Marx, Weber and NGOs:
- Authors: Helliker, Kirk D
- Date: 2012
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144738 , vital:38375 , DOI: 10.1080/21528586.2007.10419171
- Description: This article offers a sociological understanding of intermediary NGOs in the modern world. In does so by drawing on certain epistemological insights of Marx and Weber, and this entails methodologies of both deconstruction and reconstruction. In arguing against a sociological behaviourism that pervades the NGO literature, the article conceptualises intermediary NGOs as a ‘social form’ embodying contradictory relations. For analytical purposes, the contradiction between ‘the global’ and ‘the local’ is brought to the fore.
- Full Text:
- Date Issued: 2012
- Authors: Helliker, Kirk D
- Date: 2012
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144738 , vital:38375 , DOI: 10.1080/21528586.2007.10419171
- Description: This article offers a sociological understanding of intermediary NGOs in the modern world. In does so by drawing on certain epistemological insights of Marx and Weber, and this entails methodologies of both deconstruction and reconstruction. In arguing against a sociological behaviourism that pervades the NGO literature, the article conceptualises intermediary NGOs as a ‘social form’ embodying contradictory relations. For analytical purposes, the contradiction between ‘the global’ and ‘the local’ is brought to the fore.
- Full Text:
- Date Issued: 2012
Patriotic history and the politicisation of memory: manipulation of popular music to re-invent the liberation struggle in Zimbabwe
- Authors: Thram, Diane Janell
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147836 , vital:38677 , https://0-doi.org.wam.seals.ac.za/10.1080/02560040608540456
- Description: This paper investigates how the music nationalism promulgated by the ZANU-PF regime's former Minister of Information and Publicity, Jonathan Moyo, appropriated history and culture in its relentless effort to convince the citizenry that the on-going crisis in Zimbabwe is a continuation of the liberation struggle. It documents how Moyo's propagandised ‘patriotic history’ was written into song lyrics and used in frequently televised propaganda videos and CD/cassette releases to create a music nationalism that appropriated the music of the 1970s Second Chimurenga struggle, then performed to resist colonial oppression, and used it as propaganda intended to maintain the current oppressive regime's grip on political power. It argues that the appropriation of indigenous song/dance forms and the ‘chimurenga music’ of the liberation war has failed to achieve unification of the nation; and that rather, the propaganda's manipulation of memory has offended the Shona cultural aesthetic that requires songwriters to speak the truth of their experience in their music.
- Full Text:
- Date Issued: 2007
- Authors: Thram, Diane Janell
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147836 , vital:38677 , https://0-doi.org.wam.seals.ac.za/10.1080/02560040608540456
- Description: This paper investigates how the music nationalism promulgated by the ZANU-PF regime's former Minister of Information and Publicity, Jonathan Moyo, appropriated history and culture in its relentless effort to convince the citizenry that the on-going crisis in Zimbabwe is a continuation of the liberation struggle. It documents how Moyo's propagandised ‘patriotic history’ was written into song lyrics and used in frequently televised propaganda videos and CD/cassette releases to create a music nationalism that appropriated the music of the 1970s Second Chimurenga struggle, then performed to resist colonial oppression, and used it as propaganda intended to maintain the current oppressive regime's grip on political power. It argues that the appropriation of indigenous song/dance forms and the ‘chimurenga music’ of the liberation war has failed to achieve unification of the nation; and that rather, the propaganda's manipulation of memory has offended the Shona cultural aesthetic that requires songwriters to speak the truth of their experience in their music.
- Full Text:
- Date Issued: 2007
Spatial patterns in the biology of the chokka squid, Loligo reynaudii on the Agulhas Bank, South Africa
- Olyott, L J H, Sauer, Warwick H H, Booth, Anthony J
- Authors: Olyott, L J H , Sauer, Warwick H H , Booth, Anthony J
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/127053 , vital:35947 , https://doi.10.1007/s11160-006-9027-5
- Description: Although migration patterns for various life history stages of the chokka squid (Loligo reynaudii) have been previously presented, there has been limited comparison of spatial variation in biological parameters. Based on data from research surveys; size ranges of juveniles, subadults and adults on the Agulhas Bank were estimated and presented spatially. The bulk of the results appear to largely support the current acceptance of the life cycle with an annual pattern of squid hatching in the east, migrating westwards to offshore feeding grounds on the Central and Western Agulhas Bank and the west coast and subsequent return migration to the eastern inshore areas to spawn. The number of adult animals in deeper water, particularly in autumn in the central study area probably represents squid spawning in deeper waters and over a greater area than is currently targeted by the fishery. The distribution of life history stages and different feeding areas does not rule out the possibility that discrete populations of L. reynaudii with different biological characteristics inhabit the western and eastern regions of the Agulhas Bank. In this hypothesis, some mixing of the populations does occur but generally squid from the western Agulhas Bank may occur in smaller numbers, grow more slowly and mature at a larger size. Spawning occurs on the western portion of the Agulhas Bank, and juveniles grow and mature on the west coast and the central Agulhas Bank. Future research requirements include the elucidation of the age structure of chokka squid both spatially and temporally, and a comparison of the statolith chemistry and genetic characterization between adults from different spawning areas across the Agulhas Bank.
- Full Text:
- Date Issued: 2007
- Authors: Olyott, L J H , Sauer, Warwick H H , Booth, Anthony J
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/127053 , vital:35947 , https://doi.10.1007/s11160-006-9027-5
- Description: Although migration patterns for various life history stages of the chokka squid (Loligo reynaudii) have been previously presented, there has been limited comparison of spatial variation in biological parameters. Based on data from research surveys; size ranges of juveniles, subadults and adults on the Agulhas Bank were estimated and presented spatially. The bulk of the results appear to largely support the current acceptance of the life cycle with an annual pattern of squid hatching in the east, migrating westwards to offshore feeding grounds on the Central and Western Agulhas Bank and the west coast and subsequent return migration to the eastern inshore areas to spawn. The number of adult animals in deeper water, particularly in autumn in the central study area probably represents squid spawning in deeper waters and over a greater area than is currently targeted by the fishery. The distribution of life history stages and different feeding areas does not rule out the possibility that discrete populations of L. reynaudii with different biological characteristics inhabit the western and eastern regions of the Agulhas Bank. In this hypothesis, some mixing of the populations does occur but generally squid from the western Agulhas Bank may occur in smaller numbers, grow more slowly and mature at a larger size. Spawning occurs on the western portion of the Agulhas Bank, and juveniles grow and mature on the west coast and the central Agulhas Bank. Future research requirements include the elucidation of the age structure of chokka squid both spatially and temporally, and a comparison of the statolith chemistry and genetic characterization between adults from different spawning areas across the Agulhas Bank.
- Full Text:
- Date Issued: 2007
Transforming the media: a cultural approach
- Authors: Steenveld, Lynette N
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147891 , vital:38682 , DOI: 10.1080/02560240485310061
- Description: The change from an Apartheid state to a liberal democratic one has wrought many changes at all levels of South African society: the economic, social, political, cultural. This paper explores the impacts of these changes on the South African print media industry, with a view to assessing their contribution to the development of a democratic citizenship. While acknowledging the constraining effects of economic structures of ownership, the paper locates these within the broader social and political context of post-apartheid South Africa. It thus attempts to synthesise elements of both a political economy and cultural approach to the analysis of cultural production.
- Full Text:
- Date Issued: 2007
- Authors: Steenveld, Lynette N
- Date: 2007
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/147891 , vital:38682 , DOI: 10.1080/02560240485310061
- Description: The change from an Apartheid state to a liberal democratic one has wrought many changes at all levels of South African society: the economic, social, political, cultural. This paper explores the impacts of these changes on the South African print media industry, with a view to assessing their contribution to the development of a democratic citizenship. While acknowledging the constraining effects of economic structures of ownership, the paper locates these within the broader social and political context of post-apartheid South Africa. It thus attempts to synthesise elements of both a political economy and cultural approach to the analysis of cultural production.
- Full Text:
- Date Issued: 2007
- «
- ‹
- 1
- ›
- »