Epic into Romance: The Tempest 4.1 and Virgil's Aeneid
- Authors: Wright, Laurence
- Date: 1996
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455641 , vital:75445 , https://hdl.handle.net/10520/AJA1011582X_95
- Description: At the conclusion of the betrothal masque for Ferdinand and Miranda, during the dance of the nymphs and reapers, Prospero calls out to the performing spirits," Well done, A void. No more." He has forgotten, as he tells us," that foul conspiracyl Of the beast Caliban and his confed-erates! Against my life"(4.1. 139-41). The entire spectacle vanishes into nothingness. Miranda and Ferdinand are taken aback. Miranda says she's never seen her father in such a state before. Prospero pretends that Ferdinand is alarmed, not by Prospero's own state of emotional disarray, but by the collapse of the masque. And he turns to Ferdinand and launches into what must be one of the three or four best-known speeches in Shakespeare: Be cheerful, sir; Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air, And, like the baseless fabric of this vision, The cloud-capped towers, the gorgeous palaces, The solemn temples, the great globe itself Yea, all which it inherit, shall dissolve, And, like this insub-stantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.(4.1. 148-158).
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- Authors: Wright, Laurence
- Date: 1996
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/455641 , vital:75445 , https://hdl.handle.net/10520/AJA1011582X_95
- Description: At the conclusion of the betrothal masque for Ferdinand and Miranda, during the dance of the nymphs and reapers, Prospero calls out to the performing spirits," Well done, A void. No more." He has forgotten, as he tells us," that foul conspiracyl Of the beast Caliban and his confed-erates! Against my life"(4.1. 139-41). The entire spectacle vanishes into nothingness. Miranda and Ferdinand are taken aback. Miranda says she's never seen her father in such a state before. Prospero pretends that Ferdinand is alarmed, not by Prospero's own state of emotional disarray, but by the collapse of the masque. And he turns to Ferdinand and launches into what must be one of the three or four best-known speeches in Shakespeare: Be cheerful, sir; Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air, And, like the baseless fabric of this vision, The cloud-capped towers, the gorgeous palaces, The solemn temples, the great globe itself Yea, all which it inherit, shall dissolve, And, like this insub-stantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.(4.1. 148-158).
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George Webb Hardy's the Black Peril and the social meaning of ‘Black Peril’ in early twentieth-century South Africa
- Authors: Cornwell, Gareth D N
- Date: 1996
- Language: English
- Type: text , article
- Identifier: vital:6116 , http://hdl.handle.net/10962/d1004240 , https://doi.org/10.1080/03057079608708504
- Description: preprint , The 'Black Peril' — the threatened rape of white women by black men — was an important factor in the moral economy underpinning colonial debate about the 'Native Question' in early twentieth-century South Africa. This essay gives sympathetic consideration to studies which have attempted to link the recurrence of Black Peril panics with specific disturbances in the economy or body politic, before offering symptomatic readings of two pieces of writing by George Webb Hardy, the article 'The Black Peril' (1904) and the novel The Black Peril (1912). These readings suggest that the rape threat was essentially a rationalization of white men's fear of sexual competition from black men. The imagery of purity and contagion, in terms of which the 'endogamous imperative' is typically represented in such texts, suggests that the idea of caste may usefully be invoked in attempts to explain the seemingly irrational public hysteria surrounding the Black Peril phenomenon.
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- Authors: Cornwell, Gareth D N
- Date: 1996
- Language: English
- Type: text , article
- Identifier: vital:6116 , http://hdl.handle.net/10962/d1004240 , https://doi.org/10.1080/03057079608708504
- Description: preprint , The 'Black Peril' — the threatened rape of white women by black men — was an important factor in the moral economy underpinning colonial debate about the 'Native Question' in early twentieth-century South Africa. This essay gives sympathetic consideration to studies which have attempted to link the recurrence of Black Peril panics with specific disturbances in the economy or body politic, before offering symptomatic readings of two pieces of writing by George Webb Hardy, the article 'The Black Peril' (1904) and the novel The Black Peril (1912). These readings suggest that the rape threat was essentially a rationalization of white men's fear of sexual competition from black men. The imagery of purity and contagion, in terms of which the 'endogamous imperative' is typically represented in such texts, suggests that the idea of caste may usefully be invoked in attempts to explain the seemingly irrational public hysteria surrounding the Black Peril phenomenon.
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Nicknames as sex-role stereotypes
- De Klerk, Vivian A, Bosch, A Barbara
- Authors: De Klerk, Vivian A , Bosch, A Barbara
- Date: 1996
- Language: English
- Type: Article
- Identifier: vital:6134 , http://hdl.handle.net/10962/d1011586
- Description: Nicknames are powerful indicators of attitudes towards gender categories and because of their transient and optional nature, it has been argued that they are more likely to show a closer relationship to ongoing trends in the culture and society than other more fixed parts of the language E. B. Phillips (1990) ["Nicknames and Sex Role Stereotypes," Sex Roles, Vol. 23, pp. 281-289]. This study reports on a survey of nickname usage among a group of South African adolescents from mixed socioeconomic backgrounds (approximately 25% other than white) in an attempt to explicate gender-linked trends in frequency of occurrence, usage and attitudes to such special names. It reveals that conventions regarding nickname coinage and usage are intimately connected to the gender of bearers and users, and that more males have nicknames and coin them than females; it also shows significant sex-linked differences in the linguistic sources and users of nicknames, and reveals a greater tendency for female nicknames to function as indicators of affection rather than for humorous or critical effect. It could be argued that these trends could be linked to the nurturing and nurtured role of females in society, and to the differences in social power generally between males and females.
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- Authors: De Klerk, Vivian A , Bosch, A Barbara
- Date: 1996
- Language: English
- Type: Article
- Identifier: vital:6134 , http://hdl.handle.net/10962/d1011586
- Description: Nicknames are powerful indicators of attitudes towards gender categories and because of their transient and optional nature, it has been argued that they are more likely to show a closer relationship to ongoing trends in the culture and society than other more fixed parts of the language E. B. Phillips (1990) ["Nicknames and Sex Role Stereotypes," Sex Roles, Vol. 23, pp. 281-289]. This study reports on a survey of nickname usage among a group of South African adolescents from mixed socioeconomic backgrounds (approximately 25% other than white) in an attempt to explicate gender-linked trends in frequency of occurrence, usage and attitudes to such special names. It reveals that conventions regarding nickname coinage and usage are intimately connected to the gender of bearers and users, and that more males have nicknames and coin them than females; it also shows significant sex-linked differences in the linguistic sources and users of nicknames, and reveals a greater tendency for female nicknames to function as indicators of affection rather than for humorous or critical effect. It could be argued that these trends could be linked to the nurturing and nurtured role of females in society, and to the differences in social power generally between males and females.
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