Narratives and home: remembering an almost forgotten walk
- Bezuidenhout, Natasha Belinda
- Authors: Bezuidenhout, Natasha Belinda
- Date: 2019
- Subjects: Home in literature , Home in art , Artists -- South Africa
- Language: English
- Type: text , Thesis , Masters , MFA
- Identifier: http://hdl.handle.net/10962/115039 , vital:34072
- Description: The title of my exhibition Bittersoet alludes to the self-exploratory nature of my practice, as I interrogate the personal memories associated with objects that characterise the relationship between myself and my mother (mamma). This supporting document, Narratives and Home: Remembering an almost forgotten walk, considers the key conceptual concerns informing my practice. In this mini-thesis, I address the question: ‘What is a home?’. Drawing from my own Fine Art Practice, I explore how home can be examined as a product of the imagination, rather than only as a physical place. I consider how ‘home’ is constructed as the primary objective within an ideological framework defined by history, memory and narrative. Engaging beyond the idea of ‘home’ as a fixed structure or place, I examine the idea of ‘home’ as something fluid that is negotiated and defined by the interaction between objects and language. It is concerned with dialectics of memory and narrative as they pertain directly to an experience of both searching for and reimagining home through metaphorical representations. In particular, I explore how home can be seen as equally familiar and unfamiliar, existing in-between, always changing, never fixed, rather in a constant state of flux. The concept of home is addressed in a dialogical process by using Afrikaans as my mother tongue, I narrate informal conversations between myself and my mother. These conversations transform and expand into hybrid words, memories and narratives to form a layered continuous dialogue between my practice and research. This notion relates to exploring oneself and the ‘fictions’ of the past. The self being fundamental to the individual comprehension of both ‘place’ and ‘space’.
- Full Text:
- Authors: Bezuidenhout, Natasha Belinda
- Date: 2019
- Subjects: Home in literature , Home in art , Artists -- South Africa
- Language: English
- Type: text , Thesis , Masters , MFA
- Identifier: http://hdl.handle.net/10962/115039 , vital:34072
- Description: The title of my exhibition Bittersoet alludes to the self-exploratory nature of my practice, as I interrogate the personal memories associated with objects that characterise the relationship between myself and my mother (mamma). This supporting document, Narratives and Home: Remembering an almost forgotten walk, considers the key conceptual concerns informing my practice. In this mini-thesis, I address the question: ‘What is a home?’. Drawing from my own Fine Art Practice, I explore how home can be examined as a product of the imagination, rather than only as a physical place. I consider how ‘home’ is constructed as the primary objective within an ideological framework defined by history, memory and narrative. Engaging beyond the idea of ‘home’ as a fixed structure or place, I examine the idea of ‘home’ as something fluid that is negotiated and defined by the interaction between objects and language. It is concerned with dialectics of memory and narrative as they pertain directly to an experience of both searching for and reimagining home through metaphorical representations. In particular, I explore how home can be seen as equally familiar and unfamiliar, existing in-between, always changing, never fixed, rather in a constant state of flux. The concept of home is addressed in a dialogical process by using Afrikaans as my mother tongue, I narrate informal conversations between myself and my mother. These conversations transform and expand into hybrid words, memories and narratives to form a layered continuous dialogue between my practice and research. This notion relates to exploring oneself and the ‘fictions’ of the past. The self being fundamental to the individual comprehension of both ‘place’ and ‘space’.
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These aesthetics are not new: Post-Internet conditions and their effect on contemporary ideas of representation in Painting
- Authors: Grecia, Callan
- Date: 2017
- Subjects: Art and the internet , Digital media -- Philosophy , Technology and the arts , Aesthetics , Painting -- Philosophy
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: http://hdl.handle.net/10962/46333 , vital:25601
- Description: These Aesthetics Are Not New draws inspiration from the effect of digital technological progress on a consumer society. The Internet as a source of ubiquitous imagery reaffirms the idea that in a Post-Internet age there is nothing new, only conditions affected by a networked way of life. In this thesis I attempt to question contemporary ideas of representation and art making, specifically within the medium of oil paint, in a digitally consumed culture of instantaneous access. I interrogate the repetitive imagery that pervades our online experiences, and I speak about how I use my grasp of painterly knowledge and lexicon to replicate digital conditions in the real world to further cement my position that contemporary aesthetics, (digital, physical or both) are not new. I first introduce the reader to the idea of the Post-Internet, exploring the digital’s encroachment on our physical spaces and it’s relation to the politics of the medium of Oil Paint. I then address the concept of the Image-Object, and unpack this idea by comparing and contrasting emoji’s in relation to gestural mark making and the ascription of meaning through iconographic methods in Oil Painting. This culminates in an analysis of my physical practice in relation to these ideas, and concludes with my observations on the future of our ways of seeing, as affected by the Internet and technological progression.
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- Authors: Grecia, Callan
- Date: 2017
- Subjects: Art and the internet , Digital media -- Philosophy , Technology and the arts , Aesthetics , Painting -- Philosophy
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: http://hdl.handle.net/10962/46333 , vital:25601
- Description: These Aesthetics Are Not New draws inspiration from the effect of digital technological progress on a consumer society. The Internet as a source of ubiquitous imagery reaffirms the idea that in a Post-Internet age there is nothing new, only conditions affected by a networked way of life. In this thesis I attempt to question contemporary ideas of representation and art making, specifically within the medium of oil paint, in a digitally consumed culture of instantaneous access. I interrogate the repetitive imagery that pervades our online experiences, and I speak about how I use my grasp of painterly knowledge and lexicon to replicate digital conditions in the real world to further cement my position that contemporary aesthetics, (digital, physical or both) are not new. I first introduce the reader to the idea of the Post-Internet, exploring the digital’s encroachment on our physical spaces and it’s relation to the politics of the medium of Oil Paint. I then address the concept of the Image-Object, and unpack this idea by comparing and contrasting emoji’s in relation to gestural mark making and the ascription of meaning through iconographic methods in Oil Painting. This culminates in an analysis of my physical practice in relation to these ideas, and concludes with my observations on the future of our ways of seeing, as affected by the Internet and technological progression.
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Digital multimedia network with hierarchical parameter control protocol
- Gurdan, Robby, Foss, Richard
- Authors: Gurdan, Robby , Foss, Richard
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/427083 , vital:72413 , https://patentimages.storage.googleapis.com/21/04/39/2266c533e05a46/US20100299421A1.pdf
- Description: The present invention relates to a digital multimedia network of apparatuses each comprising a control device, wherein a device parameter of an apparatus is controlled by sending a command message (CMD) to said control device of said apparatus containing a tree-structured hierarchical parameter address (HPA) which consists of parameter grouping identifiers each corresponding to a hierarchy level of a predetermined tree-structured parameter hierarchy used for addressing device parameters throughout said digital multimedia network.
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- Authors: Gurdan, Robby , Foss, Richard
- Date: 2010
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/427083 , vital:72413 , https://patentimages.storage.googleapis.com/21/04/39/2266c533e05a46/US20100299421A1.pdf
- Description: The present invention relates to a digital multimedia network of apparatuses each comprising a control device, wherein a device parameter of an apparatus is controlled by sending a command message (CMD) to said control device of said apparatus containing a tree-structured hierarchical parameter address (HPA) which consists of parameter grouping identifiers each corresponding to a hierarchy level of a predetermined tree-structured parameter hierarchy used for addressing device parameters throughout said digital multimedia network.
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SACTWU Memo
- SACTWU
- Authors: SACTWU
- Date: Feb 1995
- Subjects: SACTWU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/116983 , vital:34464
- Description: In July 1994 the Cabinet approved the appointment of a Ministerial Legal Task Team to overhaul the laws regulating labour relations and to prepare a negotiating document-in draft Bill form to initiate a process of public discussion and negotiation by organized labour and business and other interested parties. Its brief was to draft a Labour Relations Bill which would give effect to government policy as reflected in the Reconstruction and Development Programme (RDP);. give effect to public statements and decisions of the President and the Minister of Labour, which commit the government to International Labour Organisation (ILO) Conventions 87, 98 and 111, among others, and the findings of the ILO’s Fact Finding and Conciliation Commission (FFCC); comply with the Constitution; be simple and, wherever possible, written in a language that the users of the legislation, namely workers and employers, could ^understand, and provide procedures that workers and employers were able to use themselves; be certain and, wherever possible, spell out the rights and obligations of workers, trade unions, employers, and employers’ organizations so as to avoid a case-by-case determination of what constitutes fair labour practices; contain a recognition of fundamental organizational rights of trade unions; provide a simple procedure for the certification of trade .unions and employers’ organizations and for the regulation of specific aspects of these organizations in order to ensure democratic practices and proper financial control; promote and facilitate collective bargaining in the workplace; promote and facilitate collective bargaining at industry level.
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- Authors: SACTWU
- Date: Feb 1995
- Subjects: SACTWU
- Language: English
- Type: text
- Identifier: http://hdl.handle.net/10962/116983 , vital:34464
- Description: In July 1994 the Cabinet approved the appointment of a Ministerial Legal Task Team to overhaul the laws regulating labour relations and to prepare a negotiating document-in draft Bill form to initiate a process of public discussion and negotiation by organized labour and business and other interested parties. Its brief was to draft a Labour Relations Bill which would give effect to government policy as reflected in the Reconstruction and Development Programme (RDP);. give effect to public statements and decisions of the President and the Minister of Labour, which commit the government to International Labour Organisation (ILO) Conventions 87, 98 and 111, among others, and the findings of the ILO’s Fact Finding and Conciliation Commission (FFCC); comply with the Constitution; be simple and, wherever possible, written in a language that the users of the legislation, namely workers and employers, could ^understand, and provide procedures that workers and employers were able to use themselves; be certain and, wherever possible, spell out the rights and obligations of workers, trade unions, employers, and employers’ organizations so as to avoid a case-by-case determination of what constitutes fair labour practices; contain a recognition of fundamental organizational rights of trade unions; provide a simple procedure for the certification of trade .unions and employers’ organizations and for the regulation of specific aspects of these organizations in order to ensure democratic practices and proper financial control; promote and facilitate collective bargaining in the workplace; promote and facilitate collective bargaining at industry level.
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Rhodes University Graduation Ceremony 1994
- Authors: Rhodes University
- Date: 1994
- Language: English
- Type: text
- Identifier: vital:8128 , http://hdl.handle.net/10962/d1006753
- Description: Rhodes University Graduation Ceremonies Friday, 8 April 1994 at 10:30 a.m. [and] 08:15 p.m. [and] Saturday, 9 April 1994 at 10:30 a.m. in the 1820 Settlers National Monument. , Rhodes University East London Graduation Ceremony Saturday, 14 May 1994 at 11.00 a.m. in the Guild Theatre.
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- Authors: Rhodes University
- Date: 1994
- Language: English
- Type: text
- Identifier: vital:8128 , http://hdl.handle.net/10962/d1006753
- Description: Rhodes University Graduation Ceremonies Friday, 8 April 1994 at 10:30 a.m. [and] 08:15 p.m. [and] Saturday, 9 April 1994 at 10:30 a.m. in the 1820 Settlers National Monument. , Rhodes University East London Graduation Ceremony Saturday, 14 May 1994 at 11.00 a.m. in the Guild Theatre.
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