Another world is possible: the socialist mural in Luanda as Visual Anticipation of a New Socialist Society. We travel the SpaceWay-Black Imagination, Fragments and Diffractions
- Authors: Siegert, Nadine
- Date: 2019
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146309 , vital:38514 , ISBN 9783960915300
- Description: Book abstract. From the visual politics of the FRELIMO-liberation script in Mozambique via the brooms and spoons of Le Balai Citoyen in Burkina Faso, to the updating of images from past revolutions on Twitter and Facebook, often in the diaspora – images play a key role in the envisioning of futures and social utopia. And more than that: Revolutions, understood as moments of radical social and cultural change, are driven by images, as empirical investigations on- and offline show. But what actually constitutes the 'seismographic power' of images, and the sustainability of icons from past ruptures in terms of radicalism, such as the portraits of Burkina Faso's and Mozambiques first presidents' Thomas Sankara and Samora Machel?.
- Full Text:
- Date Issued: 2019
- Authors: Siegert, Nadine
- Date: 2019
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146309 , vital:38514 , ISBN 9783960915300
- Description: Book abstract. From the visual politics of the FRELIMO-liberation script in Mozambique via the brooms and spoons of Le Balai Citoyen in Burkina Faso, to the updating of images from past revolutions on Twitter and Facebook, often in the diaspora – images play a key role in the envisioning of futures and social utopia. And more than that: Revolutions, understood as moments of radical social and cultural change, are driven by images, as empirical investigations on- and offline show. But what actually constitutes the 'seismographic power' of images, and the sustainability of icons from past ruptures in terms of radicalism, such as the portraits of Burkina Faso's and Mozambiques first presidents' Thomas Sankara and Samora Machel?.
- Full Text:
- Date Issued: 2019
Shifting contexts: contemporary South African art in changing times
- Authors: Ntombela, N
- Date: 2019
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146200 , vital:38504 , ISBN 9781869143398 , https://books.google.co.za/books?id=xZlAjySD5-cCandq=Tribing+and+Untribing+the+Archive:+Identity+and+the+Material+Record+in+Southern+KwaZulu-Natal+in+the+Late+Independent+and+Colonial+Periodsdq=Tribing+and+Untribing+the+Archive:+Identity+and+the+Material+Record+in+Southern+KwaZulu-Natal+in+the+Late+Independent+and+Colonial+Periodsl=ensa=Xved=0ahUKEwjJ3oOGgcDpAhVuURUIHQyoAnIQ6AEIJzAA
- Description: Book abstract. The pernicious combination of tribe and tradition continues to tether modern South Africans to ideas about the region's remote past as primitive, timeless, and unchanging. Any hunger for knowledge or understanding of the past before European colonialism remains to a significant degree unsated in the face of a narrowly prescribed archive and repugnant, but insidiously resilient, stereotypes. These volumes track how the domain of the tribal and traditional came to be sharply distinguished from modernity, how it was denied a changing history and an archive, and was endowed instead with a timeless culture. They also offer strategies for engaging with the materials differently-from the interventions effected in contemporary artworks to the inserting of nameless, timeless objects of material culture into histories of individualized and politicized experience. The two volume set make this archive of material culture visible as an archival resource. They also seek to spring the identity trap, releasing the material from pre-assigned identity positions as tribal into settings that enable them to be used as resources for thinking critically about identity.
- Full Text:
- Date Issued: 2019
- Authors: Ntombela, N
- Date: 2019
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/146200 , vital:38504 , ISBN 9781869143398 , https://books.google.co.za/books?id=xZlAjySD5-cCandq=Tribing+and+Untribing+the+Archive:+Identity+and+the+Material+Record+in+Southern+KwaZulu-Natal+in+the+Late+Independent+and+Colonial+Periodsdq=Tribing+and+Untribing+the+Archive:+Identity+and+the+Material+Record+in+Southern+KwaZulu-Natal+in+the+Late+Independent+and+Colonial+Periodsl=ensa=Xved=0ahUKEwjJ3oOGgcDpAhVuURUIHQyoAnIQ6AEIJzAA
- Description: Book abstract. The pernicious combination of tribe and tradition continues to tether modern South Africans to ideas about the region's remote past as primitive, timeless, and unchanging. Any hunger for knowledge or understanding of the past before European colonialism remains to a significant degree unsated in the face of a narrowly prescribed archive and repugnant, but insidiously resilient, stereotypes. These volumes track how the domain of the tribal and traditional came to be sharply distinguished from modernity, how it was denied a changing history and an archive, and was endowed instead with a timeless culture. They also offer strategies for engaging with the materials differently-from the interventions effected in contemporary artworks to the inserting of nameless, timeless objects of material culture into histories of individualized and politicized experience. The two volume set make this archive of material culture visible as an archival resource. They also seek to spring the identity trap, releasing the material from pre-assigned identity positions as tribal into settings that enable them to be used as resources for thinking critically about identity.
- Full Text:
- Date Issued: 2019
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