Rumours of war : de-constructing media discourses of HIV/AIDS in South Africa
- Authors: Connelly, Mark
- Date: 2002
- Subjects: AIDS (Disease) -- South Africa AIDS (Disease) in mass media
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3177 , http://hdl.handle.net/10962/d1007844
- Description: This paper explores discourses of HIV/AIDS evident in a South African daily newspaper from 1985 to 2000, and discusses the implications of these in terms of the way in which HIV/AIDS is constructed in society. In this paper I utilize a Foucauldian analysis of the relationship between power and knowledge. The discursive framework of the war against HIV/AIDS is used to show how different groups of subjects are positioned in relations of power. Within this the power of western science and medicine is influential and supports and informs other discourses of HIV/AIDS. I argue that the discursive framework constructing HIV/AIDS as a war does far more than provide a useful vehicle within which HIV/AIDS can be understood as it supports certain institutions and groups of people above others. The paper concludes by identifying the silenced voices of women and dissidents, and calling for greater reflection concerning the critical analysis of current issues surrounding HIV/AIDS.
- Full Text:
- Authors: Connelly, Mark
- Date: 2002
- Subjects: AIDS (Disease) -- South Africa AIDS (Disease) in mass media
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3177 , http://hdl.handle.net/10962/d1007844
- Description: This paper explores discourses of HIV/AIDS evident in a South African daily newspaper from 1985 to 2000, and discusses the implications of these in terms of the way in which HIV/AIDS is constructed in society. In this paper I utilize a Foucauldian analysis of the relationship between power and knowledge. The discursive framework of the war against HIV/AIDS is used to show how different groups of subjects are positioned in relations of power. Within this the power of western science and medicine is influential and supports and informs other discourses of HIV/AIDS. I argue that the discursive framework constructing HIV/AIDS as a war does far more than provide a useful vehicle within which HIV/AIDS can be understood as it supports certain institutions and groups of people above others. The paper concludes by identifying the silenced voices of women and dissidents, and calling for greater reflection concerning the critical analysis of current issues surrounding HIV/AIDS.
- Full Text:
Art and the Odyssey : the exploration into the Homeric poems, in particular the Odyssey, as symbolic of artistic experience
- Authors: Siopis, Penelope
- Date: 1976
- Subjects: Homer. Odyssey , Mythology, Greek, in art , Odysseus (Greek mythology) in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2500 , http://hdl.handle.net/10962/d1013392
- Full Text:
- Authors: Siopis, Penelope
- Date: 1976
- Subjects: Homer. Odyssey , Mythology, Greek, in art , Odysseus (Greek mythology) in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2500 , http://hdl.handle.net/10962/d1013392
- Full Text:
The artist and the technological society: a survey of attitudes in the wake of scientific and industrial revolution
- Authors: Baker, Claerwen Glenys
- Date: 1976
- Subjects: Art and technology Art, Modern -- 20th century -- History
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2472 , http://hdl.handle.net/10962/d1009499
- Description: One of the most frequently repeated questions of our time is what is art? Since we have become conditioned to the idea that ''significant art - a much overworked modern term - belongs to the revolutionary avant-garde, artists carry their search for the new at all costs into the field of non art. P.1
- Full Text:
- Authors: Baker, Claerwen Glenys
- Date: 1976
- Subjects: Art and technology Art, Modern -- 20th century -- History
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2472 , http://hdl.handle.net/10962/d1009499
- Description: One of the most frequently repeated questions of our time is what is art? Since we have become conditioned to the idea that ''significant art - a much overworked modern term - belongs to the revolutionary avant-garde, artists carry their search for the new at all costs into the field of non art. P.1
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