Converts and conservatives: missionary representations of African rulers in the Northern Transvaal, c. 1870-1900
- Authors: Kirkaldy, Alan , Kriel, Lize
- Date: 2006
- Language: English
- Type: Article
- Identifier: vital:6146 , http://hdl.handle.net/10962/d1003715 , http://www2.unil.ch/lefaitmissionnaire/pages/tables_publi/lfm18_tbl.htm
- Description: During the second half of the nineteenth century, the Berlin Mission Society made strenuous efforts to convert the rulers of the people in whose areas they worked in the Northern Transvaal. In this they were largely unsuccessful. This raises questions about what forces influenced success and failure, and how the missionaries interpreted this. In this article, we interrogate the Berlin Missions Society’s accounts of the life and death of August Makhahane, a ruler of the Vhavenda who converted to Christianity, against the background of the accounts dealing with Matsiokwane Leboho, a ruler of the Bahananwa who did not convert. Through such a comparison, we aim at exploring the contrasted ways in which the Berlin missionaries reported about the two rulers.
- Full Text:
- Authors: Kirkaldy, Alan , Kriel, Lize
- Date: 2006
- Language: English
- Type: Article
- Identifier: vital:6146 , http://hdl.handle.net/10962/d1003715 , http://www2.unil.ch/lefaitmissionnaire/pages/tables_publi/lfm18_tbl.htm
- Description: During the second half of the nineteenth century, the Berlin Mission Society made strenuous efforts to convert the rulers of the people in whose areas they worked in the Northern Transvaal. In this they were largely unsuccessful. This raises questions about what forces influenced success and failure, and how the missionaries interpreted this. In this article, we interrogate the Berlin Missions Society’s accounts of the life and death of August Makhahane, a ruler of the Vhavenda who converted to Christianity, against the background of the accounts dealing with Matsiokwane Leboho, a ruler of the Bahananwa who did not convert. Through such a comparison, we aim at exploring the contrasted ways in which the Berlin missionaries reported about the two rulers.
- Full Text:
The working method of the modern painter
- Authors: Grant, David
- Date: 1977
- Subjects: Painting, Modern -- 20th century , Painting -- Technique
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2503 , http://hdl.handle.net/10962/d1014984
- Description: [From Introduction]. Prior to 1800 advances made in painting could often be accredited to the advances made in paint technology. Since the beginning of the last century however, paint technology has stabilised, moved into the background and allowed the artist to create with the medium rather than be dictated to by it. This stabilising of art technology has also generated a lack of interest in technique, leading in turn to a number of painting techniques being lost. In some ways we know less today of the oil medium and its correct use than was known to Jan and Hubert Van Eyck and their followers. However, if this lack of concern with technique has produced a large number of valid artistic statements which are unlikely to survive physically, it also means that the hoardes of painters who painted technically perfect paintings with no valid art statement have dwindled as well.
- Full Text:
- Authors: Grant, David
- Date: 1977
- Subjects: Painting, Modern -- 20th century , Painting -- Technique
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2503 , http://hdl.handle.net/10962/d1014984
- Description: [From Introduction]. Prior to 1800 advances made in painting could often be accredited to the advances made in paint technology. Since the beginning of the last century however, paint technology has stabilised, moved into the background and allowed the artist to create with the medium rather than be dictated to by it. This stabilising of art technology has also generated a lack of interest in technique, leading in turn to a number of painting techniques being lost. In some ways we know less today of the oil medium and its correct use than was known to Jan and Hubert Van Eyck and their followers. However, if this lack of concern with technique has produced a large number of valid artistic statements which are unlikely to survive physically, it also means that the hoardes of painters who painted technically perfect paintings with no valid art statement have dwindled as well.
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