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Udandani makulata

- Fainos Gasa, Hugh Tracey

Waramba ukuma (He refused the relationship)

- Murira, Madzikuminga, Muzengedza and Madera, Hugh Tracey

Watenga mbengo ndani (Who took the chief's towell?)

- Older men of Njolomole, Hugh Tracey

  • Authors: Older men of Njolomole , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Njolomoe, Ncheu District, Central Nyasaland f-mw
  • Language: Ngoni
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154829 , vital:39783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-03
  • Description: This kind of song, they say, was sung at the gathering to remember a dead person. The Chief's towell was a cloth which was wrapped around the blade of a short spear which the chief held in his hand in order to wipe the perspiration off his face while he danced. "Who took the chief's towell, Oyayo! who ever it is, bring back Oyayo! look everywhere where the chief's people are, until you find it." Chitoto obsequies after funeral with small iron bells.
  • Full Text: false
  • Date Issued: 1959

Waya waya le Makalatshane (You keep comapny with a rogue)

- Jemina Pheha and 24 women, Hugh Tracey

  • Authors: Jemina Pheha and 24 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166029 , vital:41309 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-12
  • Description: "You go, you go with a rogue. My son has gone to work for money. The bus is broken. They have broken the bus. The red one with a hole. The bran breaks the spoon. The rogue is Mokgadi Kwekwe. Mmapula is the clan. Mmapula, do not swear at me. I am not your comrade. They give beer according to relationship. Mokgadi is a 'tsotsi', we are surprised." This song is full of topical allusions to local village scandals, and is only to be understood by those acqainted with them. "They give beer according to relationship" implies family favouritism, and friends being left out when the beer goes round. The girl who is keeping comapny with a rogue is not mentioned by name, but is known in the village. Drinking song with netal bucket used as a drum.
  • Full Text: false
  • Date Issued: 1959

Wazizwa zitini zindata (What did you hear of the trouble)

- Elderly men of Chief Kachere, Hugh Tracey

Xhosa I (Saturday is a lonely day)

- Four men and group of women, Hugh Tracey

  • Authors: Four men and group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165660 , vital:41268 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-04
  • Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
  • Full Text: false
  • Date Issued: 1959

Xhosa II (Xhosa)

- Four men and group of women, Hugh Tracey

  • Authors: Four men and group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Gopane f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165665 , vital:41269 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0114-05
  • Description: "Saturday is a lonely day." "If you have no one to go out with on a Saturday, you feel very lonely indeed", they explained. This version of the step dance which is performed with rubber or other padding on the ankles, is similar to the 'Isicatulo' boot dance of the Southern Zulu and Xhosa tribes. Step dance with clapping.
  • Full Text: false
  • Date Issued: 1959

Yelakomo kigoala file (Give me a cow because I have cured you)

- Abraham Mudukanele and 18 Hurutshe men, Hugh Tracey

(A)Kankukhu (The Chicken) (B) Kaposi Kapila (One, two) (C) Thu njeketu (I have walked with my sister)

- Young Chewa girls and boys, Hugh Tracey

  • Authors: Young Chewa girls and boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153311 , vital:39434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-01
  • Description: These are traditional children's verses whose meaning is obsecure as, it is believed, they are composite collections of odd lines. But the words sound well and so have survied. a) "The small chicken is angry. You have refused me everything. You have made me cross. It is enough to make me leave you" says the small chicken. b) A counting jingle. c) "I have walked with my sister. I have forgotten my bow and arrows. Go fetch them for me. Why have I given them to someone else (The sister replies) "Shall I brew you some beer? (Reply) "I don't drink beer." Children's verses.
  • Full Text: false
  • Date Issued: 1958

A Baiwelu (The story of the foolish young man 'Baiwelu')

- Four Chewa lads, Hugh Tracey

  • Authors: Four Chewa lads , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153864 , vital:39531 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-09
  • Description: There was once a man who wanted to get married and he found two sisters. He asked the elder on to marry him and she agreed. But when he came back the next day the elder sister was not at home and he asked the younger sister to marry him instead. She said, "What about my elder sister, and what would we do with her?" The elder sister heard about the proposal to the younger sister, she cooked food, put poison in it and gave it to the young man so he died. When they were taking his body to the grave they sang this song: "Baiwelu, you were killed by Berita (the name of the elder sister). But when they sang this song the dead Bauwelu heard it and became alive again." Story with song "Ntano" with clapping.
  • Full Text: false
  • Date Issued: 1958

A Lomwe tasiyane (Lomwe go away)

- Chewa women, Hugh Tracey

  • Authors: Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Lilongwe District, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153518 , vital:39461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-23
  • Description: "You Lomwe man, go away from me! Let another come and marry me especially a man who wears an elastic belt." The significance of the elsatic belt was not explained, except to say that only 'rich' men could afford elastic. The song is about a certain Lomwe man, her husband, who, she sings is very poor and dressed only in rags which fall to pieces if you try to sew them up on the sewing machine. "Let me go and marry another man who does not have so many patches on his trousers which break the sewing machine." During the item the sound of the winnowing of bran from the corn in a sieve can be heard. Pounding song with pestle and mortar.
  • Full Text: false
  • Date Issued: 1958

A m'bwalo (Unmarried boys)

- Small girls, Hugh Tracey

  • Authors: Small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160061 , vital:40377 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-10
  • Description: The boys go around at night in a group to tease the girls by standing outside their huts, pulling out their sleeping mats and generally making nuisances of themselves, so it was explained. "Unmarried boys "teka-teka" they break the mats. They mock and they do not get fat. Shaking the mats. We will report them to the elders, for breaking our mats." Girls song with clapping.
  • Full Text: false
  • Date Issued: 1958

A Mama dyelawe (Mother what greed)

- Chewa girls, Hugh Tracey

A Mdoka (Mdoka and the bee sting)

- R. W. Katenga-Kaunda and 3 Tonga lads, Hugh Tracey

  • Authors: R. W. Katenga-Kaunda and 3 Tonga lads , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Chinteche District f-rh
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156225 , vital:39964 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-03
  • Description: Some young men came to see the chief who asked each in turn how their homes were. They said they were all alright except for Mdoka who had been stung by a bee on his lips. This gave rise to a song about his misfortune. The others also told the chief their stories including one about the fish they were catching and he sang a canoe song "Kanye Kanye madoda, Kanye kanye haiye." 'A' before a name is the local honorific equivalent of Mister. Story song with clapping.
  • Full Text: false
  • Date Issued: 1958

A Namageli

- Faresi Gama and Nadiesi Namulinde, Hugh Tracey

A Nkundazuwa

- Four elderly Chewa women, Hugh Tracey

  • Authors: Four elderly Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160556 , vital:40474 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-03
  • Description: The Konsolo dance is said to have been performed in the 1930's. It is suggested that Nkundazuwa was very fond of playing with the baby and used to wake it up for this purpose. Nkundazuwa is a village headman, living about 10 miles from the village of Kachere. A pleasant little sidelight on family life. "A Nkundazuwa pinches his baby and wakes it up so that it does not go to sleep." Konsolo women's dance with clapping.
  • Full Text: false
  • Date Issued: 1958

A sante mwe

- 4 Tumbuka boys, Hugh Tracey

A) Kazima (Wait for me) B) I-e-e Gumbwa Gumbwa (How alike things are) C) Mee Mbuzi Mee (My Shephard) D) Amanu (Temper, temper)

- Young boys and girls, Hugh Tracey

  • Authors: Young boys and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Vidzumo, Kasungu, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153320 , vital:39435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-02
  • Description: Sung by boys and girls in their separate sleeping huts before falling asleep. Verses such as these are the heritage of most African tribes. a) "Kazima, wait for me, please wait for me. There is some meat on the roof. (I have something to tell you). There is something on the path. There is meat on the roof. b) "I-i-i! How alike things are!. The people here are clever. They visit secretly, so... The meat has gone away. With whom shall I walk? The story is told, so... To whom shall I walk?" c) "My shephard is dead, he striped and fell. Oh dear, oh dear. The goat cries 'me-e-e!" d) "Where has the mother gone? Where is she? She has gone to Malambo. What has she gone for? She has gone to buy millet. What will she do with it? She will make beer. (etc.) Verses are made up as they go along. 4 Children's verses.
  • Full Text: false
  • Date Issued: 1958

A) Lululu, B) Leza wa mwana

- Lusiya Nabanda (a grandmother), Hugh Tracey

  • Authors: Lusiya Nabanda (a grandmother) , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Chadza, Liliongwe, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153329 , vital:39436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-03
  • Description: Old traditional lullabies, by Chewa women of this district. In them the continually harassed mother mentions her many and endless duties which demand her attention as well as the child which needs her constant care. b) "Luluya, sleeping child, do not cry. See your motehr is at work. See the porridge pot is boiling. Don't go on crying, go to sleep. A child's god is a scrap of food. Its mother is the stirring stick. Should I nurse a child on account of the stirring stick? Its father is its first finger. I get only a share from the kitchen spoon." Two lullabies.
  • Full Text: false
  • Date Issued: 1958

A-a-ye nanga omwale (Aaye! what about Omwale)

- Women, Hugh Tracey

  • Authors: Women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158936 , vital:40242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-12
  • Description: Dance tunes with the minimum of melodic inspiration to evoke the dance. The bass drum was beaten by two women, one on each side of the drum opposite each other. The song consists mostly of references to the names of local persons. Such as OMwale, Ojere, OPhiri etc., each with the tonorific prefix 'O'. The equivalent of the English "Mister". Dance tune with bass drum.
  • Full Text: false
  • Date Issued: 1958
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