A discourse analysis of print media constructions of 'Muslim' people in British newspapers
- Authors: Nanabawa, Sumaiya
- Date: 2013
- Subjects: Muslims -- Great Britain -- Public opinion Islam -- Great Britain -- Public opinion Racism in mass media Mass media -- Political aspects -- Great Britain Mass media -- Social aspects -- Great Britain Journalism -- Social aspects Journalism, Commercial -- Great Britain
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3132 , http://hdl.handle.net/10962/d1006767
- Description: This research study aimed to examine how the identity of ' Muslim' people is constructed in British print media today, and whether or not these constructions promote or undermine a xeno-racist project. The research draws on the idea that identity is partly constructed through representation, with an emphasis on how language can be used to construct and position people in different ways. Using a social constructionist paradigm, the study further considers the role that print media has in providing a discursive field within which the construction and reproduction of racist attitudes and ideologies in contemporary global society can take place. Sixty-five newspaper articles were selected from the online archives of British newspapers, The Guardian and The Daily Telegraph using systematic random sampling. These were analysed using the six stages of Foucauldian discourse analysis outlined by Carla Willig. To provide a more fruitful account, the analysis also incorporated the methods of Potter and Wetherell whose focus is on the function of discourse, as well as van Langenhove and Harre's focus on subject positioning, and Parker's use of Foucauldian analysis which looks at power distributions. The analysis revealed that Muslims are discursively constructed as a direct politicised or terror threat, often drawing on discourses of sharia law, and Muslim-Christian relationships. They are also constructed as a cultural threat, drawing on discourses of isolation, oppressed women, the veil/headscarf, identity, visibility and integration. The analysis also showed some variation in constructions, and these extended from the racialization of Muslims to showing the compatibility between Islamic and western values. This study discusses the form these different constructions take and the possible implications these constructions might have in contributing toward a prejudiced and largely negative image of Islam and Muslims.
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- Date Issued: 2013
Glimpsing the balance between earth and sky: a meeting ground for postmodernism and Christianity in four selected novels by Jeanette Winterson and John Irving
- Authors: Edwards, Ross Stephen
- Date: 1999
- Subjects: Postmodernism -- Religious aspects Winterson, Jeanette, 1959- Irving, John, 1942- Postmodernism (Literature)
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2186 , http://hdl.handle.net/10962/d1002228
- Description: The phrase “glimpsing the balance between earth and sky” in the thesis title is taken from Jeanette Winterson’s Oranges Are Not the Only Fruit. In this novel, the central character Jeanette believes she has glimpsed the possibility that human relationships can find their mirror in the relationship with God, as she understands the divine Other. This glimpse has set her wandering, trying to find such a balance. This examination of four selected novels by Jeanette Winterson and John Irving shows that for Irving, “glimpsing the balance” means in part, giving voice to a strongly “Christian” view of humankind and human nature but in an age where the prevailing intellectual worldview is strongly sceptical of any Grand Narrative. The “voice” expressed in Irving’s work has to be situated, like Winterson’s, as one among many possibilities. Irving’s voice is itself masked as different, other/Other, freakish, in the narrative worlds he creates. Through his use of grotesque comedy as a vehicle for deeper philosophical concerns, Irving asks us: What after all in the postmodern world is the main show? This thesis argues that if Winterson and Irving are testing or re-presenting a Christian worldview in a postmodern context, than they are asking whether Christianity is capable of assimilating and rising above the worst circumstances the world, writer, and life can throw at it. In Oranges Are Not the Only Fruit, Winterson tells a story of “forbidden love”, posed as a direct challenge to the prevailing way of knowing in her character’s community. In Gut Symmetries, she expands this challenge by employing the insights of quantum physics to make sense of the complexities raised by a triangular love relationship. Irving offers the story of Owen in A Prayer for Owen Meany as the kind of story which might possibly make a believer out of him; in short, that he would have to be a witness to some kind of miracle, something utterly inexplicable. In A Son of the Circus Irving narrates the quest for identity undertaken by an Indian doctor who is in every way a Displaced Person – the condition, he implies, of anyone who purports to find their piece of the truth. The theoretical concerns of the postmodern project are examined through Lawrence Cahoone’s argument that postmodern writing offers criticism of: presence, origin, unity and transcendence through an analytical strategy of constitutive otherness. In each of their texts, Irving and Winterson are seen to use these four critical elements and to offer a postmodern strategy of re-presenting meaning through “constitutive otherness”. Both writers also employ a strategy of historiographic metafiction (as defined by Linda Hutcheon) as a means of constructing and re-presenting their narrated stories. Postmodern paradox is compatible with what could be called a Christian plan for living, if the latter is in turn given an appropriate 1990s interpretation. The selected novels by Winterson and Irving are offered as contemporary evidence for this view. This thesis argues that the connection between postmodernism and other worldviews, particularly Christianity, is found in both projects’ process of making meanings through encounters with an other/Other.
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- Date Issued: 1999