description: The spirit complex which goes by the name Mondoro or Lion spirit is a central belief in the ethics of the Karanga people. This song is here played by a gifted young musician who plays his instruments in the traditional style. Do not argue child, it is forbidden. And you will be sorry for it. Ha, my son-in-law, it makes you feel good (?) The way you dance makes the earth turn over. Song for the Mondoro Spirits with Njari.
- Full Text: false
- Date Issued: 1949