Sa bona, bona, bona (We saw, we saw, we saw)
- Dorothy Kgosilentswe and four young girls, Hugh Tracey
- Authors: Dorothy Kgosilentswe and four young girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165002 , vital:41193 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-06
- Description: "We saw, we saw, we saw, hi, hi, we saw, etc." The girls knelt in a circle, patting the earth in front of them with both hands. Singing game.
- Full Text: false
- Date Issued: 1959
- Authors: Dorothy Kgosilentswe and four young girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165002 , vital:41193 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-06
- Description: "We saw, we saw, we saw, hi, hi, we saw, etc." The girls knelt in a circle, patting the earth in front of them with both hands. Singing game.
- Full Text: false
- Date Issued: 1959
Sananapo (Daughter of the Chief)
- Mokgele Mokgejane, Hugh Tracey
- Authors: Mokgele Mokgejane , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165642 , vital:41266 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-02
- Description: "Sananapo, Sananapo, they have killed her, Sananapo! They gave me a bone which I refused, syaing I cannot eat this person because she is a Chief's daughter." Sananapo, the daughter of the Chief, was murdered. Her murderers were found by the storyteller, cooking and eating her corpose. They offered him a bone, but he refused, saying "I am not a cannibal, especially when it comes to the daughter of a Chief." Cannibalism was rare in this part of Africa and does not often occur in song or story. The last reports of it were believed to have occurred during the Zulu-Ndebele terror in the early part of the 19th century when whole tribes were driven to distraction and desperation by the Zulu raids, under the Captain Mzilikazi who was eventually driven north over the Limpopo river. Story.
- Full Text: false
- Date Issued: 1959
- Authors: Mokgele Mokgejane , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165642 , vital:41266 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-02
- Description: "Sananapo, Sananapo, they have killed her, Sananapo! They gave me a bone which I refused, syaing I cannot eat this person because she is a Chief's daughter." Sananapo, the daughter of the Chief, was murdered. Her murderers were found by the storyteller, cooking and eating her corpose. They offered him a bone, but he refused, saying "I am not a cannibal, especially when it comes to the daughter of a Chief." Cannibalism was rare in this part of Africa and does not often occur in song or story. The last reports of it were believed to have occurred during the Zulu-Ndebele terror in the early part of the 19th century when whole tribes were driven to distraction and desperation by the Zulu raids, under the Captain Mzilikazi who was eventually driven north over the Limpopo river. Story.
- Full Text: false
- Date Issued: 1959
Sananapo (Riddles)
- Itshepheng Masibi, 5 men and 3 women, Hugh Tracey
- Authors: Itshepheng Masibi, 5 men and 3 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164258 , vital:41100 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-12
- Description: "You said you were not an adultess, why then does the child cry?" "Do not fall pregnant, my father has got no cattle." (For your bride-price). Riddles.
- Full Text: false
- Date Issued: 1959
- Authors: Itshepheng Masibi, 5 men and 3 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164258 , vital:41100 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-12
- Description: "You said you were not an adultess, why then does the child cry?" "Do not fall pregnant, my father has got no cattle." (For your bride-price). Riddles.
- Full Text: false
- Date Issued: 1959
Se Bana wa Lela (Do not cry baby)
- Nthebolang Molebatsi, Hugh Tracey
- Authors: Nthebolang Molebatsi , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164267 , vital:41103 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-13
- Description: "Do not cry baby! the water pans have dried up, my father and mother died and I had no one to advise me. (literary 'to straighten me') "My uncle gave me a brown cow which, if it rains, will give me a pailful (of milk). Do not boast of your lover, boast of your husband. One does not boast of a theif." The player sat on the ground with the right leg passed through the bow. She held the bow in her left hand resting the curved wooden part on the ground, string uppermost. She stopped the upper part of the string with her chin, the other end of the bow rested on an enamel basin turned upside down. A second woman joined her towards the end. She stopped playing at one point to adjust the enamel basin resonator. The instrument is played by both men and women. When asked when they play these songs, the answer was, "Any time when we feel onely." Self delectative song with one stringed Nokokwane bow.
- Full Text: false
- Date Issued: 1959
- Authors: Nthebolang Molebatsi , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164267 , vital:41103 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0110-13
- Description: "Do not cry baby! the water pans have dried up, my father and mother died and I had no one to advise me. (literary 'to straighten me') "My uncle gave me a brown cow which, if it rains, will give me a pailful (of milk). Do not boast of your lover, boast of your husband. One does not boast of a theif." The player sat on the ground with the right leg passed through the bow. She held the bow in her left hand resting the curved wooden part on the ground, string uppermost. She stopped the upper part of the string with her chin, the other end of the bow rested on an enamel basin turned upside down. A second woman joined her towards the end. She stopped playing at one point to adjust the enamel basin resonator. The instrument is played by both men and women. When asked when they play these songs, the answer was, "Any time when we feel onely." Self delectative song with one stringed Nokokwane bow.
- Full Text: false
- Date Issued: 1959
Sebata (The clawed lion)
- Group of Hurutshe men, Hugh Tracey
- Authors: Group of Hurutshe men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165520 , vital:41252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-01
- Description: This song is introduced by an old woman. The word "Sebata" used for the lion, is a generic name for all clawed carnivorous animals. "Mariwi" - the "manned one". "Sebata" - the "clawed one" (with special reference to the lion). "The clawed one, the manned one. Lion! It ate the cattle of my in-laws when I was looking after them. Alas! It did not run away." Men's initiation song, sung on returning from the hills.
- Full Text: false
- Date Issued: 1959
- Authors: Group of Hurutshe men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165520 , vital:41252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-01
- Description: This song is introduced by an old woman. The word "Sebata" used for the lion, is a generic name for all clawed carnivorous animals. "Mariwi" - the "manned one". "Sebata" - the "clawed one" (with special reference to the lion). "The clawed one, the manned one. Lion! It ate the cattle of my in-laws when I was looking after them. Alas! It did not run away." Men's initiation song, sung on returning from the hills.
- Full Text: false
- Date Issued: 1959
Sebodu ke Nnenekwane banna (Men are told Nnenekwane is the laziest)
- Matubako Marumo and 3 men, Hugh Tracey
- Authors: Matubako Marumo and 3 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164984 , vital:41191 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-04
- Description: "Men are told that Nnenekwane is the laziest of all. White people are like sharp-eyed buffaloes!" The herdboys while away their time dancing, singing and playing games. Herdboy's dance song with stamping and with leg rattles.
- Full Text: false
- Date Issued: 1959
- Authors: Matubako Marumo and 3 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/164984 , vital:41191 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-04
- Description: "Men are told that Nnenekwane is the laziest of all. White people are like sharp-eyed buffaloes!" The herdboys while away their time dancing, singing and playing games. Herdboy's dance song with stamping and with leg rattles.
- Full Text: false
- Date Issued: 1959
Sechomane, ke kabo ke itsi (Sechomane, if I knew how to write)
- Group of about 30 women, Hugh Tracey
- Authors: Group of about 30 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165344 , vital:41235 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-07
- Description: "Sechomane, if I knew how to write, I would write to the Chief." The melody of this song suggests a similarity with songs from the Masai - Arusha region of Tanganyika. There may be no direct connection whatsoever; it is only the musical impact which suggests the comparison. People's dance with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Group of about 30 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
- Language: Tswana/Lete
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165344 , vital:41235 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-07
- Description: "Sechomane, if I knew how to write, I would write to the Chief." The melody of this song suggests a similarity with songs from the Masai - Arusha region of Tanganyika. There may be no direct connection whatsoever; it is only the musical impact which suggests the comparison. People's dance with clapping.
- Full Text: false
- Date Issued: 1959
Seeta le kgwale mosesetho (Visit the partridge)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165933 , vital:41298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-02
- Description: "Visit the partridge, where have the mothers been last year? Visit the partridge." The initiation schools are held out in the country away from the village, hence the visit to the wild creatures, such as the partridge. Initiation song with drum.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165933 , vital:41298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-02
- Description: "Visit the partridge, where have the mothers been last year? Visit the partridge." The initiation schools are held out in the country away from the village, hence the visit to the wild creatures, such as the partridge. Initiation song with drum.
- Full Text: false
- Date Issued: 1959
Seithataki (An immaculate person)
- Mosinoa Moea and group of 12 men, Hugh Tracey
- Authors: Mosinoa Moea and group of 12 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162092 , vital:40756 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-08
- Description: "Basutoland, my fatherland." "Bushman's Nek is near Machache, in the mountains. I joined up for woek on the mines. When I arrived there I found myself in difficulties. I was with Molelekoa son of Smith. I crossed the Vaal very early in the morning. That was when I was nearly swept down the river. Perhaps it was because I was running away. Running away, leaving my passes on the veld. I left mine in the Western Transvaal. I left my pass and my tax receipt." Mohobelo dance song with hissing.
- Full Text: false
- Date Issued: 1959
- Authors: Mosinoa Moea and group of 12 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162092 , vital:40756 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-08
- Description: "Basutoland, my fatherland." "Bushman's Nek is near Machache, in the mountains. I joined up for woek on the mines. When I arrived there I found myself in difficulties. I was with Molelekoa son of Smith. I crossed the Vaal very early in the morning. That was when I was nearly swept down the river. Perhaps it was because I was running away. Running away, leaving my passes on the veld. I left mine in the Western Transvaal. I left my pass and my tax receipt." Mohobelo dance song with hissing.
- Full Text: false
- Date Issued: 1959
Sekhobe (the name of a Chief)
- Maliketso Rasehoja and 12 Sotho women, Hugh Tracey
- Authors: Maliketso Rasehoja and 12 Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162295 , vital:40830 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-12
- Description: "The Chief's son is flying away in an aeroplane. We of Ramalibe get the uninitiated out of the way. We are going up to the initiation school." Lelingoana women's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Maliketso Rasehoja and 12 Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162295 , vital:40830 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-12
- Description: "The Chief's son is flying away in an aeroplane. We of Ramalibe get the uninitiated out of the way. We are going up to the initiation school." Lelingoana women's initiation song.
- Full Text: false
- Date Issued: 1959
Sekokodia pula wee (We humbly implore rain)
- Large group of women, Hugh Tracey
- Authors: Large group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
- Language: Tswana/Ngwaketse
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162799 , vital:40984 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-07
- Description: "We humbly implore rain, oh, may it rain! If it rains, we shall rejoice." The land belongs to the chief so they bring him the first fruits and a portion is returned to them of which they make beer and also bring some of it to the Chief. This song and others like it, are sung when they drink the beer themselves. This beer is drunk at the Chief's Kgotla. Rain song.
- Full Text: false
- Date Issued: 1959
- Authors: Large group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
- Language: Tswana/Ngwaketse
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162799 , vital:40984 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0109-07
- Description: "We humbly implore rain, oh, may it rain! If it rains, we shall rejoice." The land belongs to the chief so they bring him the first fruits and a portion is returned to them of which they make beer and also bring some of it to the Chief. This song and others like it, are sung when they drink the beer themselves. This beer is drunk at the Chief's Kgotla. Rain song.
- Full Text: false
- Date Issued: 1959
Sekupu ! (Drums)
- Lesole Motsoari, 3 diviners and a group of women, Hugh Tracey
- Authors: Lesole Motsoari, 3 diviners and a group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161028 , vital:40583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-05
- Description: The leader shook his shoulders and body during the song, which movement can be heard in his voice. "Drums!" "At Sione they caught a baboon with long hair Maupha's anger! It is father - boy - (untranslatable). Their anger!. It is father 'Manyetse' (long hair). I am the baby boy." Chorus "Siyavuma." The speaker ends each line with the word "Khanya" (light). The frame drum had crossed wires at the back which were used to hold the drum in the left hand. Both drums were of metal and the usual membrane, they say, is either cow or horse hide. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
- Authors: Lesole Motsoari, 3 diviners and a group of women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161028 , vital:40583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-05
- Description: The leader shook his shoulders and body during the song, which movement can be heard in his voice. "Drums!" "At Sione they caught a baboon with long hair Maupha's anger! It is father - boy - (untranslatable). Their anger!. It is father 'Manyetse' (long hair). I am the baby boy." Chorus "Siyavuma." The speaker ends each line with the word "Khanya" (light). The frame drum had crossed wires at the back which were used to hold the drum in the left hand. Both drums were of metal and the usual membrane, they say, is either cow or horse hide. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1959
Selepe ga se a ja mesu (The axe on the thorn tree)
- Authors: Ngwaketse men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
- Language: Tswana/Ngwaketse
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162550 , vital:40946 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0108-09
- Description: "Chop, chop, the axe on the thorn tree." This is also used as a dance song for the Pina dance, a cheerful party dance. Work song.
- Full Text: false
- Date Issued: 1959
- Authors: Ngwaketse men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
- Language: Tswana/Ngwaketse
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162550 , vital:40946 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0108-09
- Description: "Chop, chop, the axe on the thorn tree." This is also used as a dance song for the Pina dance, a cheerful party dance. Work song.
- Full Text: false
- Date Issued: 1959
Seolhla (song)
- Jane Mosese and large group of men, Hugh Tracey
- Authors: Jane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162101 , vital:40759 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-09
- Description: "Seolhla" is another way of saying "song". It may also be the name of a person as in this song. "Seolhla has left us. Those men on the way to Matsieng have left us behind. Seolhla is riding. If I eat food I will die and leave them to thie love. These wicked people." Mohobelo dance song with stamping of feet.
- Full Text: false
- Date Issued: 1959
- Authors: Jane Mosese and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162101 , vital:40759 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-09
- Description: "Seolhla" is another way of saying "song". It may also be the name of a person as in this song. "Seolhla has left us. Those men on the way to Matsieng have left us behind. Seolhla is riding. If I eat food I will die and leave them to thie love. These wicked people." Mohobelo dance song with stamping of feet.
- Full Text: false
- Date Issued: 1959
Serago ko gae ngwania maphokoje (Serago, at home, the child of the female jackal
- Large group of about 60 young men, Hugh Tracey
- Authors: Large group of about 60 young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162410 , vital:40928 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-05
- Description: On this occasion, the ululating of the women and the general festive air was enhanced because of the singers being freshly returned from their initiation school. "Serago, at home child of the (female) jackal. The shoe, at home, child of the jackal let us go home! Because we have died and vanished, never to return. The sound of the gun was heard in the hills and the gun that was shooting was the Europeans's." Male initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Large group of about 60 young men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
- Language: Tswana/Rolong
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162410 , vital:40928 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-05
- Description: On this occasion, the ululating of the women and the general festive air was enhanced because of the singers being freshly returned from their initiation school. "Serago, at home child of the (female) jackal. The shoe, at home, child of the jackal let us go home! Because we have died and vanished, never to return. The sound of the gun was heard in the hills and the gun that was shooting was the Europeans's." Male initiation song.
- Full Text: false
- Date Issued: 1959
Sikere ka lenaka (He is carrying it with a horn)
- Mapidio Elisabeth Mothulwe and 30 women, Hugh Tracey
- Authors: Mapidio Elisabeth Mothulwe and 30 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165942 , vital:41299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-03
- Description: "Mankeke is carrying a bucket with a horn, we have seen him. He is carrying the bucket with a horn." Initiation ceremonies bring out a number of somewhat strange songs whose meaning appears to be symbolic and only understood by the locals, if at all. Initiation song with drum.
- Full Text: false
- Date Issued: 1959
- Authors: Mapidio Elisabeth Mothulwe and 30 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165942 , vital:41299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-03
- Description: "Mankeke is carrying a bucket with a horn, we have seen him. He is carrying the bucket with a horn." Initiation ceremonies bring out a number of somewhat strange songs whose meaning appears to be symbolic and only understood by the locals, if at all. Initiation song with drum.
- Full Text: false
- Date Issued: 1959
Silang moshoko (Grind and make porridge)
- Grace Merementsi and group of about 30 school girls, Hugh Tracey
- Authors: Grace Merementsi and group of about 30 school girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165177 , vital:41215 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-09
- Description: "Grind and make porridge, milk the cows. The sun has set. The children are hungry. The children are getting rheumatic. That man is lean." Some of the children knelt and rubbed the stones on each other, in imitation of grinding whilst the others sang and made appropriate miming gestures to each verse. Children's singing game.
- Full Text: false
- Date Issued: 1959
- Authors: Grace Merementsi and group of about 30 school girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Disaneng f-sa
- Language: Tswana/Tlharo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165177 , vital:41215 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0111-09
- Description: "Grind and make porridge, milk the cows. The sun has set. The children are hungry. The children are getting rheumatic. That man is lean." Some of the children knelt and rubbed the stones on each other, in imitation of grinding whilst the others sang and made appropriate miming gestures to each verse. Children's singing game.
- Full Text: false
- Date Issued: 1959
Stepps a dikgomo di teng (Steeps, are there cattle in this place)
- Mokgele Mokgejane and group of 24 Hurutshe men, Hugh Tracey
- Authors: Mokgele Mokgejane and group of 24 Hurutshe men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165583 , vital:41259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-08
- Description: "Stepps, are there cattle in this place? Come, let us take them. We must take them from Mokwena and drive them into a cave." The woman at the end of the song spoke the praises of the successful cattle-raiders. It appears to be a local custom to recite praise verses at the conclusion of each song. How the name 'Steeps' originated is not known. Cattle raiding song.
- Full Text: false
- Date Issued: 1959
- Authors: Mokgele Mokgejane and group of 24 Hurutshe men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165583 , vital:41259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-08
- Description: "Stepps, are there cattle in this place? Come, let us take them. We must take them from Mokwena and drive them into a cave." The woman at the end of the song spoke the praises of the successful cattle-raiders. It appears to be a local custom to recite praise verses at the conclusion of each song. How the name 'Steeps' originated is not known. Cattle raiding song.
- Full Text: false
- Date Issued: 1959
Sutha tseleng (Get out of the way)
- Authors: Jacquot Mokete , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161104 , vital:40592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-11
- Description: "Get out of the way. Don't be frightened by gossip, girls, gossip is always a storm in a village. Don't change your abode just because somebody says he loves you. You will find people like that wherever you go. A woman is a dog for whom everybody wants to die." The last line seems to mean that just as an owner is ready to die for his dog should anyone molest it, so a man is ready to die for a woman should she be attacked. The player placed an empty condensed milk tin picked up off the ground nearby, over the free end of the harmonica, vibrating it to and from as far as his mouth position would allow, thus producing not only greater resonance to his own ear but a vibrato as well. Self delectative song, with harmonica.
- Full Text: false
- Date Issued: 1959
- Authors: Jacquot Mokete , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161104 , vital:40592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-11
- Description: "Get out of the way. Don't be frightened by gossip, girls, gossip is always a storm in a village. Don't change your abode just because somebody says he loves you. You will find people like that wherever you go. A woman is a dog for whom everybody wants to die." The last line seems to mean that just as an owner is ready to die for his dog should anyone molest it, so a man is ready to die for a woman should she be attacked. The player placed an empty condensed milk tin picked up off the ground nearby, over the free end of the harmonica, vibrating it to and from as far as his mouth position would allow, thus producing not only greater resonance to his own ear but a vibrato as well. Self delectative song, with harmonica.
- Full Text: false
- Date Issued: 1959
Tau lia rora (Lions roar)
- Group of 15 Sotho girl initiates, Hugh Tracey
- Authors: Group of 15 Sotho girl initiates , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162256 , vital:40827 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-09
- Description: The singers sat in a close circle on the ground with one in the middle. The grass or masks decorated with fringes of beads or woollen balls. Patterns were worked in the clay daubed on their legs. The singers made their exit in single file to dance in a circle some distance away. They carried long forked wands. "Far down, Lions are roaring. What are they eating that causes them to roar so? They eat small insects. The owner of the grey horse gallops it towards Taung. The Tembu woman who has run away must be brought back to the place where the women are. The song is finished. The song of your companions." Lelingoana women's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of 15 Sotho girl initiates , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162256 , vital:40827 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-09
- Description: The singers sat in a close circle on the ground with one in the middle. The grass or masks decorated with fringes of beads or woollen balls. Patterns were worked in the clay daubed on their legs. The singers made their exit in single file to dance in a circle some distance away. They carried long forked wands. "Far down, Lions are roaring. What are they eating that causes them to roar so? They eat small insects. The owner of the grey horse gallops it towards Taung. The Tembu woman who has run away must be brought back to the place where the women are. The song is finished. The song of your companions." Lelingoana women's initiation song.
- Full Text: false
- Date Issued: 1959