The ibali of Nongqawuse: translating the oral tradition into visual expression
- Authors: Nhlangwini, Andrew Pandheni
- Date: 2003
- Subjects: Nongqawuse, 1841-1898 , Xhosa (African people) -- History , Oral tradition -- South Africa -- Eastern Cape , Oral history -- South Africa -- Eastern Cape , Art -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MTech (Fine Art)
- Identifier: vital:10761 , http://hdl.handle.net/10948/237 , Nongqawuse, 1841-1898 , Xhosa (African people) -- History , Oral tradition -- South Africa -- Eastern Cape , Oral history -- South Africa -- Eastern Cape , Art -- South Africa -- Eastern Cape
- Description: The tribal life and the oral traditions of black South Africans have been marginalized. The consequence of the western civilization and the apartheid regime forced people to do away from their traditional heritage and culture; they adopted the western way of life. They buried their oral tradition and only a little has survived. To save the dying culture of the art of the oral tradition we need to go out and record and document the surviving oral tradition as soon as possible. Since the art of the oral tradition is an art form conducted by an artist, it may be possible to tell the ibali likaNongqawuse by means of visual imagery. Visual images can be read and be understood easily by the public because visual forms, sings, images can make up a language for both the literate as well as the illiterate.
- Full Text:
- Date Issued: 2003
- Authors: Nhlangwini, Andrew Pandheni
- Date: 2003
- Subjects: Nongqawuse, 1841-1898 , Xhosa (African people) -- History , Oral tradition -- South Africa -- Eastern Cape , Oral history -- South Africa -- Eastern Cape , Art -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Masters , MTech (Fine Art)
- Identifier: vital:10761 , http://hdl.handle.net/10948/237 , Nongqawuse, 1841-1898 , Xhosa (African people) -- History , Oral tradition -- South Africa -- Eastern Cape , Oral history -- South Africa -- Eastern Cape , Art -- South Africa -- Eastern Cape
- Description: The tribal life and the oral traditions of black South Africans have been marginalized. The consequence of the western civilization and the apartheid regime forced people to do away from their traditional heritage and culture; they adopted the western way of life. They buried their oral tradition and only a little has survived. To save the dying culture of the art of the oral tradition we need to go out and record and document the surviving oral tradition as soon as possible. Since the art of the oral tradition is an art form conducted by an artist, it may be possible to tell the ibali likaNongqawuse by means of visual imagery. Visual images can be read and be understood easily by the public because visual forms, sings, images can make up a language for both the literate as well as the illiterate.
- Full Text:
- Date Issued: 2003
The history of Theopolis Mission, 1814-1851
- Authors: Currie, Marion Rose
- Date: 1983
- Subjects: Barker, George, 1786-1861 , Missions -- South Africa -- Eastern Cape -- History , Khoikhoi (African people) -- History , Xhosa (African people) -- History , Cape of Good Hope (South Africa) -- History -- 1814-1851
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2536 , http://hdl.handle.net/10962/d1002388 , Barker, George, 1786-1861 , Missions -- South Africa -- Eastern Cape -- History , Khoikhoi (African people) -- History , Xhosa (African people) -- History , Cape of Good Hope (South Africa) -- History -- 1814-1851
- Description: This thesis is an investigation of the part played by Theopolis Mission on the Frontier, in the community (both secular and religious)and in the context of race relations. The Journal itself provides the terse, sometimes angry core of commentary on the total situation, and an attempt has been made, by setting it in a broader context, to dispel some of the myths which persist about the role of the Christian missionary, about Khoi Missions (in sharp contast to Xhosa Missions) and about Dr John Phllip. A clear picture has emerged of a people whose life-style, antecedents and history have been inadequately researched in tne period subsequent to 1800.
- Full Text:
- Date Issued: 1983
- Authors: Currie, Marion Rose
- Date: 1983
- Subjects: Barker, George, 1786-1861 , Missions -- South Africa -- Eastern Cape -- History , Khoikhoi (African people) -- History , Xhosa (African people) -- History , Cape of Good Hope (South Africa) -- History -- 1814-1851
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2536 , http://hdl.handle.net/10962/d1002388 , Barker, George, 1786-1861 , Missions -- South Africa -- Eastern Cape -- History , Khoikhoi (African people) -- History , Xhosa (African people) -- History , Cape of Good Hope (South Africa) -- History -- 1814-1851
- Description: This thesis is an investigation of the part played by Theopolis Mission on the Frontier, in the community (both secular and religious)and in the context of race relations. The Journal itself provides the terse, sometimes angry core of commentary on the total situation, and an attempt has been made, by setting it in a broader context, to dispel some of the myths which persist about the role of the Christian missionary, about Khoi Missions (in sharp contast to Xhosa Missions) and about Dr John Phllip. A clear picture has emerged of a people whose life-style, antecedents and history have been inadequately researched in tne period subsequent to 1800.
- Full Text:
- Date Issued: 1983
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