Showing items 2921 - 2940 of 3133

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Tich mabere

- Zedekia Ochow, Hugh Tracey

Tikumbuka Vifya

- Beti Kamanga, Hugh Tracey

  • Authors: Beti Kamanga , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184597 , vital:44239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-04
  • Description: The line of great hills which run up along the North Western flank of the Lake Nyasa is called Vipya in the south and Vifya among the Tongs in the north. The song refers to the tragic loss of the Lake steamer 'Vipya' in 1947, which was named after the hills, while she was carrying pilgrims crossing the lake to go to Dar-es-Salaam. Lament
  • Full Text: false
  • Date Issued: 1950

Tilenjela anthudazi. Citawala 2nd movement

- Young Chewa men, Tracey, Hugh

Timuke nanu oiya

- Khwele Kwenda, Hugh Tracey

  • Authors: Khwele Kwenda , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186523 , vital:44508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-11
  • Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "Although I am so quiet, Mother, I still have many troubles because of my poverty." Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
  • Full Text: false
  • Date Issued: 1950

Tisankhe lero

- Chewa girls at Mwase, Hugh Tracey

Title 1. Amacila kuwowa, Title 2. Kwathu ntele

- Rabsoni Banda, Chewa men, Hugh Tracey

Title 1. Skekelele Canthemwa, Title 2. Zamuone magege

- School children at Mwase Central School, Hugh Tracey

  • Authors: School children at Mwase Central School , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186547 , vital:44510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-12
  • Description: a. "We are glad to see our Chief, who has come to collect taxes." It is clear the song is sung by the children and not by the tax payers. b. "Come and see the stones." This song usually accompanies a singing game done with stones which are passed on from child to child in the circle. The leader started this song before the first had finished. The style of singing in both these songs originated from the school rather than the villages. Two Walking song
  • Full Text: false
  • Date Issued: 1950

Tiye kwanu mtengwa

- Khwele Kwenda, Hugh Tracey

  • Authors: Khwele Kwenda , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186518 , vital:44507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-10
  • Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "My wife go to your home and tell them there all your troubles (don't bother me with them.)" Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
  • Full Text: false
  • Date Issued: 1950

Tiziyendelana

- Ganizani Nyirenda, Hugh Tracey

Tokora

- Bukombe Mukirane, Hugh Tracey

  • Authors: Bukombe Mukirane , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Toro f-ug
  • Language: Lhukonzo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169561 , vital:41765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-18
  • Description: This flute is unusual in that it is made from a single section of banboo 28 inches long by 3/4 inches. The bamboo grows on the higher slopes of the Ruwenzori mountain just above the homes of the Konjo people who live on the foothills below. The first finger hole is 17 inches from the mouthpiece notch. The four holes are played by the first and third fingers of each hand, the thumbs and second fingers holding the flute. Bamboos on the Ruwenzori are said to grow as much as 14 inches per day, which makes them ideal for making flutes as the distance between nodes is long. Nyamulera dance for men with Nyamulera four holed end blown notched flute, two conical drums, laced, single, played with hands.
  • Full Text: false
  • Date Issued: 1950

Tong, tong

- Bondo Choir of Luo girls, leader, John Cosmos Owade, Hugh Tracey

Topima

- Kagaruki Nkokolo with Haya men, Hugh Tracey

Tubuke ku kaya kwa Mwankenya

- Mwanjila Nsolo, Hugh Tracey

  • Authors: Mwanjila Nsolo , Hugh Tracey
  • Date: 1950
  • Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
  • Language: Nyakyusa , Zaramo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175282 , vital:42560 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-06
  • Description: This instrument had four rows of red beads tied across the notes which rattled as each note below it was played. All the Bantu tribes appear to like this kind of buzzing which to them seems to enhance the rhythm at the expense of the melody. The vibrato effect is achieved through the use of a vibrato hole in the back of the instrument. Nostalgic song, with 7 note Limba (Mbira).
  • Full Text: false
  • Date Issued: 1950

Tubuke kukaya

- Emele Kipalata, Hugh Tracey

  • Authors: Emele Kipalata , Hugh Tracey
  • Date: 1950
  • Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
  • Language: Nyakyusa , Zaramo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175300 , vital:42562 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-08
  • Description: "Good day, teacher, good day, mother, Let us go home." The tuning of the instrument was:- 356, 328, 312, 284, 252, 212, 178, 126. Although this tune has the same title as one played by Mwanjila they appear to bear little melodic relationship to each other. Nostalgic song with 8 note Limba (Mbira).
  • Full Text: false
  • Date Issued: 1950

Tukandikwa mazina

- Kabadiko Lugembe with Sukuma men and women, Hugh Tracey

Tukandikwa mazina

- Kabadiko Lugembe with Sukuma men and women, Hugh Tracey

Tukhongine tulauya

- Pancras Mkwawa and Anslem P. Mkwawa, Hugh Tracey

  • Authors: Pancras Mkwawa and Anslem P. Mkwawa , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Hehe (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Iringa f-tz
  • Language: Hehe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174951 , vital:42524 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR157-01
  • Description: "Though we all gather here together yet one day we shall die and meet no more." The singer has a wide reputation as a player of Ligombo an unusually beautiful instrument, with a large gourd attached to one end of the zither. His son is sitting beside him and tappinf the backs of his fingers on the gourd. Mkwawa also hits the gourd occasionally after the fashion of Spanish guitarists. Mourning song, with Ligombo tube Zither, 6 strings.
  • Full Text: false
  • Date Issued: 1950

Tukulanga

- Mzee Juma with Shirazi men, Hugh Tracey

  • Authors: Mzee Juma with Shirazi men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
  • Language: Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179938 , vital:43252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-07
  • Description: The player takes some time to get into his rhythm. The first tune was played ith the instrument on the ground, the first fingers striking the notes downwards. The second tune was played with the instrument between the palms and plucked with the thumbs in the more usual manner. Instrumental tune, Marimba Madongo.
  • Full Text: false
  • Date Issued: 1950

Tula bongela heya (We are talking, yes!)

- Idi Selemani with Nyamwezi men and women, Hugh Tracey

Tulamugishe mwamasala

- Lugingisi Mwanaguthondo with Sukuma men and women, Hugh Tracey

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